Love in the understanding of Onegin and Tatyana (according to A.S. Pushkin “Eugene Onegin”). The theme of love in the novel "Eugene Onegin" - essay The Origin of Love in the Soul of the Main Character

“Eugene Onegin” is, one might say, a philosophical work, because it examines many “eternal” themes, including love. Love itself in the poem appears before readers in different guises: this is Tatiana’s sincere and tender love, Onegin’s belated passionate love, Olga’s flighty love, Vladimir Lensky’s ardent and romantic love. Also, love in the poem is considered from the perspective of mutual and unrequited feelings.

Tatyana is an image of pure and sincere love. She fell in love with Onegin with her first and tender love, dreamed about him, comparing herself with the heroines of the novels she had read. Of course, Tatyana, inexperienced in love affairs, idealized Evgeniy in many ways. In her letter, she honestly opens her soul to him, entrusting her fate into his hands. She confesses to him that in her dreams she imagined her beloved exactly like this and immediately recognized him at the first meeting, realizing that he was her destiny. Tatyana was frank in her letter; she treated Evgeniy as her betrothed, ready to connect her whole life with him. Tatyana's love is pure and unselfish, she fell in love with Evgeniy the way she saw him for the first time, in many ways idealizing him, because in fact she did not know him at all. Her love is tender, girlish, bright and sincere, but, unfortunately, Eugene did not respond to her feelings.

Evgeny himself was very experienced in love; nothing could surprise him, although Tatyana’s sincerity touched his heart. But Evgeny honestly admits that he cannot be a good husband for her, that he is not worthy of her. He knows himself well and understands that a quiet and obedient wife will quickly bore him, that his lifestyle is not suitable for a family hearth, because Onegin is accustomed to entertainment and a carefree life. But at the same time, Onegin appreciated Tatiana’s sincerity, did not laugh at her feelings, but treated them with due respect and understanding. Among the secular flirtatious young ladies, he rarely met such deep and worthy girls as Tatyana. In a conversation with her, he tells her very honestly about himself and his attitude towards family life. Onegin admits that if he wanted to start a family, he would certainly choose Tanya, believing that she would be the best wife, but for now he did not want to tie the knot.

Love still overtook Onegin, but it was too late - Tatyana was married to a general. Would Evgeniy have liked Tatyana if she had been the same modest and sincere girl? Hardly. Onegin was captivated by Tatyana's inaccessibility, coldness and restraint, her greatness and indifference. “The less we love a woman, the easier it is for her to like us,” Onegin himself said. The same applies to men. Accessible and in love, Tatyana, “easy prey,” was not needed by Onegin, but the majestic woman who belonged to another man charmed him. Tatyana demonstrates in the poem the wonderful traits of nobility and fidelity. She is a faithful wife who cannot break her word, cannot betray her husband, even if he is not loved by her. “But I was given to someone else, I will be faithful to him forever,” she says to Onegin, not giving him a chance to have an affair with her.

Tanya's sister, Olga, is a flighty girl who is incapable of deep feelings. She is easily attracted to men, as Onegin proved at Tatiana’s name day. He was able to easily turn her head and charm her, despite the fact that she was Lensky's fiancée. Also, after the death of Vladimir, Olga once again proves her frivolity, because, after grieving for a short time, she will soon marry someone else. Olga's love is deceptive, superficial, fickle, she is not able to completely dissolve in her loved one and devote herself to him.

The young poet Vladimir Lensky experienced more serious and ardent feelings; all his thoughts were connected with his beloved girl, he wrote poems for her, defended her honor, and wanted to connect his life with her. Lensky dies, sacrificing himself, hoping to protect Olga from the seducer Onegin. Vladimir's love is sacrificial, sincere, but too ardent and romantic. He loves Olga for her beauty, for her flirtatiousness, in many ways imagining her better than she really is. Olga just allows him to love her, she is pleased with his advances, but they have no spiritual connection, because Olga could not even feel that Vladimir would die. Before the duel, he came to see her, but she behaved as always, at ease and frivolously, not remembering that she had offended his feelings by flirting with Onegin.

The relevance and scale of this work by Pushkin is amazing. In the image of her heroes you can see the traits of many modern people. Since the poet’s life, essentially nothing has changed. The same ardent and romantic young men fall in love with flighty beauties who “love them less,” and worthy girls are enchanted by “Onegins.” And the principle: “The less we love a woman, the easier it is for her to like us” - still works.

The theme of love is the main one for the work of A.S. Pushkin in general and for the novel “Eugene Onegin” as well.

The theme of love is central to the novel; it helps to reveal the image of the main character, contributes to the development of the plot and the embodiment of the concept of the work.

The youth of Evgeny Onegin

Eugene Onegin is the main character of the work, a young secular dandy who is bored with high society. It was secular society that taught him the art of lies and hypocrisy. The feelings here are not real, only the external gloss is valued, no one is interested in the inner world of a person. And he was taught the art of passion in full.

