Catherine's protest. Composition on Katerina's protest against the "dark kingdom" Message Katerina's protest against the dark kingdom

June 20 2010

Whole, honest, sincere, she is not capable of lies and falsehood, therefore, in a cruel world where wild and wild boars reign, she develops so tragically. Katerina's protest against the despotism of Kabanikha is the struggle of the bright, pure, human against the darkness, lies and cruelty of the "dark kingdom". No wonder Ostrovsky, who paid great attention to the selection of names and surnames of the characters, gave such a name to the heroine of "Thunderstorm": in Greek, "Catherine" means "eternally pure."

Katerina is a poetic nature. Unlike the rude Kalinovites, she feels the beauty of nature and loves it. “I’ll get up, it used to be early; if it’s summer, I’ll go to the spring, wash myself, bring water with me and that’s it, water all the flowers in the house. I had many, many flowers,” she says of her childhood. Her soul is constantly drawn to beauty. Her dreams were filled with wonderful, fabulous visions. She often dreamed that she was flying like a bird. She talks about her desire to fly several times. With these repetitions, the playwright emphasizes the romantic sublimity of Katerina's soul, her freedom-loving aspirations. Married early, she tries to get along with her mother-in-law, to fall in love

husband, but no one needs sincere feelings in the Kabanovs' house. And the tender, poetic Katerina in this gloomy atmosphere "withered completely." Like a proud bird that cannot live in a cage, it dies in the house of the Kabanikh.

The poetry and spiritual purity of Katerina are manifested in each of her. “Where can I, poor thing, go? Who can I grab onto? My fathers, I am dying!” - she says, saying goodbye to Tikhon. With what natural simplicity and accuracy these words convey her condition! The tenderness that overwhelms her soul finds no way out. Deep human anguish sounds in her dream of children: “If only someone’s children! Eco grief! I don’t have children: all I would do was sit with them and amuse them. I love to talk with children very much - they are angels, after all. What a loving wife and mother she would have been under other conditions!

Catherine is religious. With her impressionability, the religious feelings instilled in her in childhood firmly took possession of her soul. But how different is Katerina's sincere, childlike religiosity from the sanctimonious religiosity of Kabanikh! For Kabanikha, religion is a gloomy force that suppresses the will of a person, and for Katerina, it is a poetic world of fairy-tale images. “... Before death, I loved to go to church! For sure, it used to happen that I would go into paradise, and I didn’t see anyone, and I don’t remember the time, and I didn’t hear when the service was over, ”she recalls. Nobody in Kalinovo prayed as sincerely as Katerina. “Ah, Curly, how she prays, if only you looked! What an angelic smile she has on her face, but it seems to glow from her face, ”says Boris, and Kudryash immediately unmistakably determines that we are talking about Katerina.

And at the same time. religion is a cage in which the "dark kingdom" has locked Katerina's soul. After all, the fear of "sin" torments her even more than the oppression of Kabanikhi. And the fact that she managed to overcome him testifies to the moral strength of Katerina.

Katerina's protest against the oppression of the "dark kingdom" is based on a natural desire to defend the freedom of her personality. Captivity is the name of her main enemy. Outwardly, the living conditions in Kalinovo are no different from the environment of Katerina's childhood. The same prayers, the same ceremonies, the same activities, but "here," he notes, "everything is as if from bondage." Bondage is incompatible with her freedom-loving soul. “But bondage is bitter, oh, how bitter!” - she says in the scene with the key, and this thought leads her to the decision to see Boris. With all her being, Katerina felt that living in the “dark kingdom” was worse than death. And she preferred death to captivity. “It’s sad, bitter is such a liberation,” Dobrolyubov wrote, “but what to do when there is no other way out.”

In the behavior of Katerina, according to Dobrolyubov, a “decisive, integral Russian character” was manifested, which “will withstand itself - in spite of any obstacles, and when there is not enough strength, it will die, but will not betray itself.” Dobrolyubov noted that the character of Katerina, which is “a step forward not only in Ostrovsky’s dramatic activity, but in all of ours”, reflects a new phase in the development of Russian folk life. There was a need for people with a decisive character who would translate the general demand for truth and law into decisive action. Katerina was the first type of such a person in Russian literature. Therefore, Dobrolyubov compared it with a ray of light that illuminated not only the horrors of the "dark kingdom", but also the signs of its near end.

