What does Stolz say about the appointment of a person. Character history. j) attitude towards Olga

Goncharov Ivan Alexandrovich is a wonderful Russian realist writer. His work has firmly entered the classical literature of our country. The originality of his artistic world is, according to N.A. Dobrolyubov, in that he was able to capture in his work the full image of the subject, sculpt, mint it.

The main idea of ​​​​Goncharov in the novel "Oblomov"

In his novel, Ivan Alexandrovich condemns the inactivity of the nobility. The characterization of Oblomov in the novel "Oblomov" proves this, and you will soon see this. The author welcomes the efficiency of the entrepreneurial class that was emerging at that time. For Goncharov, in the character of Oblomov, his lordly pampering is essential, as well as the inactivity that follows from it, the impotence of will and mind. The image of this hero at the hand of such an eminent master resulted in a broad picture in which the reader is presented with the pre-reform life of the country's local nobility. More than 100 years ago, the work was written, but it still attracts attention. This novel is certainly a classic work created by the beautiful Russian language.

Ilya Ilyich Oblomov

What is the characteristic of Oblomov in the novel "Oblomov"? After reading it, everyone probably wants to understand who is closer to him in spirit: Stolz or Ilya Ilyich. Oblomov's characterization, at first glance, is devoid of attractiveness. In the novel, this hero appears as a man of not his first youth. He tried in the past to serve, but he withdrew from all activity and became unable to return to it. He does not want not only to do something, but even to be in society, go for a walk, get dressed, just get up from the couch. The serene state of this hero is violated only by visitors who come only with selfish goals to Oblomov. For example, Tarantiev simply robs him, borrowing money and not returning it. Oblomov, on the other hand, turns out to be a victim of his visitors in the work, since he cannot understand the true purpose of their visits. The only exception is Stolz, a friend of his youth, who comes to visit him in Oblomovka.

However, Oblomov's characterization is not so unambiguously negative. We will return to her.

Andrei Ivanovich Stolz

Stolz is the antipode of this hero in the novel. Goncharov portrayed him as a "new man". Stolz was brought up in harsh conditions from childhood, gradually getting used to the difficulties and hardships of life. This is an alien and official careerism, and noble laziness, a businessman who is distinguished by such a level of culture and such activity, which at that time were not characteristic of the Russian merchant class. Apparently, not knowing where to find such a person among business Russian people, Goncharov decided to make his hero the offspring of a half-German family. Stolz, however, was raised by a Russian mother, who was a noblewoman, and also studied at the capital's university. This hero believes that through the construction of highways, fairs, marinas, schools, patriarchal "fragments" will turn into well-maintained estates that bring income.

Views on Oblomov's life

Not only apathy marked Oblomov's characterization. This character is trying to "philosophize". Ilya Ilyich contrasts the sincerity and kindness of the patriarchal life with the moral depravity of the representatives of the bureaucratic-noble society of the capital. He condemns him for striving for careerism, lack of serious interests, mutual hostility covered up by ostentatious courtesy. In this regard, the author of the novel agrees with Ilya Ilyich. Oblomov's characterization is complemented by the fact that he is a romantic. This hero dreams mainly of quiet family happiness.

Stolz's attitude to life

On the contrary, Stolz is the enemy of the "dream", of everything mysterious and enigmatic. However, by "dream" he means not only rosy romance, but all kinds of idealism. The author, explaining the convictions of this hero, writes that in his eyes, what is not subjected to the analysis of practical truth, experience, is an optical illusion or a fact, to which the turn of experience has not yet reached.

The value of a love conflict in revealing the characters of the main characters

A comparative description of Oblomov and Stolz would be incomplete if we did not reveal the topic of the relationship of these heroes with Olga Ilyinskaya. Goncharov introduces his characters into a love conflict in order to test them with life itself, which will show what each of them is worth. Therefore, the heroine of Oblomov was supposed to be an outstanding personality. In Olga Ilyinskaya, we will not find any secular coquetry, or aristocratic whims, nothing mannered, deliberately made for success in life. This girl is distinguished by her beauty, as well as the natural freedom of action, word and look.

