Description of the main characters woe from mind. Woe from Wit - Griboyedov A.S. Characteristics of the heroes "Woe from Wit"

In Russian classics, Griboedov is known as the author of the first comedy, combining examples of classicism and realism, although he had other comedies created earlier. Previously created plays included the beginnings of a combination of different styles to found a new, but the true result of an innovative genre was Griboyedov's work "Woe from Wit". The author came up with the idea of ​​the play in 1820, significant help in describing the characters was provided by the stories of his long-time girlfriend, E. B. Grekhova.

Characteristics of the heroes "Woe from Wit"

Main characters

Chatsky	Positive comedy hero. He was brought up in the Famusov family, having reached the age of majority, he began to live separately. A young nobleman with a sharp mind and insight, he has a noble soul and lofty thoughts. Condemns the views of Famusov, and therefore the entire noble society. He passionately loves his homeland and his people, his pride is offended by the mocking attitude of foreigners to everything Russian. In love with Sophia, having learned about her love for the insignificant Molchalin, he is disappointed both in her and in society, leaves Moscow.
Famusov	A wealthy landowner, a widower, brings up his daughter Sophia. Supporter of the old way of life. The main features of his character are servility and servility. He is scrupulous about public opinion about his person and about his family. He is an opponent of Chatsky in disputes about views on life. He dreams of marrying his daughter to Skalozub. Flirting with the maid.
Sofia	The naive and trusting daughter of Pavel Afanasyevich. She was brought up and educated in the best traditions of the noble society of Moscow. I didn’t understand Chatsky’s real feelings, she was in love with Molchalin. Plays the piano, reads French novels. Sophia is the image of a brave and determined girl, she has a strong character.
Molchalin	The characterization of the hero contains only negative epithets. Serves as Famusov's secretary, a man with a petty, vile little soul. Cold hypocrite, unprincipled and stupid sycophant. Calculating and cowardly. Born in a poor family, he dreams of getting into the "higher" society. In love with the maid Lisa. Worships Tatyana Yurievna.
Puffer	Not a very smart man, a wealthy bachelor, not yet old. Serves as a colonel, an ordinary "martinet", dreams of a career as a general, his whole life is in the army. Known in Moscow circles.

Minor characters

Lisa	A windy girl, a servant in the Famusov house, playful, cheerful. She likes the barman Petrusha. Famusov favorably treats her. Covers his mistress Sophia.
Repetilov	An old friend of Chatsky, his parody display. A simple-minded, stupid, ordinary person.
Zagoretsky	I enter Famusov's house, a secular person, superficial, stupid, a swindler and a rogue.
Khlestov	Pavel Afanasyevich's sister-in-law, a malicious lonely old woman, from loneliness started a pack of dogs and a bunch of pets.
Platon Mikhailovich Gorich	A friend of Chatsky, disappointed in marrying a young woman, dutifully submits to her. Retired soldier.
Natalya Dmitrievna Gorich	The young wife of Gorich, a lover of balls, takes care of her husband to the point of importunity.
Prince Tugoukhovsky	A deaf old man, a friend of Famusov, the goal of life is to profitably attach his six daughters.
Princess Tugoukhovskaya	The wife of the prince, supports the views of Famusov, an opponent of education, dreams of a profitable party for her daughters.
Countess Hryumina	Their names are unknown, their role is insignificant. An elderly grandmother goes to balls with her granddaughter, hoping to marry her off.
Maxim Petrovich	The late uncle of Pavel Afanasyevich, his vivid role model.
Parsley	Servant, knows the basics of literacy, helps the owner to take notes, untidy.

In Woe from Wit, the characters, one of which is Chatsky, show the conflict of generations. Also in this play there are off-stage characters, the list of which includes representatives of Moscow society. The main characters of "Woe from Wit", except for Chatsky, have no prototypes, in some minor characters the features of the author's contemporaries from the literary society are expressed. This table, in which the characterization of the characters is given, can help in presenting a summary of the play.

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The main male and only positive character in the comedy. He was left an orphan quite early, and was brought up in the house of his father's friend, Famusov. The patron gave him an excellent education, but could not instill in Chatsky his worldview. Growing up, Chatsky began to live separately. Subsequently, he quit military service, but did not serve as an official.

