Tatyana and Olga: comparative characteristics (based on the novel by A.S. Pushkin "Eugene Onegin"). Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin" Comparison of Tatyana and Olga Larin's attitude of the author

Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin"

The work of A.S. Pushkin "Eugene Onegin" tells about two completely different maidens, Tatyana and Olga.

Olga is a cheerful, modest, cheerful girl. She is an obedient daughter, her parents love her very much. Lensky is madly in love with Olga. She reciprocates his courtship, but her love is fickle. When Lensky died, she did not grieve for long and soon got married.

Tatyana, on the contrary, is sad, silent, very withdrawn into herself. She is not like other girls. While everyone was embroidering, filling out albums, flirting with each other, Tatyana read novels and admired nature. she seemed like a stranger to her own family. She didn’t sit down to caress either her father or her mother. “Tatyana had been unrequitedly in love with Eugene for a long time. When Onegin finally realized that he loved Larina, she was already married to a noble person. preserved love for Eugene, Tatyana remained faithful to her husband.

In my opinion, both girls are good - they never did anything bad to anyone. Pushkin also likes both heroines, but according to the author "... her portrait (Olga) is very nice to me, I used to love him myself, but he bored me immensely. .." Tatyana, on the contrary, the author supports in every possible way, calls her "dear Tatyana." Based on the foregoing, it follows that Pushkin sympathizes with Tatyana Larina, despite, and maybe even due to her unusual behavior.

Composition on the topic "Comparative characteristics of Olga and Tatyana" 4.67 /5 (93.33%) 6 votes

Pays much less attention to Olga than to Tatyana. Tatyana Larina is described with all psychologism, unlike Olga, who is a typical heroine of Western sentimental novels. He treats Tatyana with sympathy, but describes her character without embellishments. Tatyana is a heroine who is beautiful, first of all, with her soul. She learns from her mistakes, unlike Onegin, she knows how to change, but at the same time she is true to her principles. Tatyana expresses all the features of an ideal Russian woman according to a. The girl is close to the author in her thoughts and worldview.

Olga is unlike her sister. Her image emphasizes the depth of Tatyana's image, contrasting a cheerful girl, a silly woman with a thoughtful woman with a huge and complex inner world. Tatyana is initially presented as a dreamer detached from the world, but as her image is revealed, we see that Tatyana is a realist and not insensitive. Olga, who at first attracted the reader with her cheerful disposition, opens up for us as a carefree girl who does not understand serious things. The author describes Olga as a porcelain doll - an ideal girl, cheerful, beautiful ... but nothing more. Olga has a poor inner world, and although she also has positive qualities, the image of Tatyana is still a real woman with whom you can connect fate, start a family and raise children. With Olga, you can only have fun and have a short romance. skillfully describes the cloying image of Olga. A woman full of virtues is a picture, not a living person. He thinks so, and he skillfully expressed his opinion by describing the female images of the novel, the heroes of which chose Tatyana.

In conclusion, we can say that he conveyed the depth of the image of Tatiana, showing her through the prism of the image of Olga. Both images are found in our days, but, unfortunately, there are fewer of them spiritually deep. Monotony is boring, the image of Tatyana is not the only true one, you just need to strive so that your worldview and principles are closer to the ideal and do no harm to you or others.

It is also important that even the morally pure Tatyana also turned out to be a victim of that “disease” of the entire nobility, which Klyuchevsky would later call “intercultural mezheumok”. Yevgeny really suffered from this “disease”. The symptoms of the “illness” are the contempt of one's culture, the loss of roots. In Europe, the Russian nobleman was not accepted, he was still a stranger. And it turned out that a whole generation stood in the middle of the river, because both banks turned out to be alien. Tatyana, however, remained, unlike Evgeny, at a moral height: "but I am given to another and I will be faithful to him for a century." She remained the "Russian soul". The proximity to the people and the simple village wisdom absorbed with the stories of the nanny also affected here. Even having been in the highest society, Tatyana remains an internally real Russian woman, who really understands the importance of duty. Her morality, despite the all-encompassing "disease" of the nobility, comes from the people, from provincial simplicity, but no less honest and wise simplicity.

