The image, character and characteristics of Larisa Ogudalova based on the play (drama) The Dowry (Ostrovsky A.). A.N. Ostrovsky "Dowry": description, characters, analysis of the work What attracts me to Larisa Ogudalova
Ostrovsky wrote the drama "Dowry" in 1879, that is, in the last, third period of his work. Prior to this, the playwright had already created the plays "Thunderstorm" and "Hot Heart". These three dramatic creations of Ostrovsky are united by a single theme. Katerina in "Thunderstorm", Parasha in "Hot Heart", Larisa in "Dowry" - they all belong to the same type of women, women with a rebellious soul. But, despite the fact that all girls experience because of love, each of them has their own drama in life.
"Dowry" differs from the other two works in that in it the main character is faced with the cruel world of bourgeois relations, and is not opposed to the "dark kingdom", as in "Thunderstorm". The main theme of the play is the drama of the human person in an inhuman society. And this dramatic personality in the work is Larisa Ogudalova.
Larisa Dmitrievna is a well-mannered and kind girl. Hence her good attitude towards people, her respect for her mother. We feel sorry for the main character when we see her mother. She seeks profit in everything, wants to find the daughter of a rich groom. To do this, the mother teaches Larisa the tricks that she must apply in life. The elder Ogudalova is more down to earth and practical than the younger one. This misunderstanding between mother and daughter, the striking difference in their characters is striking. Of course, this only makes it harder for Larisa. Not only did she already once become disillusioned with love, she was abandoned, but now she must be humiliated by the search for rich suitors. Thus, Larisa's life in her home is not painted in bright colors, she is overshadowed by misunderstanding and constant humiliation. The girl's mother says: “We are poor people, we have to humiliate ourselves all our lives. So it’s better to humiliate yourself from a young age, so that later you can live like a human.”
The most important drama of Larisa is her spiritual, heartfelt experiences. The girl already knew disappointment in love and betrayal, when Sergei Sergeevich Paratov went to her for two months, “recaptured all the suitors,” and then disappeared to no one knows where.
Larisa has no choice but to marry petty Karandyshev, a profitable groom who will save her from humiliation. The future husband, according to the girl, is not at all like Paratov, whom she truly loves and cannot forget. Larisa sees all the insignificance of Karandyshev, she is even ashamed of his "arrogance", because he is nothing to everyone around him. From all the troubles and shame, the girl seeks salvation in the village, in nature. She constantly tells her mother that she wants to escape to the village, where she can finally rest her soul. Larisa finds temporary solace in singing, when sounds take her away from problems. Gypsy song and Russian romance, poems by Lermontov and Baratynsky sound in her musical and sensitive soul. The inner world of Larisa is rich, in contrast to the knurovyh and vozhevatovyh. The poetic nature of the girl flies over the world on the wings of music. No wonder her name in Greek means "seagull" ...
When Paratov returns, Larisa thinks that he is a stranger to that world of cold and prudent businessmen. Having idealized the image of her lover, the girl considers him a “master”, she is ready to follow him even to the ends of the world. With all her heart and soul, she rushes into the pool of love, gives herself to Paratov, not suspecting that he is unworthy of her. His spiritual world is much more primitive, prudent and proud than the soul of Larisa. In order to have fun the rest of the “idle days”, Sergei Sergeevich calls the girl to the Volga. Larisa, seeing his determination, believed in love, believed him and went to meet imaginary happiness. However, Knurov and Vozhevatov know Paratov better. They guessed that “it’s not without deceit that he again beckoned her with words,” they knew that Sergei Sergeevich would never exchange a dowry for a millionaire.
The scene of Paratov's conversation with Larisa after a trip along the Volga is full of drama. The girl was expecting a marriage proposal, otherwise what were these beautiful words, the time spent with her for? But Paratov not only did not justify her hopes, but also severely insulted Larisa, saying that he was already engaged. Isn't this drama? What could be worse? To trust a person, to give a part of your soul, and in return to receive a stupid game, empty words, and, in the end, a cruel betrayal. Larisa turned out to be a toy, entertainment for Paratov. What can a girl expect from life? Even marriage to Karandyshev now cannot save her. Although Karandyshev still saves her: by shooting, he performs a “good deed”. Before her death, Larisa sees the collapse of her illusions, reality opens up to her: "They are right, I am a thing, not a person." Dying, she thanks Karandyshev for giving her the opportunity to leave the world in which a high ideal is trampled and where she feels like a “thing”, an object of sale: “I was looking for love and did not find it. They looked at me and look at me as if they were fun.