One of the main characters in comedy. If the surname Famusov is translated from Latin, then it will mean "famous, enjoying fame." Famusov lives on the estate, but judging by his many friends, he is a very famous person in his circle. He likes to brag that he belongs to noble nobles. Famusov is hospitable, sociable, a lover of living in a big way.

The central female character of the comedy. Events unfold around her. Sophia is 17 years old, she was raised by her father and old Rosier. She lost her mother when she was very young. Sophia is very beautiful, smart, witty and quick-witted, but due to reading French novels, she is a bit sentimental and romantic.

The worst character in comedy. He does not belong to the upper strata of society, he comes from the common people. Came to work from Tver. Lives in Famusov's house, works as a secretary and takes care of his daughter Sophia. Strives to make a career. The purpose of his life is the highest ranks and wealth.

A secondary, but very important character in the comedy, a cheerful, young servant who lives and works in Famusov's house. She is a typical soubrette who helps her mistress Sophia in love affairs. We can say that Lisa is smart and very quick-witted.

A minor character, a wealthy colonel who wants to become a general, and Famusov sees in him the ideal groom for his daughter. Although Khlestova did not like him, he had weight in society. Skalozub's whole life is connected with the army. He is rude and ignorant, having been raised in the barracks.

A minor character in a comedy, one of the first guests at a ball in Famusov's house; a typical representative of the "famus society", henpecked and a hypocrite. Pyotr Ilyich appears at the ball not alone, but with his whole family - with his malicious and caustic wife Marya Alekseevna and six marriageable daughters.

A minor character in a comedy, who appears the very last at Famusov's ball. He is an old friend of Chatsky, which can be judged by the words with which he meets him: “Heart friend! Dear friend! On the other hand, very soon it becomes clear that this character is just an empty talker and a superficial person.

One of the most memorable secondary heroines of the comedy, with whom the author introduces the reader at a party at Famusov's; domineering and rude mistress-serf. The full name of the heroine is Anfisa Nilovna Khlestova. She is Famusov's sister-in-law, and, accordingly, Sophia's aunt.

Minor character in comedy. He appears at a dinner party in Famusov's house and perfectly complements the assembled society. This is a man of the world, well known in wide circles. He loves to go to the theater, attend balls and parties. At the same time, everyone knows that Zagoretsky is a notorious swindler, gambler and rogue.

One of the most memorable supporting characters in comedy; Famusov's guest and Chatsky's old friend. Platon Mikhailovich Gorich served with Chatsky in the same regiment. Now he has retired, married and lives in Moscow. Chatsky notices the change that has taken place in his comrade after his marriage, and is ironic about this.

Wife of Platon Mikhailovich Gorich in comedy; a vivid example of the embodiment of female power. Natalya Dmitrievna completely subjugated her husband, treated him like a child every now and then, intrusively caring for him. With her excessive concern for the health of Platon Mikhailovich, she killed in him the excitement of life, that enthusiasm that Chatsky had previously seen in his eyes.

Famusova .

Pavel Afanasyevich Famusov - a man of age, buried his wife, the mother of his daughter, Sophia, whom she brings up with the help of governesses, but loves endlessly. He lives in Moscow and, despite his age, Pavel is quite energetic, serves as a manager at a state enterprise, where he arranged for almost all of his relatives to work. He regularly gives them awards, ranks, almost the entire enterprise is occupied exclusively by Famusov's relatives.

Pavel Afanasyevich took Chatsky to his upbringing when his parents died. It is important for him what they say about him, he is dependent on the opinions of others, he likes to spread rumors. Famusov is hypocritical, often fussy, witty and resourceful, likes to flatter people, evaluates people by their rank (honoring rank). He does not notice anything around, likes to put himself above everyone else, always defends his point of view, because of which he talks a lot, often interrupts everyone, often gets angry, likes to swear with or without his servants. The author also notes the loud voice of Paul.

Famusov considers education an unnecessary waste of time. He also considers himself hospitable and attaches importance to visits. It can often be seen at all important events in the city, at balls, christenings and so on. Pavel Afanasyevich believes that Chatsky cannot marry his daughter Sofya, because he has no money, and his father demanded an exceptionally rich groom, despite his non-poor financial situation, he was not averse to intermarry with the young Colonel Skalozub. Plus, according to Famusov, Chatsky could only expect trouble and disruption of order. Pavel and Chatsky were opposites of each other, during a dispute, each defends his point of view, they do not hear each other.