Having lived for so many years in conditions of falsehood, the hero ceases to believe in sincere feelings, he completely loses the meaning of life. When he moves to the village, the new environment occupies him for no more than a couple of months. It is here that he meets Tatyana Larina, a young girl who is very different from the secular young ladies.

Evgeniy and Tatiana

Tatiana immediately falls in love with a secular nobleman. She feels his inner world, she is sure that their meeting was destined by fate. Tatyana is absolutely devoid of pretense, so without thinking about her own reputation she writes a letter to Evgeniy with a declaration of love.

Onegin does not reciprocate her feelings, he is only trying to convince her that he is not created for love and family. Tatyana seems to him very attractive and extraordinary. However, he is sure that nothing can hold his attention for long. He thinks that he will only bring misfortune to the girl.

Having had a hard time with her lover's refusal, Tatyana marries without love and leaves for St. Petersburg.

Second round of love test

Many years have passed, Tatyana has changed a lot. Now she has become a trendsetter in St. Petersburg secular salons. She became prettier, gained self-confidence, and learned to control her feelings.

This is exactly how Onegin sees her after several years of wandering. During this time, he also changed and rethought a lot. He cannot believe his eyes - he cannot recognize Tatyana. Onegin fell in love with her, but she behaved confidently and unapproachably.

The hero began to write her numerous letters of love, but received no response. Then he went to her home and fell on his knees in front of his beloved. Tatyana was still honest with him and herself: “I love you, why lie?” - says Tatyana. And he immediately adds that he will not break the vows given to his current husband. Onegin is left alone with himself and his misfortune.

Conclusion

I think that the author left the ending open-ended so that the reader could figure out what would happen to the main character next. Most likely, not having a single chance for happy love, he will remain alone, wander and regret missed opportunities.

The main character of the work is young. an attractive, very intelligent man, a nobleman. Pushkin treats his hero with sympathy and a significant amount of irony. In chapter 1, the poet talks about the life of the young rake Eugene Onegin in St. Petersburg. About how and by whom he was raised:

At first Madame followed him,
Then Monsieur replaced her,
The child was harsh, but sweet.

In his youth, he behaved exactly like the young people of his circle, that is, “he could speak and write perfectly in French, and danced the mazurka easily.” But his main science, Pushkin admits, “was the science of tender passion.” As we later learn, Evgeniy fell a victim of love. Pushkin emphasizes that “he was sick of persistent work.” He talks about Onegin’s life, spent in restaurants, theaters, balls, and courting women. Thousands of young nobles lived the same life. This way of life was familiar to the noble class. But one should not rush to conclusions, defining Onegin as “superfluous”. For his circle, he was not superfluous. Onegin occupied a certain place in secular society, where he had a “happy talent” and aroused “the smile of ladies with the fire of unexpected epigrams.” This is how his life would have proceeded smoothly, if not for his meeting with Tatyana Larina. Onegin lets Tatyana fall in love with him and torments and torments her for a long time. Tatyana writes a letter to Evgeny with a declaration of love. The girl asks him a question: “Who are you...A guardian angel or an insidious tempter?” Seemingly incapable of serious feelings, Onegin rejects her love, which for Tatyana becomes the meaning of life. A dreamy, romantic girl “believes that Eugene was sent by God.”

Onegin is touched by Tatyana's confession, but nothing more. The next thoughtless step is the relationship with Olga Lbina. Onegin just out of boredom begins to court Olga Larina, the fiancée of Vladimir Lensky. The girl becomes interested in Evgeniy, which naturally makes Lensky jealous. The turning point in the relationship with the girls was Evgeniy’s duel with Lensky. The fight ends tragically for Vladimir. And here our hero seems to see the light: “Onegin with a shudder” sees the work of his hands, how the “frozen corpse” of the young men is carried in a sleigh. Lensky was killed by a “friend’s hand.” The meaninglessness of this act becomes obvious. And what about Tatyana? She silently supports her sister in grief. However, Olga “didn’t cry for long,” but became carried away by a certain uhlan, with whom she soon went down the aisle.

Tatyana's love for Evgeniy and her dislike for him as Lensky's killer are fighting. The girl suddenly begins to understand that Evgeny is not the person she imagined him to be in her dreams. A flighty egoist, a heartthrob, a person who brings pain and tears to others, but is himself incapable of compassion. Returning to St. Petersburg, Evgeny meets a different Tatiana - a secular woman, a “trendsetter.” He will find out; that she is now married to an important general, a hero of the Patriotic War. An amazing transformation takes place. Now Evgeniy is looking for a date with Tatyana Larina, who has become “an indifferent princess, an unapproachable goddess,” and is languishing and suffering. Yes, Tatyana stopped looking like a provincial noblewoman. How much royalty in the gaze! How much majesty and negligence! Evgeny is in love, he pursues her, looking for a reciprocal feeling.