The great Russian actress Glikeria Nikolaevna Fedotova spoke about the stage performance of Katerina: “I play this role from my youth, but only now I understand how to play it. And I didn’t understand at all before that Katerina was a ray of light in a dark kingdom. But it is necessary that through her every word, every movement somewhere this shining ray, which seeks to break through the darkness, peeped through. And let Katerina, not finding the way to a bright and joyful life, die: it is not helplessness, not sadness, and not inner devastation that leads to this end. On the contrary - a bright impulse. And only now he has no way out of the dark kingdom, but someday, soon there will be ... That's how Katerina Ostrovsky conceived, that's how she should be played. Remarkable Russian actresses L. P. Nikulina-Kositskaya - the first performer of the role of Katerina, P. A. Strepetova, M. N. Yermolova left unforgettable, creatively original portraits of Katerina in the history of the Russian theater.

Katerina's protest against the despotism of Kabanikha was not only personal in the context of the struggle against serfdom, it was of great revolutionary significance, although Katerina herself acted completely unconsciously, defending only the freedom of her own personality.

Need a cheat sheet? Then save it - " Katerina's protest in Ostrovsky's drama "Thunderstorm". Literary writings!

Whole, honest, sincere, she is not capable of lies and falsehood, therefore, in a cruel world where wild and wild boars reign, her life is so tragic. Katerina's protest against the despotism of Kabanikh is a struggle of light, pure, human against darkness, lies and cruelty of the "dark kingdom". No wonder Ostrovsky, who paid great attention to the selection of names and surnames of the characters, gave such a name to the heroine of "Thunderstorm": in Greek, "Catherine" means "eternally pure."

Katerina's poetry and spiritual purity are manifested in her every word. “Where can I, poor thing, go? Who can I grab onto? My fathers, I am dying!” she says, saying goodbye to Tikhon. With what natural simplicity and accuracy these words convey her condition! The tenderness that overwhelms her soul finds no way out. Deep human anguish sounds in her dream of children: “If only someone’s children! Eco grief! I don’t have children: all I would do was sit with them and amuse them. I love to talk with children very much - they are angels, after all. What a loving wife and mother she would have been under other conditions!

Catherine is religious. With her impressionability, the religious feelings instilled in her in childhood firmly took possession of her soul. But how different is Katerina's sincere, childlike religiosity from the sanctimonious religiosity of Kabanikh! For Kabanikh, religion is a gloomy force that suppresses the will of a person, and for Katerina it is a poetic world of fairy-tale images. “... Before death, I loved to go to church! For sure, it used to happen that I would go into paradise, and I didn’t see anyone, and I don’t remember the time, and I didn’t hear when the service was over, ”she recalls. Nobody in Kalinovo prayed as sincerely as Katerina. “Ah, Curly, how she prays, if only you looked! What an angelic smile she has on her face, but it seems to glow from her face, ”says Boris, and Kudryash immediately unmistakably determines that we are talking about Katerina.

Katerina's protest against the oppression of the "dark kingdom" is based on a natural desire to defend the freedom of her personality. Bondage is the name of her main enemy. Outwardly, the living conditions in Kalinovo are no different from the environment of Katerina's childhood. The same prayers, the same rituals, the same activities, but “here,” the heroine notes, “everything seems to be from under captivity.” Bondage is incompatible with her freedom-loving soul. “But bondage is bitter, oh, how bitter!” she says in the scene with the key, and this thought leads her to the decision to see Boris. With all her being, Katerina felt that living in the “dark kingdom” was worse than death. And she preferred death to captivity. “It’s sad, bitter is such a liberation,” Dobrolyubov wrote, “but what to do when there is no other way out.”

In the behavior of Katerina, according to Dobrolyubov, a “decisive, integral Russian character” was manifested, which “will withstand itself - in spite of any obstacles, and when there is not enough strength, it will die, but will not betray itself.” Dobrolyubov noted that the character of Katerina, which constitutes "a step forward not only in Ostrovsky's dramatic work, but in all of our literature," reflects a new phase in the development of Russian folk life. There was a need for people with a decisive character who would translate the general demand for truth and law into decisive action. Katerina was the first type of such a person in Russian literature. Therefore, Dobrolyubov compared it with a ray of light that illuminated not only the horrors of the "dark kingdom", but also the signs of its near end.