In the person of Famusov, Griboedov expresses a typical Russian nobleman, and in the person of his retinue and friends, he expresses a typical Russian society. Everyone is having fun, but under this lies selfish goals: to find a profitable party, make new acquaintances, find patronage. All the guests of Famusov and himself are united by the search for personal gain, hypocrisy. In such a society, sincerity is considered bad form or madness, where everyone tries to make a good impression on each other, forgetting about their inner world.

A.S. Griboyedov’s comedy “Woe from Wit” can boast of its unique images. One of the central images of the work is the imageSophia .

Sophia is the heroine of Griboyedov's story "Woe from Wit". This girl is a very unusual character in Griboyedov's story. She is both a product of lies and benevolence and strength, albeit only external.

Sophia is a girl who is the one from whom all the threads came, both the mood and the grief of many people. She, as a puppeteer, skillfully used their weaknesses as well as their strengths. She is a manipulator, in modern terms. But at the same time, with these qualities and such a character, Sophia is a beautiful girl who also knows how to use her appearance. She has a lot of fans, and for good reason, because she is strong in this.

This girl is a strong personality who will not miss her. In addition, by nature, she is also very mocking, her sarcasm reaches many ears, she loves to mock, tell some jokes. But she is not very cheerful, it can be more accurately said that she knows how to speak sarcastically, her irony can both offend someone and make her an enemy.

Sophia grew up in a good family, rich, well-to-do, who did not know the costs of the strong in anything. That is why this girl is young, she grew up as a wealthy, bright and courageous person. She was not afraid of anything, and knew how to skillfully hypocrite and lie when necessary. And, in her defense, we can say that she is not entirely to blame for this, since such actions and character traits were not new at that time. That is why she was also such, because she was brought up that way, brought up in such an environment where it was impossible to be and act differently. Otherwise, it caused talk and rumors, as well as contempt and ill will.

A.S. Griboyedov’s comedy “Woe from Wit” can boast of its unique images. One of the central images of the work is the imageMolchalin , a person from the common people, striving for career growth

Molchalin seems to be a decent young man who is distinguished by his kindness and modesty. But in fact, all these qualities are just a mask that the hero uses to achieve his goals. His dream is a career, high rank and wealth. Respect among high society is the limit of his happiness. There are many different ways to achieve these goals. But Molchalin chooses the fastest and most negative. He takes steps towards his dream with the help of flattery, hypocrisy and duplicity. He does it so subtly and imperceptibly that many can envy.

The hero worked as a secretary for Famusov, a rich and respected man. He did all the work conscientiously, spoke affectionately and carefully, which is why Famusov liked him. With the daughter of his master, with Sophia, he treated even better and even dared to play a young man in love. Naturally, he does not experience any high feelings towards the girl. On the contrary, he despises her and builds relationships solely for his own benefit. Once guilty before the girl, he rushes to her feet. The reason for this was far from repentance, but the fear of losing the trust of his master Famusov. Another person who was lucky enough to listen to lies from Molchalin was Khlestova. He kindly played cards with her and complimented her dog. In fact, people are very pleased with such behavior in their address. Molchalin showed hypocrisy and helpfulness towards everyone living in the house: from servants to superiors. This was the plan of the hero, which he strictly adhered to.

Thus, Molchalin in Griboyedov's comedy is a negative character. The reader cannot see any positive features of the hero, but sees only hypocrisy and a desire to achieve a dubious goal in dirty ways. With the help of this character, the author reveals a serious problem that still exists today. People who aspire not to anything high, but to fame and money, are ready to go over their heads and put on a mask of sincerity. Usually, having achieved their goals, such people live unhappily and alone.

A.S. Griboyedov’s comedy “Woe from Wit” can boast of its unique images. One of the central images of the work is the imageChatsky

Chatsky is the only person of the new generation who opposes the conservative majority. Obviously, the play "from and to" is dedicated to the ideas of Decembrism. Here is the patriotic mood of Chatsky, and loud statements in defense of science and education, and critical remarks about serfdom, as well as the idea of ​​the identity of the Russian people, the features of Russian national culture.