Both main characters created by Goncharov fail in their love relationship with this woman, each in their own way. And this reveals the failure of the author's illusions in assessing both. Oblomov's "honest and true", "golden" heart is suddenly in doubt along with his decency. Note that this hero, who has a "heart as deep as a well," is shamefully disingenuous in front of the girl, referring to the fact that he "warned" her about his character. Olga understands that Ilya Ilyich "has died a long time ago."

The consistent characterization of Oblomov and Stolz reveals more and more interesting details. Andrey Ivanovich appears again in the novel. He reappears in the work in order to take the place that Oblomov previously occupied. The characterization of the hero Stolz in his relationship with Olga reveals some important features in his image. Goncharov, showing his life in Paris with Ilyinskaya, wants to show the reader the breadth of his hero's views. In fact, he lowers it, since being interested in everything means not systematically, deeply, seriously not getting involved in anything. It means to learn everything from other people's words, to take it from the wrong hands. Stolz could hardly keep up with Olga in her languid haste of will and thought. Against the will of the author, the story of the joint life of these two heroes, which was supposed to be the praise of Stoltz, in the end turned out to be a means of exposing him. Stolz at the end of the novel appears only as a self-confident reasoner. The reader no longer believes this hero, who could not save his friend, give happiness to his beloved woman. Only the tendentiousness of the author saves Stolz from a complete collapse. After all, Goncharov ("Oblomov") was on his side. Oblomov's characterization, created by the writer, as well as the author's voice in the novel, allow us to judge this.

Weakness of both heroes and the classes they represent

In addition to his own desire, Goncharov was able to show that not only the Russian nobility is degenerating. Weak not only Oblomov. The characterization of the hero Stolz is also not devoid of this feature. Respectable entrepreneurs cannot historically become the successors of the nobility, since they are weak, limited and unable to take responsibility for solving the fundamental issues of the life of the country.

The meaning of the image of Olga Ilyinskaya in Russian literature

So, a comparative description of Oblomov and Stolz shows that neither one nor the other can, each in their own way, arouse sympathy. But the heroine of the work, Olga Ilyinskaya, will become the prototype of an enlightened Russian woman. This prototype will later be found in the works of many classics of the 19th century.

Often a comparison of Ilya Ilyich and Andrei Ivanovich is presented as a table. The characteristic of Oblomov and Stolz, presented visually, helps to better remember information. Therefore, a comparative table in literature lessons as a type of work is often used at school. When deep analysis is required, it is better to refuse it. Namely, such a task was set when creating this article.

Goncharov's novel "Oblomov" was highly appreciated by critics of the second half of the 19th century. In particular, Belinsky noted that the work was timely and reflected the socio-political thought of the 50-60s of the nineteenth century. Two lifestyles - Oblomov and Stolz - are considered in this article in comparison.

Characteristics of Oblomov

Ilya Ilyich was distinguished by a desire for peace, inaction. Oblomov cannot be called interesting and varied: he used to spend most of the day in thought, lying on the couch. Plunging into these thoughts, he often throughout the day never got up from his bed, did not go out into the street, did not learn the latest news. He did not read newspapers as a matter of principle, so as not to bother himself with unnecessary, and most importantly, meaningless information. Oblomov can be called a philosopher, he is concerned about other issues: not everyday, not momentary, but eternal, spiritual. He looks for meaning in everything.

When looking at him, one gets the impression that he is a happy freethinker, not burdened by the hardships and problems of external life. But life "touches, gets everywhere" Ilya Ilyich, makes him suffer. Dreams remain only dreams, because he does not know how to translate them into real life. Even reading tires him: Oblomov has many books he has begun, but they all remain unread, misunderstood. The soul seems to be dormant in him: he avoids unnecessary anxieties, worries, anxieties. In addition, Oblomov often compares his calm, secluded existence with the lives of other people and finds that it’s not good to live the way others live: “When to live?”