The drama of the main character lies in the fact that her spiritual world cannot exist in a society of money and primitiveness, in which the interests of men and women are limited to a six-figure dowry. The material here displaces kindness, sincerity and even love. Love is always in second or even third place after money and position in society. Larisa could not adapt, could not fall in love with Karandyshev's rubles and endure disappointment in the ideal image of Paratov she had created. It seems absurd: good does not triumph over evil, love does not take precedence over dowry, as is usually the case on the pages of most books. Ostrovsky, writing "Dowry", made the reader or viewer think, realize the problem of the correlation of feelings and calculation. If all of us choose the latter, then love will disappear from the world. Is this material well-being worth it? I think not.
Although the play "Dowry" was created more than one hundred and twenty years ago, it is still interesting to read or watch on stage. And in our time, you can meet prudent paratovs and mundane karandyshevs. I think that Ostrovsky can be thanked for the fact that after repeated productions of the play “The Dowry”, there are fewer and fewer such people, and more and more women with the soul of Larisa Ogudalova, and natures like her find their happiness in this world.
The famous play "Dowry", which Ostrovsky wrote over the course of four years from 1874 to 1878, was considered by the author himself to be one of his best and most significant dramatic works. Although shown on the stage in 1878, it caused a storm of protest and indignation, both among the audience and critics, the play received its well-deserved share of popularity only after the death of the famous Russian playwright. A clear demonstration of the main idea that the author wanted to show people that the world is ruled by money, and in modern society they are the main driving force that allows their owners to control the fate of other people who depend on them, many did not like it. Like other innovations in the play, incomprehensible to the general public, all this caused a rather sharp assessment of both readers and critics.
History of creation
In the early seventies of the nineteenth century, Ostrovsky worked as an honorary magistrate of the Kineshma district, on duty he participated in various high-profile trials and was well acquainted with the criminal reports of that time, which gave him, as a writer, rich literary material for writing works. Life itself gave him plots for his dramatic plays, and there is an assumption that the tragic death of a young woman who was killed by her own husband, Ivan Konovalov, a local resident of Kineshma district, became the prototype of the storyline in "Dowry".
Ostrovsky begins the play in late autumn (November 1874), making a marginal note "Opus No. 40", stretching its writing for four long years, due to parallel work on several more works, and finishing it in the autumn of 1878. The play was approved by the censors, preparations began for publication, which ended with its publication in the journal Otechestvennye Zapiski in 1879. This was followed by rehearsals of theater companies in Moscow and St. Petersburg, who wanted to play the play on the stage, bringing it to the judgment of the audience and critics. The premieres of "Dowry" both at the Maly and Alexandria theaters were a failure and caused sharp negative judgments from theater critics. And only ten years after the death of Ostrovsky (second half of the 90s of the XIX century), the play finally came to a well-deserved success, largely due to the huge popularity and fame of the actress Vera Komissarzhevskaya, who played the main role of Larisa Ogudalova.
Analysis of the work
Story line
The action of the work takes place in the Volga town of Bryakhimov, which looks like the town of Kalinov from the play "Thunderstorm" only after 20 years have passed. The time of such petty tyrants and tyrants as Kabanikha and Porfiry Wild has long passed, the "finest hour" has come for enterprising, cunning and dodgy businessmen, such as the millionaire Knurov and the representative of a rich trading company Vasily Vozhevatov, who are able to buy and sell not only goods and things, but and human destinies. From their dialogue, which tells about the fate of a young woman, Larisa Ogudalova, deceived by a wealthy master Paratov (a kind of grown-up Boris, Diky's nephew), the first act of the play begins. From the conversation of the merchants, we learn that the first beauty of the city, whose artistry and charm has no equal, marries a poor official, absolutely insignificant and miserable in their opinion, Karandyshev.
Larisa's mother, Kharitona Ogudalova, who raised three daughters herself, tried to find a good match for each daughter, and for the youngest, most beautiful and artistic daughter, she prophesies a wonderful future with a rich husband, only one simple and well-known fact spoils everything: she is a bride from poor family and has no dowry. When the brilliant, young master Paratov appears on the horizon among her daughter's admirers, the mother tries with all her might to marry her daughter to him. However, having played with Larisa's feelings, he leaves her for a whole year without any explanation (during the dialogue it turns out that he squandered his fortune and is now forced to marry the daughter of the owner of the gold mines in order to save his position). Desperate Larisa declares to her mother that she is ready to marry the first person she meets, who becomes Yuli Kapitonych Karandyshev.