The great Russian actress Glikeria Nikolaevna Fedotova spoke about the stage embodiment of the image of Katerina: “I play this role from my youth, but only now I understand how to play it. And I didn’t understand at all before that Katerina was a ray of light in a dark kingdom. But it is necessary that through her every word, every movement somewhere this shining ray, which seeks to break through the darkness, peeped through. And let Katerina, not finding the way to a bright and joyful life, die: it is not helplessness, not sadness, and not inner devastation that leads to this end. On the contrary, a bright impulse. And only now he has no way out of the dark kingdom, but someday, soon there will be ... That's how Katerina Ostrovsky conceived, that's how she should be played. Remarkable Russian actresses L. P. Nikulina-Kositskaya, the first performer of the role of Katerina, P. A. Strepetova, M. N. Yermolova left unforgettable, creatively original portraits of Katerina in the history of the Russian theater.

In general, the history of the creation and the idea of the play “Thunderstorm” are very interesting. For some time there was an assumption that this work was based on real events that took place in the Russian city of Kostroma in 1859. “In the early morning of November 10, 1859, the Kostroma bourgeois Alexandra Pavlovna Klykova disappeared from the house and either threw herself into the Volga, or was strangled and thrown there. The investigation revealed a dull drama that played out in an unsociable family living with narrowly trading interests: […]
Dramatic events of the play by A.N. Ostrovsky's "Thunderstorm" are deployed in the city of Kalinov. This town is located on the picturesque bank of the Volga, from the high steepness of which the vast Russian expanses and boundless distances open up to the eye. “The view is extraordinary! Beauty! The soul rejoices, ”the local self-taught mechanic Kuligin admires. Pictures of endless distances, echoed in a lyrical song. In the midst of a flat valley”, which he sings, are of great importance for conveying a sense of the immense possibilities of Russian […]
Alexander Nikolayevich Ostrovsky was endowed with a great talent as a playwright. He is deservedly considered the founder of the Russian national theater. His plays, varied in subject matter, glorified Russian literature. Creativity Ostrovsky had a democratic character. He created plays in which hatred for the autocratic-feudal regime was manifested. The writer called for the protection of the oppressed and humiliated citizens of Russia, longed for social change. The great merit of Ostrovsky is that he opened the enlightened […]
In The Thunderstorm, Ostrovsky shows the life of a Russian merchant family and the position of a woman in it. The character of Katerina was formed in a simple merchant family, where love reigned and her daughter was given complete freedom. She acquired and retained all the beautiful features of the Russian character. This is a pure, open soul that does not know how to lie. “I don’t know how to deceive; I can’t hide anything,” she says to Varvara. In religion Katerina found the highest truth and beauty. Her desire for the beautiful, the good, was expressed in prayers. Coming out […]
In the drama "Thunderstorm" Ostrovsky created a very psychologically complex image - the image of Katerina Kabanova. This young woman disposes the viewer with her huge, pure soul, childlike sincerity and kindness. But she lives in the musty atmosphere of the "dark kingdom" of merchant morals. Ostrovsky managed to create a bright and poetic image of a Russian woman from the people. The main storyline of the play is a tragic conflict between the living, feeling soul of Katerina and the dead way of life of the “dark kingdom”. Honest and […]
Katerina Varvara Character Sincere, sociable, kind, honest, pious, but superstitious. Gentle, soft, at the same time, decisive. Rude, cheerful, but taciturn: "... I don't like to talk a lot." Determined, can fight back. Temperament Passionate, freedom-loving, bold, impetuous and unpredictable. She says about herself “I was born so hot!”. Freedom-loving, smart, prudent, bold and rebellious, she is not afraid of either parental or heavenly punishment. Upbringing, […]
"The Thunderstorm" was published in 1859 (on the eve of the revolutionary situation in Russia, in the "pre-storm" era). Its historicism lies in the conflict itself, the irreconcilable contradictions reflected in the play. She responds to the spirit of the times. "Thunderstorm" is an idyll of the "dark kingdom". Tyranny and silence are brought in it to the limit. In the play, a real heroine from the people's environment appears, and it is the description of her character that is given the main attention, and the little world of the city of Kalinov and the conflict itself are described more generally. "Their life […]
Katerina is the main character in Ostrovsky's drama "Thunderstorm", Tikhon's wife, daughter-in-law of Kabanikhi. The main idea of the work is the conflict of this girl with the "dark kingdom", the kingdom of tyrants, despots and ignoramuses. You can find out why this conflict arose and why the end of the drama is so tragic by understanding Katerina's ideas about life. The author showed the origins of the character of the heroine. From the words of Katerina, we learn about her childhood and adolescence. Here is an ideal version of patriarchal relations and the patriarchal world in general: “I lived, not about […]