But, alas! A letter was written, but Evgeniy did not receive an answer to it. And then, finally, they met. What a blow, what a disappointment! Onegin is rejected: “I ask you to leave me.” “As if struck by thunder,” Evgeniy stands and suddenly feels inner devastation, his uselessness. This is a fitting ending to the novel. A.S. Pushkin tested his hero with a true feeling - love. But, alas, the main character of the novel could not stand this test: he got scared and retreated. When the epiphany came, it turned out that it was too late, nothing could be returned or corrected. Thus, the novel “Eugene Onegin” is not just a story about an era in which “the century and modern man are reflected,” but also a touching story of failed, missed love.

Thematic direction: He and she

18.09.2019 22:14:01

Let us turn to the story “The Garnet Bracelet” by A. I. Kuprin. Mr. Zheltkov has been unrequitedly in love with Vera Nikolaevna for seven long years. During this time, he did not dare to tell her about his feelings. On Princess Zheltkov’s name day, he decides to send her a gift. Opening it, the princess saw a letter and a garnet bracelet. In the letter, the gentleman apologizes for his gift and asks not to be angry with him. He tells Vera Nikolaevna about his feelings for her. The princess hesitates for a long time to tell her husband about this stranger, but soon she does. After a conversation between Vera Nikolaevna’s husband and brother and Zheltkov, he promises that he will never bother the princess again. The gentleman loved Vera Nikolaevna so much that he was no longer interested in anything in life except Vera Nikolaevna. He could not cope with his feelings and committed suicide.
I can give one more argument as proof. In A.S. Pushkin's novel "Eugene Onegin" Tatyana Larina is unrequitedly in love with Eugene Onegin. At the very first meeting, Tatyana realized that she was in love with Onegin. At night Tatyana could not sleep, she thought about him all the time, so she decided to write a letter. In the letter, the girl poured out all her feelings, talked about her pure and sincere love, but did not receive reciprocity in return.
Onegin was not touched by Tatyana's letter, he did not feel anything for her. After this, Onegin explained to Tatyana that he could not make her happy. Soon Evgeniy leaves. Tatyana’s feelings have not disappeared, she is still in love with Onegin and misses him.
Thus, I proved the idea that unrequited love is a very insidious feeling that makes a person suffer, experience pain, despair and disappointment. Unrequited love is very difficult to bear. It's hard to realize that there is no way to be with your loved one.

Word count - 358

Elizabeth, you need to build your logic more clearly. The starting thesis - arguments that develop it + examples that confirm, illustrate the argument - a conclusion from the argument (not just a repetition of what was said in the introduction). Your arguments consist of only examples. This weakens the thesis and evidence part of the essay, so for K3 0 points. There should be a “pass” for such an essay, but it would be good to work on your speech: eliminate repetitions, express your thoughts more accurately, choose words more carefully to express your thoughts. If the logic is violated even more, they may give K1 a 0, and this will already be a “failure” for the final essay.

What is unrequited love? In my understanding, unrequited love is the rejection of the feelings of a loving person. It is very difficult for a lover to believe and realize that his feelings were not mutual. Unrequited love is hard to bear, and even harder to accept. It's unbearably painful to find yourself in a situation where the most important person in your life doesn't love you. Unfortunately, there are situations when people commit suicide because they are unable to cope with such a situation. I'll prove my point.
Let's turn to the story by A. I. Kuprin (Need Kuprina Probably a typo.) "Garnet bracelet". Mr. Zheltkov has been unrequitedly in love with Vera Nikolaevna for seven long years. During this time, he did not dare to tell her about his feelings. On Princess Zheltkov’s name day, he decides to send her a gift. Opening it, the princess saw a letter and a garnet bracelet. In a letter sir (Tautology. It is better to say “hero” in this context, rather than repeating “master”) apologizes for his gift and asks not to be angry with him. He tells Vera Nikolaevna about his feelings for her. The princess hesitates for a long time to tell her husband about this stranger, but soon tells (Tautology. Can be replaced with “opens, admits”). After a conversation between Vera Nikolaevna’s husband and brother and Zheltkov, he promises that he will never bother the princess again. Mister so much loved Vera Nikolaevna that there is nothing else in his life not interested, except for Vera Nikolaevna (Repeat again. It’s better to replace it with “heroine, beloved” in the second case). He could not cope with his feelings and committed suicide.
To prove what? (According to the logic of reasoning, the last theoretical thesis: “there are situations when people commit suicide.” And the example from “Eugene Onegin” does not prove this idea. Another argument is needed. For example, even if the hero/heroine continues to live, unrequited love can make him/her unhappy.) I can give one more argument. In A.S. Pushkin's novel "Eugene Onegin" Tatyana Larina unrequitedly in love with Evgeny Onegin. At the first meeting, Tatyana realized that in love with Onegin. At night Tatyana could not sleep, she thought about him all the time, so she decided to write a letter. In the letter, the girl poured out all her feelings, talked about her pure and sincere love, but did not receive reciprocity in return.
Onegin was not touched by Tatyana's letter, he did not feel anything for her. After this, Onegin explained to Tatyana that he could not make her happy. Soon Evgeniy leaves. Tatyana's feelings did not disappear, she still in love in Onegin and misses him. (1. In this context, “still” is inappropriate to use. It is better to say “And after Onegin’s departure.” 2. As information that Tatyana “poured out her feelings”, “did not receive reciprocity” and “is still in love. .. and gets bored" proves that unrequited love is difficult to bear?)
Thus, I proved the idea that unrequited love is a very insidious feeling that makes a person suffer, experience pain, despair and disappointment. Unrequited love is very difficult to bear. It's hard to realize that there is no way to be with your loved one.