Before the wedding, Larisa meets with Paratov, who has returned after a year's absence, confesses her love to him and runs away with him from her unloved fiancé to his ship "Swallow", which the unlucky bankrupt also sells for debts. There, Larisa tries to find out from Paratov who she now belongs to him: his wife, or someone else, then she learns with horror about his future marriage to a rich bride. The heartbroken Larisa with a proposal to take her to the Paris exhibition, and in fact become his mistress and kept woman, is approached by the millionaire Knurov, who wins this right from Vozhevatov (after conferring, the merchants decide that such a diamond as Larisa should not be wasted, they play her fate by tossing a coin). Karandyshev appears and begins to prove to Larisa that for her fans she is only a thing, a beautiful and refined, but absolutely soulless object, with which you can do as its owner wants. Crushed by the circumstances of life and the heartlessness of people-dealers who so easily sell and buy human lives, Larisa finds this comparison with a thing very successful, and now in life, having not found love, she agrees to look only for gold, and nothing more. Insulted by Larisa, who called him miserable and insignificant, Karandyshev, in a fit of jealousy, anger and hurt pride with the words “So don’t get you to anyone!” shoots Larisa with a pistol, she dies with the words that she does not blame anyone, and forgives everyone everything.
Main characters
The main character of the play, Larisa Ogudalova, a young dowry woman from the city of Bryakhimov, is a slightly grown-up Katerina from the play Thunderstorm, previously written by the same author. Their images are united by an ardent and sensitive nature, which ultimately leads them to a tragic ending. Just like Katerina, Larisa "suffocates" in the dull and musty town of Bryakhimov, among its inhabitants, who are also bored and dreary here.
Larisa Ogudalova finds herself in a difficult life situation, characterized by some duality and undoubted tragedy: she is the first smart girl and beauty of the city, she cannot marry a worthy man, because she is a dowry. In this situation, two options are outlined before her: to become the kept woman of a rich and influential married man, or to choose a man of a lower social status as her husband. Grasping at the last straw, Larisa falls in love with the image she created of a handsome and brilliant man, the bankrupt landowner Sergei Paratov, who, like Boris, Diky's nephew in The Thunderstorm, turns out to be a completely different person in real life. He breaks the heart of the main character and with his indifference, lies and spinelessness literally "kills" the girl, i.e. leads to her tragic death. The tragic death becomes a kind of "good deed" for the main character, because for her the current situation has become a life tragedy that she could not cope with. That is why in her last moments, the dying Larisa does not blame anyone for anything and does not complain about her fate.
Ostrovsky portrayed his heroine as an ardent and passionate nature who survived severe mental trauma and the betrayal of a loved one, who, nevertheless, did not lose her sublime lightness, did not become embittered and remained the same noble and pure soul that she had been throughout her entire life. life. Due to the fact that the concepts and aspirations of Larisa Ogudalova were fundamentally different from the value system that prevails in the world around her, even though she was constantly in the center of public attention (like a beautiful and elegant doll), in her soul she remained lonely and not understood by anyone. Absolutely not understanding people, not seeing lies and falsehood in them, she creates for herself the ideal image of a man, which Sergey Paratov becomes, falls in love with him and cruelly pays for her self-deception with her life.
In his play, the great Russian playwright amazingly talentedly portrayed not only the image of the main character Larisa Ogudalova, but the people around her: the cynicism and unscrupulousness of hereditary merchants Knurov and Vozhevatov, who played the girl’s fate with a simple lot, the immorality, deceit and cruelty of her failed fiancé Paratov, greed and depravity her mother, who is trying to sell her daughter as profitably as possible, envy, pettiness and narrow-mindedness of a loser with a heightened pride and a sense of ownership of the jealous Karandyshev.
Features of the genre and compositional construction
The composition of the play, built in a certain way in a strict classical style, contributes to the growth of emotional tension among viewers and readers. The time interval of the play is limited to one day, in the first act the exposition is shown and the plot begins, in the second act the action gradually develops, in the third (a dinner party at the Ogudalovs) - the culmination, in the fourth - a tragic denouement. Thanks to such a consistent linearity of compositional construction, the author reveals the motivation of the characters' actions, which becomes well understood and explainable both for readers and viewers, who realize that people act one way or another not only due to their psychological characteristics, but also due to the influence of social environment.