The Thunderstorm by A. N. Ostrovsky made a strong and deep impression on his contemporaries. Many critics were inspired by this work. However, in our time it has not ceased to be interesting and topical. Raised to the category of classical drama, it still arouses interest. The arbitrariness of the "older" generation lasts for many years, but some event must occur that could break the patriarchal tyranny. Such an event is the protest and death of Katerina, which awakened other […]
The critical history of "Thunderstorm" begins even before its appearance. To argue about "a ray of light in the dark realm", it was necessary to open the "Dark Realm". An article under this title appeared in the July and September issues of Sovremennik in 1859. It was signed by the usual pseudonym of N. A. Dobrolyubova - N. - bov. The reason for this work was extremely significant. In 1859, Ostrovsky summed up the intermediate result of his literary activity: his two-volume collected works appeared. "We consider it the most […]
In "Thunderstorm" Ostrovsky, operating with a small number of characters, managed to uncover several problems at once. Firstly, it is, of course, a social conflict, a clash of "fathers" and "children", their points of view (and if we resort to generalization, then two historical epochs). Kabanova and Dikoy belong to the older generation, actively expressing their opinion, and Katerina, Tikhon, Varvara, Kudryash and Boris belong to the younger one. Kabanova is sure that order in the house, control over everything that happens in it, is the key to a good life. Correct […]
A conflict is a clash of two or more parties that do not coincide in their views, attitudes. There are several conflicts in Ostrovsky's play "Thunderstorm", but how to decide which one is the main one? In the era of sociologism in literary criticism, it was believed that social conflict was the most important thing in a play. Of course, if we see in the image of Katerina a reflection of the spontaneous protest of the masses against the shackling conditions of the “dark kingdom” and perceive the death of Katerina as the result of her collision with the tyrant mother-in-law, […]
The play by Alexander Nikolayevich Ostrovsky "Thunderstorm" is historical for us, as it shows the life of the bourgeoisie. "Thunderstorm" was written in 1859. It is the only work of the cycle "Nights on the Volga" conceived, but not realized by the writer. The main theme of the work is a description of the conflict that arose between two generations. The Kabanihi family is typical. The merchants cling to their old ways, not wanting to understand the younger generation. And because the young do not want to follow the traditions, they are suppressed. I'm sure, […]
Let's start with Catherine. In the play "Thunderstorm" this lady is the main character. What is the problem with this work? The issue is the main question that the author asks in his creation. So the question here is who will win? The dark kingdom, which is represented by the bureaucrats of the county town, or the bright beginning, which is represented by our heroine. Katerina is pure in soul, she has a tender, sensitive, loving heart. The heroine herself is deeply hostile to this dark swamp, but is not fully aware of it. Katerina was born […]
A special hero in the world of Ostrovsky, adjoining the type of a poor official with a sense of his own dignity, is Karandyshev Julius Kapitonovich. At the same time, pride in him is so hypertrophied that it becomes a substitute for other feelings. Larisa for him is not just a beloved girl, she is also a “prize” that makes it possible to triumph over Paratov, a chic and rich rival. At the same time, Karandyshev feels like a benefactor, taking as his wife a dowry, partly compromised by […]
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The action of the drama takes place in the Volga city of Bryakhimov. And in it, as elsewhere, cruel orders reign. The society here is the same as in other cities. The main character of the play, Larisa Ogudalova, is a dowry. The Ogudalov family is not rich, but, thanks to the perseverance of Kharita Ignatievna, he makes acquaintance with the powers that be. Mother inspires Larisa that, although she does not have a dowry, she should marry a rich groom. And Larisa, for the time being, accepts these rules of the game, naively hoping that love and wealth […]
The focus of the writers of the 19th century is a person with a rich spiritual life, a changeable inner world. The new hero reflects the state of the individual in the era of social transformations. The authors do not ignore the complex conditionality of the development of the human psyche by the external material situation. The main feature of the image of the world of the heroes of Russian literature is psychologism , that is, the ability to show the change in the soul of the hero In the center of various works, we see "extra […]
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Alexander Nikolayevich Ostrovsky is a great Russian playwright, author of many plays describing Russian life. "Thunderstorm" is, without a doubt, the pinnacle of his work, where he raised the most pressing issue of his era - the liberation of women from family slavery, her emancipation. The creation of "Thunderstorm" has long been associated with Ostrovsky's impressions of his stay in Kostroma, where tragic events took place in November 1859, which largely coincide with the plot of the drama. A young woman from a merchant family committed suicide

Rushing into the Volga. She did not want to put up with the willfulness of her imperious and unfriendly mother-in-law. Surprisingly, the story of her secret love coincided with the circumstances of Katerina's life, and the main character traits of her husband with the image of Tikhon. The drama "Thunderstorm" is based on reliable facts.