	Tatyana Larina	Olga Larina
Character	Tatyana is characterized by such character traits: modesty, thoughtfulness, trepidation, vulnerability, silence, melancholy.	Olga Larina has a cheerful and lively character. She is active, inquisitive, good-natured.
Lifestyle	Tatyana leads a reclusive life. The best pastime for her is alone with herself. She loves to watch beautiful sunrises, read French novels, and meditate. She is closed, lives in her own inner world.	Olga likes to spend time in a cheerful and noisy company. She is light and easy to communicate with. The limited circle of communication does not prevent her from establishing contacts with people around her. Olga can support any topic of conversation, be it fashion, public news or social life.
Attitude towards love	Tatyana is the ideal of devotion and fidelity. Love is of the utmost importance to her. She knows how to truly love. But love for her is not only feelings, it is also a responsibility and duty. Tatyana, contrary to her real sincere feelings, remains true to her choice.	Olga's attitude to love can be described as superficial and frivolous. Olga quickly falls in love and just as quickly can part with a person and get carried away by another. Her feelings are shallow. However, Olga remains sincere with herself and does not go against her feelings.
Attitude towards life and society	Tatyana Larina was definitely not satisfied with the events taking place around her. She lived as if not in her time. She did not like anything that was inherent in the society of that time: secular talk, noisy balls, coquetry, flirting, fun and idleness. Therefore, Tatyana finds an outlet in dreams and daydreams. Only her own thoughts save her from the "vices" of society. Tatyana's whole life is in her reflections, doubts, hesitations.	Olga Larina's attitude to life was formed under the influence of the traditions and "traditions" that existed at that time. Constantly being at the epicenter of life, Olga quickly absorbed the frivolity and unambiguity characteristic of society. However, behind the mask of fun and innocence, emptiness, narrow-mindedness and disappointment were hidden.
The attitude of the author to the characters	The author is condescending to Tatyana. She is ideal for him. Her modesty, mystery and some drama do not allow the author to part with the image of Tatyana throughout the novel. The inner world of Tatyana Larina, her life, experiences, feelings constantly keep readers and the author in suspense.	The author treated the image of Olga rather ironically and biasedly. For him, Olga is an absolute mediocre girl of that time, of which there are many. The author quickly "forgets" about Olga after the death of Lensky. Neither for the author nor for readers Olga Larina was no longer of interest.

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Alexander Sergeevich Pushkin is the greatest Russian realist poet. His best work, in which “all his life, all his soul, all his love; his feelings, concepts, ideals”, is “Eugene Onegin”. A.S. Pushkin in his novel "Eugene Onegin" asks and tries to answer the question: what is the meaning of life? He sets the task of giving a real image of a young man in a secular society. The novel reflects the last years of the reign of Alexander I and the beginning of the reign of Nicholas I, the time of the rise of the social movement after the Patriotic War of 1812.

The basis of the novel was the love story of Eugene Onegin and Tatyana Larina. Tatyana as the main character is the most perfect among the rest of the female characters. She was Pushkin's favorite heroine, his "sweet ideal."

Pushkin put all the features of a Russian girl into the image of Tatyana. This is kindness, readiness for selfless deeds in the name of loved ones, that is, all those features that are inherent in a Russian woman. The formation of these traits in Tatyana takes place on the basis of "traditions of the common folk antiquity", beliefs, legends. Romance novels, which described romantic feelings, ideal and sincere love, have no less influence on the formation of her character. And Tatyana believed all this. Therefore, Eugene Onegin, who appeared in their house, became the subject of romantic dreams for her. Only in him did she see all those qualities that she read about in novels.