Also, the play “Dowry” is characterized by the use of a peculiar system of images, namely, “speaking” names invented for the characters: the name of an exalted nature, Larisa Ogudalova, translated from the Greek “seagull”, the name Harita is of gypsy origin and means “charming”, and the surname Ogudalova comes from the word "ogudat" - to deceive, to deceive. The surname Paratov comes from the word "paraty", which means "predator", Knurov - from the word "knur" - a wild boar, named after Larisa's fiancé Yuliya Karandysheva (The name is in honor of the Roman Gaius Julius Caesar, and the surname is a symbol of something small and insignificant ) the author shows the incompatibility of desires with the capabilities of this hero.
In his play, Ostrovsky wanted to show that in a world where money rules and a certain social stigma is stuffed on everyone, no one can feel free and do what he really wants. As long as people believe in the power of money, they forever remain hostages of social cliches: Larisa cannot become the wife of a loved one, because she is a dowry, even rich and influential merchants, just like the bankrupt Paratov, are bound hand and foot by social dogmas and cannot marry at will, to receive love and human warmth just like that, and not for money.
It is thanks to the enormous power of emotional impact, scale, topicality of the issues raised and undeniable artistic value that Ostrovsky's play "The Dowry" occupies an honorable place among the classics of world drama. This work will never lose its relevance, each generation of readers, immersed in the world of experiences of the characters in the play, will discover something new and find answers to eternal spiritual and moral questions.
A dowry from Ostrovsky's play, a girl who was brought up in a decent but impoverished noble family and has already reached the age when it is time to get married. She is surrounded by applicants for the role of a life partner, but in view of poverty, she actually does not have the right to choose. Larisa is oppressed by her position “who will take it”, she feels like a “thing” without the right to vote, which can be bought, sold, exchanged or disputed.
There is no specifics in the play about the appearance of the heroine, it is only said that she is richly and modestly dressed, but based on the fact that she is surrounded by fans, we can conclude that she attracts male gazes. Larisa herself still retains in her heart love for the former admirer Paratov, who disappeared from her life a year ago. Her mother chose as her life companion a petty official and an unsympathetic man Karandyshev, life with whom for Larisa is like a life sentence. In addition to hostility, the groom in the girl does not cause any feelings. She endlessly reproaches him and compares him with Paratov, with whom she associates the possibility of a happy life.
Here Larisa is deceived, the world to which she aspires is only her fiction, an impossible dream. But in the girl’s soul there is a struggle between the desire to escape to dreams and the need to get them out of her head in order to live a decent life near her unloved spouse. In pursuit of happiness, Larisa agrees to a night walk in the company of Paratov, who has reappeared in her life. As a result, the betrothed to another admirer can offer nothing to the poor girl. Realizing the gravity of her situation, Larisa refuses Karandyshev and receives a bullet in the chest. Death becomes the only way to save the heroine from an objectionable reality.
Quotes by Larisa
I finally decided to marry Karandyshev, almost the first person I met. I thought family responsibilities would fill my life and reconcile me to it.
But what made me?.. If it’s impossible to live at home, if during a terrible, mortal anguish they force you to be kind, smile, they impose suitors who you can’t look at without disgust, if there are scandals in the house, if you have to run away from home and even from the city?
You see, I am standing at a crossroads: support me, I need encouragement, sympathy; treat me gently, with affection! Seize these minutes and don't miss them!
Talk to me more carefully. Don't you see that my position is very serious? Every word that I myself say and that I hear, I feel. I became very sensitive and impressionable."
How can I respect a man who indifferently endures ridicule and all kinds of insults! This business is over: it does not exist for me.
If to be a thing, then one consolation is to be expensive, very expensive. Serve me the last service: go send Knurov to me.
Ogudalova Larisa Dmitrievna - the main character of the play, a dowry. The remark is described succinctly: “dressed richly, but modestly”, we learn more about her appearance from the reaction of others. Adjacent to the role of the poor bride, which is the subject of rivalry between several contenders for her feeling or hand. As always, such a heroine is given a rather imaginary choice, she chooses only in her heart, while she is actually deprived of the right to commit an act.