Ostrovsky focuses on the images of Marfa Ignatieva Kabanova and her daughter-in-law Katerina. Two opposite characters. The boar tyrannizes her loved ones, she “eats with food”, “grinds iron like rust”, suppressing a thought, a living being, the desire for will, asserting fear and obedience. Hypocritical, cunning and evil hypocrite, she clothes

Beggars, surrounds himself with flattering wanderers, speaks of love for children and at the same time makes their life unbearable.

With special depth, Ostrovsky reveals the image of Katerina - a beautiful Russian woman, whose character combines poetry, spontaneity and tenderness with great will and the ability to resolutely rebel against oppression and lawlessness. Passionate and freedom-loving Katerina could not put up with rude arbitrariness, could not be content with the life that those around her led. “I don’t want to live here, so I won’t, even if you cut me!” She says to Varvara. In her stories about her former life, in her dreams, a whole, poetic nature is reflected, her desire for will, love, and happiness. She can't lie and adapt like Barbara; and at the same time, the strength of her feelings is such that she is ready to ignore social customs and religious concepts and run away with Boris. In the image of Katerina, Ostrovsky created an original, integral Russian character, which, according to Dobrolyubov, "will withstand itself, in spite of any obstacles, and when there is not enough strength, it will die, but will not betray itself."

Katerina finds support in no one and nowhere. An avalanche of troubles hit her, And the conflict becomes insoluble. Katerina is such a conscientious person that she cannot live in a lie, with sin in her soul. She does not accept the combination of love and lies. An internal conflict torments her soul even before suicide. Until the last minute, Katerina carried her ardent faith in love, the hope for compassion. "My friend! My joy! Farewell!" - her last words, emphasizing the tragic height of the heroine's spirit, making her the ideal of a Russian woman.

The death of Katerina is a spontaneous protest against the oppressive orders of society ("dark kingdom"). For the first time, an angry protest against tyranny and family despotism sounded in the play. This protest is spontaneously expressed by Katerina. Reading the play, we saw how gradually in this pure, dreamy, direct woman, longing for true love, true happiness, everything begins to resent, seethe and resent against falsehood, hypocrisy, artificiality of relations in the patriarchal family, where Kabanikha reigns. Katerina's suicide is not a manifestation of weakness of spirit, but the result of the complete hopelessness of her situation and the impossibility of reconciliation with the morality of the Domostroy regime. The drama proves that a woman's happiness is impossible in a marriage based on money, in a family of hypocrites. 9.

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Plays by Ostrovsky

"A.N. Ostrovsky plays" - "There is not a day in the year that my plays are not shown in 5-6 theaters." We have our own Russian Drama Theatre. A.N. Ostrovsky 1884. "Wider road! Ostrovsky's theater is "true everyday life". Others have schools, academies, high patronage, philanthropists ... The pinnacle of creativity - "Thunderstorm" The last play - "Dowry".

"Ostrovsky playwright" - Born in 1823, died in 1886. During the summer and autumn, Ostrovsky wrote the drama The Thunderstorm. Presentation on the topic: The work of a novice playwright attracted the attention of the authorities. The youth of A. N. Ostrovsky. The playwright was able to express the people's desire for liberation from the oppression of the "dark kingdom". So the doors of the theater were closed to Ostrovsky.

"Dowry" - Spiritual loneliness - a manifestation of strength or weakness? Literary critics. What did the word "dowry" mean in Ostrovsky's time? Musicologists. Questions for literary critics: To trace the life path of Larisa Ogudalova. Creative title: Poverty is not a vice. What are the causes of the tragedy of Larisa Ogudalova? Historians.

"Ostrovsky plays" - The originality of the conflict. Specific author's remarks. We listen to individual tasks prepared by students. Interestingly, in translation from Aramaic, the name Martha is translated as "lady." Homework. Poverty is not a vice. Ostrovsky's play "Guilty Without Guilt". Individual assignments. Competition "Presentation for the lesson".