Interestingly, the main character of the work is, in essence, the embodiment of the author, his ideas and passions. Chatsky traveled the world for a long time, as a result of which he was inspired by the ideas of equality, fraternity and individual freedom. But returning to his homeland, the hero sees that nothing around has changed, people have remained the same. In Famusov's house, Chatsky's arrival is not welcome, and the main character immediately notices this. He sees that society in the country is built on hypocrisy and deceit, and the main occupations of the Moscow nobility are endless festivities, dances and feasts.

Chatsky belongs to the nobility, is not rich, at one time refused military service. He explained his act by saying that he did not see any benefit in this matter and that he would be glad to serve, and not be served.

Chatsky confronts the inhabitants of the Famusov's house: Skalozub, Molchalin, Repetilov and Famusov himself. In the comedy, the author ridicules and condemns these people as representatives of the secular society of that time.

The reason for the return of the protagonist to his homeland was his boundless love for Sophia. Once in Moscow, he immediately goes to Famusov's house and confesses his feelings to the girl. According to this act, Chatsky can be characterized as a passionate, passionate and romantic person. Love for him is the highest feeling, a shrine. What pain he has to experience when he finds out that Sophia loves Molchalin.

Chatsky is educated, has a subtle, sharp mind and resourcefulness. But all these qualities did not seem to be noticed by others, and only the maid Lisa was able to note them in a conversation with Sophia. But she did not pay any attention to the words of the girl. The protagonist sharply condemns serfdom, which called them a source of misfortune. He despises the Moscow "aces", for whom the ideal of life is wealth and career growth. Chatsky notes the inability of the older generation to defend their position and express their opinion. In the confrontation with the Famus society, the hero suffers a terrible defeat: Sophia prefers him to Molchalin, society does not accept him and ridicules him. Shaken by these circumstances, Chatsky leaves the city. According to I.A. Goncharov, Chatsky was broken by the quantitative superiority of the "old force", but he himself dealt it a crushing blow with the quality of the force of the new generation.

Lisa

Lisa is a young girl, her age is not indicated in the comedy. She is funny, cunning and resourceful. He has a pleasant appearance and the ability to support any conversation, and sometimes help with practical advice. Lisa helps Sofya hide her relationship with Molchalin from her father. It is not easy for a girl to live in the Famusovs' house, she has to be responsible for the tricks of the young lady.

Despite the fact that Lisa considers her judgments stupid, the girl is smart, well versed in people. From her speeches, one can understand what a particular comedy character is. So the girl reveals the true face of Molchalin. It is to Lisa that he admits that he "loves" Sophia only for personal gain. In fact, he likes Liza, and he regrets that she is only a servant in the young lady's house. You can also notice the differences in the behavior of Molchalin with Sophia and Lisa: in conversations with the first, the hero is timid and modest, while in communication with Lisa, he behaves pompously and cheekily.

Famusov's sympathy for her becomes another difficulty in the girl's life. This hero is a moral image for his daughter, because he is known in society for "monastic behavior." But secretly from all Famusov very frankly seeks to impose his feelings on Lisa. Thus, the character of this character, like Molchalin, is more fully revealed thanks to Lisa.

The girl herself has a timid feeling for a person of her circle - the barman Petrusha. Lisa has certain moral principles and rules that she will not violate. She delicately and tactfully leaves the love affairs unfolding in Famusov's house.

The girl, despite being a minor character in the play, strongly influences her development. After all, if you remove her storyline, then the ending of the play will change. She becomes a link between the heroes of the work.

A.S. Griboyedov’s comedy “Woe from Wit” can boast of its unique images. One of the secondary images of the work is the imageSkalozuba

Puffer holds a military rank, his goal in life is to achieve a good place or rank at any cost. He "made a fortune for himself", so he is popular with the ladies. Even Famusov himself prefers Skalozub as the husband of his daughter.

Skalozub, though a military man, can't think for himself. He follows the society, for those who are beneficial to him or support those who are more noble. The hero does not really love Russia, he speaks about this himself. He received a high military rank only because there were places, and not for exploits and devotion to the Motherland. Skalozub is a collective image, his behavior is consistent with other military men who tried to make their careers after World War II, and, it should be noted, they had every opportunity for this.

Skalozub is a typical liberal of that time who clings to the old, because only by those laws and rules can he live, it is more convenient for him to adapt to someone than to act on his own.