This is what constitutes the ambiguous image of Oblomov. "Oblomov" (Goncharov I.A.) was created in order to describe the personality of this character - uncommon and extraordinary in his own way. He is not alien to impulses and deep emotional experiences. Oblomov is a true dreamer with a poetic, sensitive nature.

Stolz characteristic

Oblomov's way of life can in no way be compared with Stolz's world outlook. The reader first meets this character in the second part of the work. Andrei Stoltz loves everything in order: his day is scheduled by the hour and minute, dozens of important things are planned that need to be urgently redone. Today he is in Russia, tomorrow, you see, he has already unexpectedly gone abroad. What Oblomov finds boring and meaningless is important and significant for him: trips to cities, villages, intentions to improve the quality of life of those around him.

He opens in his soul such treasures that Oblomov cannot even guess. Stolz's way of life consists entirely in activities that feed his whole being with the energy of cheerfulness. In addition, Stolz is a good friend: more than once he helped Ilya Ilyich in business matters. The way of life of Oblomov and Stolz is different from each other.

What is "Oblomovism"?

As a social phenomenon, the concept denotes a focus on an idle, monotonous, devoid of color and any kind of change in life. Andrei Stoltz called "Oblomovism" the very way of life of Oblomov, his desire for endless peace and the absence of any activity. Despite the fact that a friend constantly pushed Oblomov to the opportunity to change the way of existence, he did not budge at all, as if he did not have enough energy to do this. At the same time, we see that Oblomov admits his mistake, uttering the following words: "I have long been ashamed to live in the world." He feels useless, unnecessary and abandoned, and therefore he does not want to dust off the table, sort out books that have been lying there for a month, and leave the apartment once again.

Love in the understanding of Oblomov

Oblomov's way of life did not contribute in any way to the acquisition of real, and not fictitious, happiness. He dreamed and planned more than he actually lived. It is amazing, but in his life there was a place for a quiet rest, philosophical reflections on the essence of being, but there was a lack of strength for decisive action and the implementation of intentions. Love for Olga Ilyinskaya for a while pulls Oblomov out of his usual existence, makes him try new things, start taking care of himself. He even forgets his old habits and sleeps only at night, and goes about his business during the day. But still, love in Oblomov's worldview is directly related to dreams, thoughts and poetry.

Oblomov considers himself unworthy of love: he doubts whether Olga can love him, whether he suits her enough, whether he is capable of making her happiness. Such thoughts lead him to sad thoughts about his useless life.

Love in the understanding of Stolz

Stoltz approaches the issue of love more rationally. He does not indulge in ephemeral dreams in vain, as he soberly looks at life, without fantasy, without the habit of analyzing. Stolz is a business man. He does not need romantic walks in the moonlight, loud declarations of love and sighs on the bench, because he is not Oblomov. Stolz's lifestyle is very dynamic and pragmatic: he proposes to Olga at the moment when he realizes that she is ready to accept him.

What did Oblomov come to?

As a result of protective and cautious behavior, Oblomov misses the opportunity to build a close relationship with Olga Ilyinskaya. His marriage was upset shortly before the wedding - he gathered for too long, explained himself, asked himself, compared, estimated, analyzed Oblomov. The characterization of the image of Oblomov Ilya Ilyich teaches not to repeat the mistakes of an idle, aimless existence, raises the question of what love really is? Is she the object of lofty, poetic aspirations, or is it the calm joy, peace that Oblomov finds in the house of the widow Agafya Pshenitsyna?

Why did Oblomov's physical death occur?

The result of Ilya Ilyich's philosophical reflections is this: he preferred to bury his former aspirations and even lofty dreams in himself. with Olga, his life focused on everyday existence. He knew no greater joy than to eat well and sleep after dinner. Gradually, the engine of his life began to stop, subside: ailments and cases became more frequent. Even his former thoughts left him: there was no longer any place for them in a quiet room that looked like a coffin, in all this sluggish life that lulled Oblomov, more and more away from reality. Mentally, this man was long dead. Physical death was only a confirmation of the falsity of his ideals.