L. loves Paratov as a person who embodies and is able to give her a different life. She was “poisoned” by Paratov, with him once and for all the idea of a completely different, poetic and light world entered her mind, which certainly exists, but is inaccessible to her, although she is intended, according to everyone around her, just for him. For L. this is a fantasy world, much more poetic than it really is, the traces of this world in her own life are her favorite poems, romances, dreams, which make his image attractive.
Marrying Karandyshev, she feels humiliated, unfairly sentenced to the life that a petty official can give her. Moreover, she cannot forgive his personal humiliation, his failures in trying to catch up with Paratov, for her the difference between them becomes more and more obvious: “Who are you equal to! Is such blindness possible! She not only does not want to conform to his painfully ambitious whims like a pretentious dinner, but in private she constantly inspires him that she does not love him, that he is infinitely lower than Paratov, whom she will follow at his first call: “Of course, if Sergey Sergeyevich appeared and was free, so one glance of him is enough ... "
In her soul there is a struggle between the desire to come to terms with the inevitable fate of the wife of a poor official and longing for a bright and beautiful life. The feeling of humiliation by their lot and the craving for a different life prompt L. to try to decide her own fate. It seems that the path to this romantic world lies through the same romantic, reckless and spectacular act. But this act is reckless, leads to death, because it is committed in pursuit of a ghost that personifies Paratov, for that world that exists only in poetry and romances.
Just like Karandyshev, she makes a choice in favor of illusion, not reality. For Ostrovsky, this attempt at once, in one reckless act, to receive love and happiness looks like a refusal, an escape from one's own fate. The trip to the men's picnic, which she feels as an act of her own choice, opens L.'s eyes to her true position - a prize that men dispute with each other: “They are right, I am a thing, not a person. I am now convinced that I have tested myself ... I am a thing! Dying, she thanks her murderer, Karandyshev, for giving her the opportunity to leave the world in which a high ideal is trampled on and where she feels like a thing, an object of sale: “I was looking for love and did not find it. They looked at me and look at me as if they were fun. No one ever tried to look into my soul, I did not see sympathy from anyone, I did not hear a warm, heartfelt word. But it's so cold to live. It's not my fault, I was looking for love and didn't find it. She is not in the world ... there is nothing to look for.
In her speech and behavior, the style of a cruel romance is used, which at the same time has a peculiar poetry and borders on vulgarity, falsehood, “beauty”: quotes from M. Yu. Lermontov and E. A. Baratynsky are combined with statements like “Sergei Sergeyich ... this is an ideal men", "You are my master". This reflects the property of the very ideal that attracts L., it is poetic in its own way and at the same time internally empty, false. In her gestures and remarks, a touch of melodrama is combined with genuine penetration and depth of the experienced feeling: “For unfortunate people there is a lot of space in God's world: here is a garden, here is the Volga.” This combination makes the role of L. extremely advantageous; she attracted such actresses as M. N. Ermolova and V. F. Komissarzhevskaya.
Ostrovsky wrote works about women who have a difficult life. And this play is one of them. Here the author shows unhappy love, and what it can lead to.
The main character finds herself in a life that shows all the cruelty of society. The author wants to show that people forget that they are them. And Larisa is an example of such a life. They don't even think about the feelings of others. I think only about profit and entertainment. The main character has pleasant qualities, but soon they will hurt her. She is a kind girl and has a good upbringing. It is shown when Larisa treats everyone well enough, and with respect. I think her mother treats her unfairly. The main goal of a mother in life is to get what she wants at the expense of her lies. Also, when she was looking for her daughter's fiance, she had the task of finding a rich man. She did not think at all about Larisa's happiness. Considering that if there is money, she will live well. Mother and daughter are quite different, and it is immediately noticeable. The main character was disappointed in love, and a little time passed. But she is already told to look for a groom, because time is running out and it doesn’t matter if she loves him.
Larisa is in great pain, and no one understands her. In her house, there is only misunderstanding. The main character, as if she was left alone in this world. I think that her last straw was when Paratov arrived. It was cruel enough when he courted for two whole months and then just left.
What remains for the main character is to marry Karandyshev. She was quite unhappy with him, and her meaning of life in general was gone. Her fiance is the type of people who have arrogance, but no one in this life. Others laugh at him, but he does not see this, and thinks that he is becoming one of them. Larisa's last salvation is the village. She wants to go there, to feel peace. There is also the singing of birds, which greatly calms the girl and gives her new strength.