Also, the image of the Skalozub helps to fully understand Chatsky, who opposes the "past century", the reader notices the deceit, depravity and stupidity of the Famusovsky society, which includes the Skalozub. Skalozub has a special attitude to teaching, he does not understand why you need to study, and he tries to show himself smart, but in dialogues with other characters he only answers with memorized military phrases. The skalozub does not bring anything useful to society, he only satisfies his needs, goes over the heads for the sake of his goals. Such an attitude to the world is the basis of the old system, which Chatsky does not like so much. The hero did not receive an education, he grew up in a military environment, so he was used to expressing himself rudely, not to reckon with anyone, to give orders. Puffer is rude, does not listen and does not understand others, he lives according to the laws of the army. His attitude towards reading is terrible - he despises books. The reader notices this when the protagonist assures that it is better to equip schools in a new way, as in the army, where they will teach what is really important, and not science. And talking about his distant brother, who loves to read and lives in the village, Skalozub humiliates him, does not understand how books can be read. Sophia sees in Skalozub a stupid and backward person, she is not interested in his money. In a dialogue with Chatsky, Skalozub does not understand what the hero is talking about, but out of habit he agrees with what was said.

Puffer is used to taking advantage of any situation for himself, through flattery and agreement with others. He does not want to develop, and there is only one goal - to succeed in a military career, this shows the limitations of the main character and his ideals.

Molchalin Alexey Stepanych- Famusov's secretary, who lives in his house, as well as Sophia's admirer, who despises her in his soul. M. translated by Famusov from Tver. The hero's surname expresses his main feature - "wordlessness". It was for this that Famusov made M. his secretary. In general, the hero, despite his youth, is a full-fledged representative of the “past century”, since he has assimilated his views and lives by his principles. M. strictly follows the covenant of his father: "to please all people without exception - the owner, the boss, his servant, the janitor's dog." In a conversation with Chatsky, M. sets out his life principles - "moderation and accuracy." They are that "at my age one should not dare to have one's own judgment." According to M., you need to think and act as is customary in the "famus" society. Otherwise, they will gossip about you, and, as you know, "evil tongues are worse than pistols." M.'s romance with Sophia is also explained by his willingness to please everyone. He obediently plays the role of an admirer, ready to read love stories with Sophia all night long, listen to the silence and trills of nightingales. Sophia does not like M., but he cannot refuse to please the daughter of his boss.

Skalozub Sergey Sergeyevich- in his image, the “ideal” Moscow groom is bred - rude, uneducated, not very smart, but rich and pleased with himself. Famusov reads S. as her daughter's husband, but she considers him "not the hero of her novel." At the time of his first visit to Famusov's house, S. talks about himself. He participated in the war of 1812, but he received the order "on the neck" not for military exploits, but on the occasion of military celebrations. S. "aims at the generals." The hero despises bookish wisdom. He speaks derogatoryly of his cousin who reads books in the countryside. S. tries to embellish himself externally and internally. He dresses in army fashion, "tightening" with straps so that his chest is a wheel. Having understood nothing in Chatsky's accusatory monologues, he, nevertheless, joins his opinion, saying all sorts of nonsense and nonsense.

Sofia Pavlovna Famusova- Famusov's 17-year-old daughter. After the death of her mother, she was brought up by "Madame", an old Frenchwoman Rosier. S.'s childhood friend was Chatsky, who also became her first love. But over the 3 years of Chatsky's absence, S. has changed a lot, as her love has changed. The formation of S. was influenced, on the one hand, by Moscow habits and customs, on the other hand, by the books of Karamzin and other sentimentalist writers. The girl imagines herself the heroine of a "sensitive" novel. Therefore, she rejects the caustic and bold Chatsky, as well as Skalozub - stupid, but rich. S. chooses Molchalin for the role of a Platonic admirer. In his house, S. does not have the opportunity to develop mentally. The only thing she can do is to imagine herself as the heroine of the novel and act according to this role. Either she invents a dream in the spirit of Zhukovsky’s ballads, or she pretends to faint, etc. But the “Moscow” upbringing also makes itself felt. During the ball, it is she who spreads the rumor about Chatsky's madness. The romantic behavior of the heroine turned out to be just a mask, her true essence is this nature of a Moscow young lady. At the end of the comedy, S. is punished. She learns about the “treason” of Molchalin, who flirts with Liza and speaks impartially about S. In addition, Famusov, having learned about his daughter’s affair with his secretary, decides to remove S. from Moscow “to the village, to my aunt, to the wilderness, to Saratov” .