Achievements of Stolz

Stolz, unlike Oblomov, did not miss his chance to become happy: he built family well-being with Olga Ilyinskaya. This marriage was made out of love, in which Stolz did not fly into the clouds, did not stay in destructive illusions, but acted more than reasonably and responsibly.

The way of life of Oblomov and Stolz are diametrically opposed and opposed to each other. Both characters are unique, inimitable and significant in their own way. This may explain the strength of their friendship over the years.

Each of us is close to either the type of Stolz or Oblomov. There is nothing wrong with that, and the coincidences are likely to be only partial. Deep, loving to reflect on the essence of life, most likely, Oblomov's experiences, his restless mental throwing and searching will be understandable. Business pragmatists, who have left romance and poetry far behind, will embody themselves with Stolz.

Each person is individual. There are no absolutely identical people, coinciding both in worldview, and in thoughts, and in views on all aspects of life. In this respect, literary heroes are no different from real people.

Oblomov. Stolz. They seem to be completely different people. Oblomov - slow, lazy, not focused. Stolz is energetic, cheerful, purposeful. But these two people love and respect each other, they are true friends. This means that they are not so different, they also have something in common that holds them together. Is it true? Are Oblomov and Stolz really antipodes?

They had known each other since childhood, since Oblomovka and Verkhlevo, where friends lived, were nearby. But how different was the situation in these two parts! Oblomovka is a village of peace, blessings, sleep, laziness, illiteracy, stupidity. Everyone in it lived for his own pleasure, without experiencing any mental, moral and spiritual needs. The Oblomovites had no goals, no troubles; no one thought about why man, the world, was created. They lived their whole lives without much effort, like a flat river that flows quietly, sluggishly along a long-paved even channel, and there are no stones, mountains and other obstacles in its path, it never overflows more than usual, it never dries up; starts its way somewhere, flows very calmly, without making noise, and quietly flows into some lake. No one even notices that there is such a river. So everyone lived in Oblomovka, caring only about food and peace in their village. Few people passed through it, and there was no way for the Oblomovites to find out that someone lived differently, they also had no idea about the sciences, and they didn’t need all this ... Ilyusha lived among such people - beloved, protected by everyone. He was always surrounded by care and tenderness. He was not allowed to do anything himself and generally was not allowed to do everything that any child wants, thereby involving him in the essence of an Oblomovite. His attitude to education and science was also shaped by those around him: “study will not go away”, the main thing is a certificate “that Ilyusha has passed all the sciences and arts”, but the inner “light” of education was unknown to either the Oblomovites or Ilya himself.

In Verkhlevo, it was the other way around. The manager there was Andryusha's father, a German. Therefore, he undertook everything with the pedantry characteristic of this nation, including his son. From the very early childhood of Andryusha, Ivan Bogdanovich forced him to act independently, to look for a way out of all situations himself: from a street fight to carrying out assignments. But this does not mean that the father left Andrei to the mercy of fate - no! He only directed him at the right moments to independent development, the accumulation of experience; later, he simply gave Andrey "ground" on which he could grow without anyone's help (trips to the city, assignments). And the young Stoltz used this "soil", derived the maximum benefit from it. But Andryusha was raised not only by his father. The mother had completely different views on raising her son. She wanted him to grow up not as a "German burgher", but as a highly moral and spiritual, with excellent manners, with "white hands" master. Therefore, she played Hertz for him, sang about flowers, about the poetry of life, about her high calling. And this two-sided upbringing - on the one hand, labor, practical, tough, on the other - gentle, high, poetic - made Stolz an outstanding person, combining diligence, energy, will, practicality, intelligence, poetry and moderate romanticism.

Yes, these two people lived in different environments, but they met as children. Therefore, from childhood, Ilya and Andrei strongly influenced each other. Andryusha liked that calmness, tranquility that Ilya gave him, who received this from Oblomovka. Ilyusha, in turn, was attracted by Andrey's energy, ability to concentrate and do what was necessary. So it was when they grew up and left their native places ...