The main character thinks that Paratov is not a bad person. And yes, it is perfect for her. But as it would not hurt to admit, but he is the same cruel as their entire society. She is even ready to return to him, and go anywhere with him. Paratov is not worthy of the main character, although she does not even understand this. Inspired by her love, she forgets about everything. And again, she trusts him, which leads to the initial mistake.
Composition about Larisa
In a world where they do not love and everyone is selfish, the sympathetic and sensitive Larisa initially feels uncomfortable. It is clearly seen how at the very beginning, sitting on the shore, she admires the Volga, deeply lost in her thoughts. Cheap passions rage around her, the struggle of ambitions, petty desires. The heroine is all alone with her thoughts and dreams. With great reluctance, as if coming to her senses, she returns to the world where people surround her. Larisa, by nature, is a romantic girl with a subtle psychological instinct and painful sensitivity. All these features make her empathize with the wild life in her father's house. When Paratov left, and she disgraced herself at one of the evenings because of a swindler who offered her a hand and heart in front of all the guests, then she simply, in a fit of despair, decided to get engaged to Karandyshev. She thinks to die, but something unknown does not let her into the afterlife, keeps her alive.
In Larisa, there is no integrity and courageous character of Katerina from "Thunderstorm", Parasha's determination. She presents herself as a thing. And as soon as she realizes this, the unpleasant word is pronounced aloud by her. Larisa begins to treat herself apathetically, she is indifferent to people. With a shameless challenge, with an expression of despair and a devastated soul, she declares that she will be kept by Knurov, because any object must have its owner.
With special grace, she accepts her death, concluded in the shot of Karandyshev. The girl considers this a boon. She accepts death with gratitude and dies to the noisy gypsy singing, sending her farewell kiss. In all her actions - and in death next to the fun of the gypsies, and in the words where the speech is filled with forgiveness and feelings - there is a certain blasphemy. This dramatic scene gives off complete indifference, where Larisa is completely disappointed in life. It is hard to condemn the heroine for her soul, in which sheer disappointment languished, and for the open, shameless speech for such a girl, delivered before her death. It is sad to realize that such a sweet girl could not find her love and died, never having experienced female happiness.
Option 3
In the work of A.N. Ostrovsky's heroine was faced with the prudence and material needs of the world, which supplanted true love. Here the drama of the human person in a prudent society is openly expressed. Larisa Dmitrievna became a victim of this world.
She is a sweet girl who treats her mother and the people around her well. Her mother is a practical person, looking for a rich and profitable groom for her daughter. But Larisa Dmitrievna is deeply worried, because true love and devotion to her beloved lives in her heart. She has already become disillusioned with him when he suddenly disappears after meeting her. The girl has a sensitive and vulnerable nature, it is impossible to forget her lover. The mother forces the girl to marry Karandyshev, believing that he is a profitable groom for her daughter. But Larisa is disgusted, the essence of the groom is arrogance and insignificance. From her experiences, the girl seeks salvation in the village. She consoles herself with songs, various music sounds in her soul: from gypsy songs to Russian romances.
When her beloved appears, Larisa is ready to forgive him a lot. But until the end, she does not know her lover, not realizing that his essence differs from hers: primitiveness, prudence and pride.
Paratov wants to have fun the rest of his "idle days", for this he invites Larisa Dmitrievna to ride along the Volga River with him, where he later admits that he is not ready to marry her. The scene of a conversation between two people after a trip is full of drama and disappointment. The girl is horrified to learn that her lover is already engaged and has been used as an entertainment item. How to live on? Larissa doesn't know. To give all of yourself, soul and body, without receiving anything in return, is sad. The girl's heart is broken. She does not want to marry another person, and this way out will not save her either. Her only option is to die. Karandyshev saves her by shooting his failed bride. The dying girl thanks him for helping to leave this insignificant world, in which her love and illusions have disappeared. Larisa feels like a corrupt thing, where prudence prevails.
In conclusion of the essay, I would like to note that the dramatic episode lies in the fact that the inner content of Larisa is cleaner than that of other people. Material need has replaced literally everything in the world: love, kindness, sincerity. Larisa realized that love comes after money and position in society and could not live in it. In a dramatic play, Ostrovsky sharpened this problem, made sure that the reader understood the relationship between feelings and calculations. If many choose money and settlement, then devotion and the main feeling - love will disappear forever!
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