Famusov Pavel Afanasyevich- Moscow gentleman, "manager in a government house." Sophia's father, friend of Chatsky's father. The events of the play take place in his house. F. - one of the brightest representatives of the "past century." In one of his monologues, F. praises Moscow customs, unchanged from century to century. Here, according to the father, "and honor to the son"; here who has "two thousand family souls, He and the bridegroom." Moscow ladies can be sent to "command in the Senate", so they are "informed" about everything; Moscow daughters “simply cling to the military”, allegedly “because they are patriots”; Moscow old men, called to solve serious cases, "argue, make some noise ... and disperse." In the "famus" society, everything is based on connections: "well, how not to please your dear little man." This model of life seems ideal to F. and other members of Moscow society, they consider it the only correct one and do not want any changes. F. is two-faced. He claims that he is "known for his monastic behavior", but at the same time hits on the maid Lisa. F. is afraid of all new trends. During a conversation with Chatsky, he plugs his ears so as not to hear bold speeches. F.'s main enemy is learning, as it introduces changes into the calm Moscow life. The hero's dream is "to take all the books and burn them." Like a typical Moscow gentleman, F. is deceived by everyone who is not lazy. And daughter Sophia, and secretary Molchalin, and maid Lisa. The last appearance of the hero on stage is timed to coincide with the final meeting of Sofia and Molchalin. Seeing young people together, F. is horrified. He accuses the “dissolute” of his daughter of the “new” Moscow, which is infected with free ideas and the “spirit of the Kuznetsk bridge” (that is, Paris). At first, F. threatens to publicize this shameful incident (“I will give it to the Senate, the Ministers, the Sovereign”), but then he recalls that his daughter will be gossiped in all the houses of Moscow. In tearful horror, F. exclaims: “What will Princess Marya Alekseevna say !!!” The opinion of this princess means more to F. than the opinion of the tsar himself, because in the "famus" society she occupies one of the main places.

Chatsky Alexander Andreevich- A young gentleman Representative of the present century. Progressive person, well educated, with broad free views; true patriot. After a 3-year absence, Ch. again comes to Moscow and immediately appears in Famusov's house. He wants to see Sophia, whom he loved before leaving and with whom he is still in love. But Sophia meets Chatsky very coldly. He is perplexed and wants to find the reason for her coldness. Staying in Famusov's house, the hero is forced to fight with many representatives of the "Famus" society (Famusov, Molchalin, guests at the ball). His passionate accusatory monologues are directed against the order of the age of "submission and fear", when "he was famous for whose neck bent more often." When Famusov offers Molchalin as an example of a worthy person, Ch. utters the famous monologue “Who are the judges?” In it, he denounces the moral patterns of the "past century", mired in hypocrisy, moral slavery, etc. Ch. considers many areas in the life of the country: public service, serfdom, education of a citizen, education, patriotism. Everywhere the hero sees the prosperity of the principles of the "past century". Realizing this, Ch. experiences moral suffering, experiences "woe from the mind." But to no lesser extent, the hero also experiences "woe from love." Ch. finds out the reason for Sophia's coldness towards him - she is in love with the insignificant Molchalin. The hero is offended by the fact that Sophia preferred him to this "pathetic creature." He exclaims: "Silents rule the world!" Very upset, Ch. goes to a ball in the Famusov's house, where the flower of Moscow society has gathered. All these people are a burden to Ch. Yes, and they can not stand the "stranger". Sophia, offended by Molchalin, spreads a rumor about the hero's insanity. The whole society gladly picks it up, putting forward the hero's free-thinking as the main charge against Ch. At the ball, Ch. utters a monologue about the "Frenchman from Bordeaux", in which he exposes the slavish admiration for everything foreign and the contempt of Russian traditions. In the finale of the comedy, Ch. reveals the true face of Sophia. He is disappointed in her just like in the rest of the "famus" society. The hero has no choice but to leave Moscow.