It's interesting to even compare how they did it. The Oblomovites said goodbye to Ilyusha with tears, bitterness, sadness. They provided him with a long, but very comfortable - otherwise Ilya could not - trip among servants, treats, featherbeds - as if part of Oblomovka separated and sailed away from the village. Andrey said goodbye to his father dryly and quickly - everything that they could say to each other was clear to them without words. And the son, having learned his route, quickly drove along it. Already at this stage in the life of friends, their divergence is visible.

What did they do when they were away from home? How did you study? How did you behave in the world? Oblomov in his youth, the goal of his life was peace, happiness; Stolz - work, spiritual and physical strength. Therefore, Ilya perceived education as another obstacle on the way to the goal, and Andrei - as the main, integral part of life. Ilya Oblomov wanted to serve peacefully, without worries and worries, “like, for example, lazy writing down receipts and expenditures in a notebook.” For Stolz, the service was a duty for which he was ready. This attitude two friends brought from childhood. But what about love? Ilya "never surrendered to beauties, he was never their slave, even a very diligent admirer, already because great troubles lead to rapprochement with women." Andrei "was not blinded by beauty and therefore did not forget, did not humiliate the dignity of a man, was not a slave, "did not lie at the feet" of beauties, although he did not experience fiery passions. Girls could only be his girlfriends. Because of this same rationalism, Stolz always had friends. At first, Oblomov also had them, but, over time, they began to tire him, and, slowly, he very much limited his social circle.

Time went on and on ... Stolz developed - Oblomov "withdrew into himself." And now they are over thirty years old. What are they?

Stolz is super-energetic, muscular, active, firmly on his feet, amassed a large capital, a scientist who travels a lot. He has friends everywhere, he is respected as a strong personality. He is one of the main representatives of the trading company. He is cheerful, cheerful, hardworking ... but he internally gets tired of such a rhythm of life. And then a childhood friend helps him - Ilya Oblomov, cordiality, calmness, peace of which allow Stoltz to relax. Well, what is the second friend himself?

Ilya does not travel, like Andrey, abroad, on business, in society. He rarely leaves the house at all. He is lazy and does not like fuss, noisy companies, he does not have a single true friend, except for Stolz. His main occupation is to lie on the sofa in his favorite dressing gown among dust and dirt, sometimes in the company of people "without bread, without craft, without hands for productivity and only with a stomach for consumption, but almost always with rank and rank." Such is his external existence. But the inner life of dreams and imagination was the main thing for Ilya Ilyich. Everything that he could do in real life, Oblomov does in dreams and dreams - only without physical costs and special mental efforts.

What is life for Oblomov? Obstacles, burden, worries that interfere with peace and blessings. And for Stolz? The enjoyment of any of its forms, and if one does not like it, then Stolz easily changes it.

For Andrei Ivanovich, the basis of everything is reason and labor. For Oblomov - happiness and tranquility. And in love they are the same ... Both friends fell in love with the same girl. In my opinion, Ilya Ilyich fell in love with Olga simply because his untouched heart had been waiting for love for a long time. Stolz fell in love with her not with his heart, but with his mind, he fell in love with Olga's experience, maturity, mind. The prospect of family life in Oblomov's understanding is to live life happily and cheerfully, without worries, without labor, "so that today is like yesterday." For Stolz, marriage to Olga Sergeevna brought mental happiness, and with it spiritual and physical happiness. So he lived the rest of his life - in harmony of mind, soul, heart with Olga. And Oblomov, having “decayed” completely, married a woman who can hardly be called a person. He exchanged Olga's mind, maturity, will for the round elbows of Agafya Matveevna, who had no idea about the existence of qualities due to which a Man can be called a man. I believe that this is the highest point of differences between Ilya Ilyich Oblomov and Andrey Ivanovich Stolz.

These two people are childhood friends. At first, because of this, they were similar and united in many aspects of life. But, over time, when Ilya and Andrei grew up, Oblomovka and Verkhlevo - two opposites - had their effect on them, and friends began to differ more and more. Their relationship endured many blows, nevertheless, childhood friendship held them firmly. But already at the end of their life path, they became so different that further normal full-fledged maintenance of relations turned out to be impossible, and they had to be forgotten. Of course, throughout their lives, Oblomov and Stolz were antipodes, antipodes, which were held together by childhood friendship, and were torn apart by different upbringing.