"Plays by A.N. Ostrovsky" - What is music? "Snow Maiden". Conclusion: Romance. Baratynsky managed to embody the richness and complexity of Larisa's emotional world. "Reassurance" Words by E. Baratynsky Music by M. I. Glinka. Folk song in Ostrovsky's plays. Songs are used to illustrate folk life, to convey the color of the era. "In the midst of a flat valley, at a smooth height ...".

"Biography of Ostrovsky" - Monument to A.N. Ostrovsky at the Maly Theater in Moscow. Playwright's wife and children. Ostrovsky among the members of the Society of Dramatic Writers. In a small but very cozy living room, beloved by the entire Ostrovsky family, there is a piano. Ostrovsky in Torzhok. Ostrovsky recalled: “The most memorable day in my life: February 14, 1847.

Total in the topic 22 presentations

And he sits, sculpted by the chisel of the sculptor Andreev, at the entrance to the Maly Theater, and reminds us of the past, of the dark, funny and terrible world of his many heroes: the Glumovs, the Bolshovs, the Podkhalyuzins, the Wilds and the Boars.

The image of the world of Moscow and provincial merchants, with the light hand of Dobrolyubov called the "dark kingdom", became the main theme of Ostrovsky's work.

The drama The Thunderstorm, which was published in 1860, is no exception.

The plot of the play is simple and typical of that environment and era: a young married woman, Katerina Kabanova, did not find a response to her feelings in her husband, fell in love with another person. Tormented by remorse and not wanting to accept the morality of the "dark kingdom" ("Do whatever you want, as long as everything is covered and covered"), she confesses her act publicly in the church. After this confession, her life becomes so unbearable that she commits suicide.

The image of Katerina is the most striking image in Ostrovsky's play "Thunderstorm". Dobrolyubov, analyzing in detail the image of Katerina, called her "a ray of light in a dark kingdom."

Katerina's life in her parents' house proceeded well and carelessly.

Here she felt at ease. Katerina lived easily, carefree, joyfully. She loved her garden very much, in which she so often walked and admired the flowers.

Later, telling Varvara about her life in her home, she says: “I lived, didn’t grieve about anything, like a bird in the wild. and I do." Katerina differs from all representatives of the "dark kingdom" in the depth of her feelings, honesty, truthfulness, courage, determination.

Being brought up in a good family, she retained all the beautiful features of the Russian character. This is a pure, sincere, hot nature, an open soul that does not know how to deceive. “I don’t know how to deceive; I can’t hide anything,” she says to Varvara, who claims that everything in their house is based on deception. The same Varvara calls our heroine some kind of "tricky", "wonderful". Katerina is a strong, determined, strong-willed person. From childhood she was capable of bold deeds.

Telling Varvara about herself and emphasizing her hot nature, she says: "I was born so hot!"

Katerina was very fond of nature, its beauty, Russian songs. Therefore, her speech - emotional, enthusiastic, musical, melodious - is imbued with high poetry and sometimes reminds us of a folk song. Growing up in her own home, our heroine adopted all the centuries-old traditions of her family: obedience to elders, religiosity, obedience to customs. Katerina, who did not study anywhere, loved to listen to the stories of wanderers and pilgrims and perceived all their religious prejudices that poisoned her young life, forcing Katerina to perceive love for Boris as a terrible sin, from which she tries and cannot get away.

Once in a new family, where everything is under the rule of a cruel, harsh, rude, despotic Kabanikh, Katerina does not find a sympathetic attitude towards herself.

Dreamy, honest, sincere, friendly to people, Katerina takes the oppressive atmosphere of this house especially hard.

Gradually, life in the house of Kabanikha, which constantly offends the human dignity of Katerina, becomes unbearable for the young woman. In her soul, a dull protest against the "dark kingdom" begins to emerge, which did not give her happiness, freedom and independence. This process develops... Katerina commits suicide. Thus, she proved her rightness, a moral victory over the "dark kingdom". Dobrolyubov in his article, assessing the image of Katerina, wrote: "This is the true strength of character, which in any case can be relied upon! This is the height to which our national life reaches in its development!" The fact that Katerina's act was typical of her time is also confirmed by the fact that a similar incident occurred in Kostroma in the Klykov family of merchants. And long after that, the actors playing the main roles in the play made up in such a way that they could be seen to resemble the Klykovs.

Bibliography

For the preparation of this work, materials from the site http://sochinenia1.narod.ru/ were used.

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