One of the main features of the comedy "Woe from Wit" by A.S. Griboyedov is the presence in the play of two conflicts that are closely related. One of them is love, the other is public. This determines the arrangement of the heroes of the comedy "Woe from Wit". The love line is represented by Chatsky, Sofia and Molchalin. The public line is expressed by the opposition of the conservative nobility, whose main spokesman is Famusov, and progressive views on the structure of society, which Chatsky preaches. Molchalin, Sophia's lover, also belongs to the Famus society. Love and social conflicts are united by the image of Chatsky, the protagonist of Woe from Wit.

Alexander Andreevich Chatsky returned from abroad and immediately went to Famusov's house, where he had once been brought up and where he had not been for three years. Chatsky dreams of seeing his beloved Sophia, Famusov's daughter. But Sophia meets him with extreme restraint, because she is in love with Molchalin. The hero does not understand the reasons for the girl's cooling towards him. He begins to question her, her father, about this. And in the verbal battles between these heroes, serious contradictions appear on issues of morality, culture, education, and the structure of society.

Famusov in comedy represents the "age of the past". The main feature of the worldview of the conservative nobility is that they do not want any changes, because changes threaten their well-being. In the society of the nobility, to which Griboedov's satire is directed, only rank and money are valued. And Famusov is no exception. He proudly speaks of his uncle, Maxim Petrovich, who knew how to "serve" and therefore "knew honor before everyone." The only thing Famusov really cares about is society's opinion of him.

On behalf of the "age of the past" also speaks Molchalin. His main virtues are "moderation and accuracy." He is a worthy successor to the views of Moscow high society. He knows how to curry favor, seeks to make and maintain useful acquaintances. Even his connection with Sophia is nothing more than a service to her father.

Chatsky is sharply opposed to these heroes. Their views on the structure of society are alien to him. Chatsky is the owner of an active, creative mind. He wants to serve “the cause, not the people”, because he highly values ​​the freedom of the individual, honor and dignity. Chatsky is the only comedy hero representing the “current century”. It expresses the ideas of the author himself - the ideas of morality and enlightenment, which conservative nobles are not ready to accept.

When characterizing the heroes of Woe from Wit, it is most difficult to interpret the image Sofia Famusova.

It cannot be attributed either to the “present century”, “nor to the past century”. Unlike her father and Molchalin, Sofya is not afraid of the opinions of society. She says so to Molchalin when he asks her to be careful and not show her feelings in public. She makes music, reads books, which Famusov considers superfluous and even harmful. But Sophia is not on the side of Chatsky, since his accusatory monologues threaten not only the comfortable life of the nobles, but also her personal happiness. That is why Sophia starts a rumor that Chatsky is crazy, and society is spreading this gossip so actively.

The list of characters in "Woe from Wit" is not limited to the main characters. The secondary characters of Woe from Wit are also important for understanding the issues. For example, it is impossible to imagine the development of a love affair in a comedy without Lisa's maids, which helps Sofya and Molchalin keep their dates a secret. Also, the image of Liza is involved in a more complete disclosure of other characters in Griboedov's Woe from Wit. She is shown signs of attention by Molchalin, and it immediately becomes clear to the reader that he has no feelings for Sophia.

Colonel Puffer also involved in the development of a love line. He is tipped to be Sophia's suitor, because he has money. The only pity is that there is absolutely no mind. But it helps to portray the army in a satirical way.

Off-stage characters carry a special semantic load. They do not participate in the action of the comedy, but other characters talk about them, which makes it possible to more fully represent the mores of the noble society of that time. The most famous off-stage character is Maxim Petrovich, uncle Famusov, who deliberately fell several times at a reception at the empress in order to amuse her and earn respect at court.

It should be noted that all the images of comedy heroes acquire a deeper sound than was customary before the appearance of the play "Woe from Wit". There are no absolute villains, no heroes without flaws. Griboyedov abandons the traditional division of characters into good and bad. So Famusov is a caring father for his daughter, and Chatsky at some points shows excessive ardor and arrogance.

The characters created by Griboedov do not lose their relevance today. After all, the problem of replacing old views with new ones is always topical. At all times there are people who bring progressive ideas to society, and those who refuse to accept the new, defending their outdated views.

This article describes the main characters of Griboyedov's comedy. The description of the heroes and their characters will be useful for 9th grade students when preparing a report or essay on the topic “The main characters of the comedy “Woe from Wit””.

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