Introduction

Goncharov's work "Oblomov" is a socio-psychological novel built on the literary method of antithesis. The principle of opposition can be traced both when comparing the characters of the main characters, and their basic values ​​and life path. Comparison of the way of life of Oblomov and Stolz in the novel "Oblomov" allows us to better understand the ideological intent of the work, to understand the reasons for the tragedy of the fates of both heroes.

Features of the lifestyle of heroes

The central character of the novel is Oblomov. Ilya Ilyich is afraid of life's difficulties, does not want to do or decide anything. Any difficulty and the need to act cause sadness in the hero and plunge him even more into an apathetic state. That is why Oblomov, after the first failure in the service, no longer wanted to try his hand at a career field and took refuge from the outside world on his favorite sofa, trying not only not to leave the house, but not even get out of bed unless absolutely necessary. The way of life of Ilya Ilyich is similar to a slow dying - both spiritual and physical. The personality of the hero is gradually degrading, and he himself is completely immersed in illusions and dreams that are not destined to come true.

Stolz, on the contrary, is spurred on by difficulties, any mistake for him is just an excuse to move on, achieving more. Andrei Ivanovich is in constant motion - business trips, meetings with friends and social evenings are an integral part of his life. Stolz looks at the world soberly and rationally, there are no surprises, illusions and strong shocks in his life, because he calculated everything in advance and understands what to expect in each specific situation.

The lifestyle of heroes and their childhood

The development and formation of the images of Oblomov and Stolz is shown by the author from the earliest years of the heroes. Their childhood, youthful and mature years proceed differently, they are instilled with different values ​​and life orientations, which only emphasizes the dissimilarity of the characters.

Oblomov grew like a greenhouse plant, fenced off from the possible influences of the outside world. Parents spoiled little Ilya in every possible way, indulged his desires, were ready to do everything to make their son happy and satisfied. The very atmosphere of Oblomovka, the hero's native estate, requires special attention. Slow, lazy and poorly educated villagers considered work to be something like a punishment. Therefore, they tried in every possible way to avoid it, and if they had to work, they worked reluctantly, without any inspiration or desire. Naturally, this could not but affect Oblomov, who from an early age absorbed the love of an idle life, absolute idleness, when Zakhar can always do everything for you - as lazy and slow as his master. Even when Ilya Ilyich finds himself in a new, urban environment, he does not want to change his lifestyle and start working intensively. Oblomov simply closes himself off from the outside world and creates in his imagination a certain idealized prototype of Oblomovka, in which he continues to “live”.

Stolz's childhood goes differently, which is primarily due to the roots of the hero - a strict German father tried to raise a worthy bourgeois from his son, who could achieve everything in life on his own, without fear of any work. The refined mother of Andrei Ivanovich, on the contrary, wanted her son to achieve a brilliant secular reputation in society, so from an early age she instilled in him a love of books and arts. All this, as well as the evenings and receptions regularly held at the Stoltsev estate, influenced little Andrey, forming an extroverted, educated and purposeful personality. The hero was interested in everything new, he knew how to confidently move forward, therefore, after graduating from the university, he easily took his place in society, becoming an indispensable person for many. Unlike Oblomov, who perceived any activity as an aggravating necessity (even university studies or reading a long book), for Stolz his activity was an impulse for further personal, social and career development.

Similarities and differences in the lifestyle of heroes

If the differences in the lifestyles of Ilya Oblomov and Andrei Stolz are noticeable and obvious almost immediately, correlating respectively as a passive, leading to degradation lifestyle and an active one, aimed at comprehensive development, then their similarities are visible only after a detailed analysis of the characters. Both heroes are "superfluous" people for their era, they both do not live in the present, and therefore are in constant search of themselves and their true happiness. The introverted, slow Oblomov clings with all his might to his past, to the "heavenly", idealized Oblomovka - a place where he will always feel good and calm.