Tatyana speaks about the depth of her feelings in a letter to Onegin. In it, she opens her soul and completely puts herself "into the hands" of Eugene, relying on his honor and nobility. But a sharp rebuff and a dismissive attitude towards her break her dreams. Tatyana accepts the harsh reality without objection, although her love for Eugene does not go away after that, but flares up more and more. Thanks to the nanny, Tatyana believed in all kinds of signs, fortune-telling:

Tatyana believed the legends

common folk antiquity,

And dreams, and card fortune-telling,

And the predictions of the moon

She was troubled by omens;

Mysteriously to her all objects

They proclaimed something.

Therefore, in order to find out her fate, Tatyana decides to fortune-tell. She has a dream, which is not quite, but determines the further development of events.

After the tragic death of Lensky, trying to understand Eugene Onegin, Tatyana begins to visit his house.

Having left for Moscow to live with her aunt, Tatyana tries to forget Onegin and fall out of love with him, goes to balls and evenings. She is no longer interested in her own fate, so she agrees to marry a noble and rich man, whom her parents have chosen as a wife. Having become a noble secular lady, she did not receive joy and satisfaction and remained a "simple maiden." Returning from travels, Eugene Onegin, seeing Tatyana, suddenly realizes that he made a mistake by rejecting her. Love awakens in him, and he confesses to her. Yes, and Tatyana understands that she also committed a rash act by marrying another:

And happiness was so possible

So close!..

But she deliberately refuses possible happiness:

But I'm given to someone else

I will be faithful to him forever.

STATE OF MIND:

Tatyana: she was closed and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked the calmness and solitude, in which she found a certain comfort, which also adorned her dreams. At heart, she was still a child. She fell in love with the "deceptions of Richardson and Rousseau" - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

She did not understand THEM and THEY did not understand her - Tatyana

was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered, like the heroine of French novels, on which Tatyana grew up.

Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, “like morning”; simple-hearted, “like the life of a poet”, simple. Even her movements and voice were light, and she had a “ruddy freshness” characteristic. However, Onegin believed that "Olga has no life in features." She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish, tragedies. “Like a windy hope, frisky, carefree, cheerful.” At one ball, her frivolous attitude, frivolity, quite characteristic of many secular ladies, is especially revealed: “Just a little out of diapers, a coquette, a windy child! She knows cunning, she has learned to change. Quite simply, Olga reacted to the death of Lensky: “Planning, she did not cry for long. Alas! The young bride of her sadness is unfaithful. The other caught her attention." And soon she got married.

Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous characterization, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! With you now I shed tears. And he confesses, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”

Olga: Pushkin in the very first lines of Olga's description gives her a very pleasant characterization. However, he considers her windy, frivolous, in the end he admits that she is very tired of him. Pushkin concluded all her beauty in her appearance, but nothing was left for her soul. She was not a bad person for the poet, he just saw her empty.

COMMUNICATION, RELATION WITH SOCIETY:

Tatyana: She was alien to the society to which her sister was drawn. Since childhood, she was “a child herself, she didn’t want to play and jump in a crowd of children, and often all day long she sat silently by the window.” Even in the family, she was like not her own, did not consider the interests of society similar to her own. And "from the most lullaby days, thoughtfulness is her friend." She didn't look for other friends.

Olga: She corresponded to secular society, she was sociable, cheerful, in her childhood the nanny gathered a wide circle of all her friends for Olga, they played merrily. She was her own in this society, she loved evenings, balls, she was flirtatious with guys, friendly with her friends.

INDIVIDUALITY:

Tatyana: absolutely not like the others. Even her name is used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she often felt sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people. She was an excellent dreamer.

Olga: Pushkin says that Olga is “sweet as a kiss of love, eyes like the sky, blue, a smile, linen curls, movements, voice, a light camp – everything is in Olga…” bored Pushkin immeasurably. He met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.

INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

Olga: she loved fun, holidays, balls, classes for secular youth of that time, games and fun, entertainment, fashion, friends. Raised by society, adjusted to its laws.

Tatyana and Olga: comparative characteristics (based on the novel by A.S. Pushkin "Eugene Onegin"). Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin" Comparison of Tatyana and Olga Larin's attitude of the author

Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin"

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