It is known that heroes of literary works, like, probably, people in general, are “tested” by love.

The kinder, purer, more talented and noble a person is, the stronger and more devotedly he is able to love. And vice versa: the more limited and selfish a person is, the shallower his love.

This moral law is illustrated in Pushkin's novel Eugene Onegin.

There are several love lines in the novel:

1. Lensky - Olga.
2. Tatiana - Onegin - Tatiana.
3. Tatyana is her husband.

Of course, the main one among them is the story of Onegin and Tatyana, but first, about Lensky.

The 18-year-old poet falls in love with Olga Larina with ardent romantic love, deifying the object of worship as a true knight.

His feeling is sacred, he becomes gloomy when Eugene compares her to “a stupid moon on a stupid sky” because he does not see spots on his moon. Pushkin cherishes this image of the first youthful love, which knows no doubts:

He was loved... at least
That's what he thought, and he was happy.
A hundred times blessed is he who is devoted to faith,
Who, having calmed the cool mind,
Resting in heartfelt bliss,
Like a drunken traveler spending the night,
Or, more tenderly, like a moth,
Into the spring flower stuck;
But pathetic is the one who foresees everything,
Whose head isn't spinning?
Who is all the movements, all the words
In their translation hates,
Whose heart has been cooled by experience?
And forbade anyone to forget!

Lensky is ready to die for his beloved. This is what happens.

He dies in a duel at the hands of a former friend - and his death is symbolic. This is how Pushkin says goodbye to the era of romanticism and the romantic in himself.

Neither is the jaded socialite Onegin, for whom the “science of tender passion” has long ceased to be a secret.

Pushkin says that Evgeny knew how to “jokingly amaze innocence.” He, like a certain tempter, knew perfectly well how to disturb even the most timid heart. Women were perceived by him as prey, but, fed up with successful fishing, he lost interest in them.

Tatyana is the image of that innocence that Pushkin hints about. Her love is true and deep, like the world of wildlife and folk traditions that surround her. “The soul was waiting for... someone,” it is said about her.

All the powers of a girl’s soul, created in order to warm, protect her beloved, and remain faithful to him, matured in her for a long time and finally found a way out in a love letter.

Violating secular decency, Tatyana is the first to confess her love. She understands that this is impudence, but sincerity prevents her from remaining silent.

Frightened by this outburst of fresh, real feeling, Onegin gives Tatyana a stern rebuke and actually flees. The illusion of external freedom is important to him; he does not want to tie the knot.

In the clash of two characters, it becomes clear how petty in soul Onegin is, frightened, and how beautiful Tatyana is, not afraid of condemnation.

Time puts everything in its place. Years later, Onegin meets the married Tatiana in high society and there, in his usual environment, she becomes attractive in a new way.

But here, too, Tatyana is true to herself: she maintains her dignity, choosing loyalty and honor rather than momentary, windy happiness.

The heroine’s refusal is natural: she remained a pure, conscientious person who understands that now, in her new status, she must not tarnish her husband’s name.

Onegin has not changed either: he again thinks only about himself, his desires, regardless of the pain and confusion his belated confession can cause in Tatyana’s soul.

The third love line (Tatiana and her husband) would not be worth talking about separately, if not for the last scene of the novel.

It is no coincidence that in the opera “Eugene Onegin” by P. I. Tchaikovsky, an aria by Gremin, Tatyana’s wife, written by the poet K. Shilovsky appears. Gremin confesses his sincere love for his wife, who was the happiness of his life. After such a confession, it becomes obvious that Tatyana’s betrayal would have killed this man.

Can we say that at least one love in Eugene Onegin is joyful and mutual? No. Human nature is contradictory and fickle. Pushkin sees the impossibility of such a feeling as the source of the emergence of new creative impulses.