Stoltz, on the other hand, strives exclusively for the future. He perceives his past as a valuable experience and does not try to cling to it. Even their friendship with Oblomov is full of unrealizable plans for the future - about how you can transform the life of Ilya Ilyich, make it more vivid and real. Stolz is always one step ahead, so it is difficult for him to be an ideal husband for Olga (however, Oblomov's "extra" nature in the novel also becomes an obstacle to developing relations with Olga).

Such isolation from others and inner loneliness, which Oblomov fills with illusions, and Stolz with thoughts of work and self-improvement, become the basis of their friendship. The characters unconsciously see in each other the ideal of their own existence, while completely denying their friend’s lifestyle, considering it either too active and saturated (Oblomov was upset even by the fact that he had to walk for a long time in boots, and not in his usual soft slippers), or excessively lazy and inactive (at the end of the novel, Stolz says that it was the “Oblomovism” that ruined Ilya Ilyich).

Conclusion

On the example of the way of life of Oblomov and Stolz, Goncharov showed how the fates of people who come from the same social stratum, but who received a different upbringing, can differ. Depicting the tragedy of both characters, the author shows that a person cannot live hiding from the whole world in an illusion or giving himself excessively to others, up to mental exhaustion - in order to be happy, it is important to find harmony between these two directions.

Artwork test

Who is Stolz? Goncharov does not force the reader to puzzle over this issue. In the first two chapters of the second part there is a detailed account of the life of Stolz, of the conditions in which his active character was formed. “Stolz was only half German, according to his father; his mother was Russian; he professed the Orthodox faith, his native speech was Russian ... ". Goncharov first tries to show that Stolz is more Russian than German: after all, the most important thing is that his faith and language are the same as those of Russians. But the further, the more German qualities begin to appear in him: independence, perseverance in achieving his goals, thrift.

The unique character of Stolz was formed under the influence of two forces - soft and hard, at the junction of two cultures - Russian and German. From his father, he received a “labor, practical education”, and his mother introduced him to the beautiful, tried to put a love of art and beauty into the soul of little Andrei. His mother "in her son ... dreamed of the ideal of a gentleman," and his father taught him to work hard, not at all lordly work.

Practical intelligence, love of life, courage helped Stoltz succeed after he left at the insistence of his father to study in St. Petersburg ...

As conceived by Goncharov, Stolz is a new type of Russian progressive figure. However, he does not portray the hero in a specific activity. The author only informs the reader about what Stoltz was, what he achieved. He "served, retired ... went about his business, ... made a house and money, ... learned Europe as his estate, ... saw Russia far and wide, ... travels into the world."

If we talk about the ideological position of Stolz, then he "searched for a balance of practical aspects with the subtle needs of the spirit." Stolz could control his feelings and was "afraid of every dream". Happiness for him was constancy. According to Goncharov, he "knew the value of rare and expensive properties and spent them so sparingly that he was called an egoist, insensitive ...". In a word, Goncharov created such a hero that Russia has long lacked. For the author, Stolz is the force that is able to revive the Oblomovs and destroy the Oblomovs. In my opinion, Goncharov somewhat idealizes the image of Stolz, setting him as an example to the reader as an impeccable person. But by the end of the novel, it turns out that salvation did not come to Russia with the advent of Stolz. Dobrolyubov explains this by saying that "now there is no ground for them" in Russian society. For a more productive activity of the Stolts, it is necessary to reach some compromise with the Oblonovs. That is why Andrei Stoltz takes on the upbringing of the son of Ilya Ilyich.

Stolz is, of course, the antipode of Oblomov. Each character trait of the first is a sharp protest against the qualities of the second. Stolz loves life - Oblomov often falls into apathy; Stolz has a thirst for activity, for Oblomov the best activity is relaxing on the couch. The origins of this opposition are in the education of heroes. Reading the description of the life of little Andrey, you involuntarily compare it with the life of Ilyusha. Thus, already at the very beginning of the novel, two completely different characters, two life paths appear before the reader ...