Description of the painting by Grabar “February azure. February blue text What is shown in the picture February blue
Once, on a clear frosty February morning, landscape painter Igor Grabar went for a daily walk. He accidentally dropped his stick, with which he was wading through deep snow, and, bending down after it, accidentally looked up. The artist saw winter weather and nature in a completely different way. Soon Grabar again came to the forest, but already with his friend. They dug a trench in the snow just at the very spot where the artist had dropped his stick.
Grabar lay down in this trench and began to paint a picture, so the angle of it is so unusual: it is drawn from the bottom up. In two weeks the work was ready. The artist called it "February Blue".
In the picture, I. Grabar depicted a white-trunked birch grove on a sunny frosty winter day. Nature slumbers, covered with a snow cover. Everything around shines and shimmers from the bright sun: birch trees, snow, and even the sky seems to sparkle from this dazzling light.
High above the grove stretched a huge, clear, azure sky. The farther it is from us to the horizon, the brighter the colors become, and in the distance, above the dark forest, it becomes completely light, almost whitish. The sun gently illuminates the tall slender birches. It is deceptive at this time of the year, because although it shines brightly, it does not yet warm. The ringing air is clean and transparent. I remember how in such frosty weather it invigorates and burns the breath with cold.
White-trunked birches are so tall and spreading! With their thin graceful branches, they reach the very sky! A large old tree in the foreground has covered almost the entire sky, and it turns blue through the branches, as if through frequent white threads. The pearl birch trunk is slightly curved, as if it is frozen in an inaudible smooth dance. On the tops of the trees, there are still some last year's yellow, withered leaves. They miraculously stayed on the branches, withstanding the strong gusty February winds. And now, shackled by a strong frost, they seem to ring slightly with the movement of air.
The azure sky is reflected from the winter snow cover that covered the earth, so it does not seem snow-white, but a little bluish. Birch trees cast long sapphire shadows on the snow. The dense snow around the trees melted slightly from their warmth. Very soon the sun will warm more strongly and the first thawed patches will appear here.
In the distance, beyond the grove, one can see a long curved ribbon of light birch forest.
I really like this winter landscape. From it breathes frosty freshness and at the same time, the approach of spring is clearly felt. Lines from a poem by A. Pleshcheev come to mind:
"The azure sky is clear, the sun has become warmer and brighter ...".
Nature rejoices: the time for evil snowstorms and storms will soon pass, winter will end, warm fine days will come, all living things will wake up from a long sleep, bloom and smell sweet.
A painting work - a painting by Igor Emmanuilovich Grabar "February Azure", written in 1904, has a special poetry. February is a month of struggle between winter, which does not want to give up its rights, and just a premonition of the approach of spring, its light breath. A long wait for the awakening of all nature after a quiet winter sleep.
Winter does not give up its positions, it scares with frosts and snow blizzards. But even in February there is sunny weather, when you immediately pay attention to nature, which is always amazingly beautiful. It’s just that in our hectic world, we sometimes don’t find time to pay attention and look around. Grabar, as a true artist, could not remain indifferent to such beauty and gave us this magnificent landscape.
In the foreground of the picture is a birch tree covered with the thinnest layer of lacy hoarfrost, iridescent and sparkling even under the dim rays of the sun. A little further away you can see younger birches and still very “teenagers” with thin trunks. It seems that, spreading their branches, they slowly spin in a smooth round dance, like young girls, celebrating Maslenitsa and meeting the arrival of spring. Only the forest in the background separates heaven and earth. If you stand near this picture for a while, it will suddenly seem that you clearly hear a Russian folk song about a birch. After all, the birch is a symbol of Russia, its beauty, so the people composed many songs about it, both funny and sad.
White-barreled beauties are depicted against the background of an azure snow cover and almost the same color of the winter sky. These tones, which the painter so generously uses, bring coolness and purity, like a breath of breeze and the smells of spring approaching with an inaudible light tread.
Such shades of azure, turquoise, blue, as a gift from our Russian nature in the most blizzard winter month in the expanses of Russia. The whole canvas creates a feeling of an approaching holiday,
Igor Emmanuilovich also liked the painting February azure. He often talked about how suddenly amazing inspiration came to create it. Grabar saw such a landscape in the Moscow region on a frosty sunny morning, going for a walk. He was struck by the color of the azure, which seemed to envelop everything around, and only the birch trees, stretching out their branches, as if in a dance, diluted these incredible colors of pearls, coral, sapphire and turquoise. All together it was like a fabulous island in the glow of precious stones.
The artist was amazed at the fantastic beauty of the birch branches in this chime of all shades of the rainbow against the blue sky. Against the background of the turquoise sky, last year's foliage, which survived at the very top of the birch, seems golden. As if fulfilling the wish of the painter, sunny days lasted for almost two weeks, allowing Grabar to capture this miracle. It seemed that nature was posing for a talented artist, showing her grace in winter attire. Fuzzy lines produce the effect of filling the picture with light and air.
The artist uses very light, pure hues, resulting in crystal blue chimes ranging from delicate turquoise to sparkling ultramarine. The canvas resembles paintings by famous French impressionists.
Today Grabar's painting "February Blue" is in the State Tretyakov Gallery. Canvas size 141 by 83 cm
Description of the painting by Grabar “February azure”
Description of the painting by Grabar “February azure”
I admire the painting by I.E. Grabar "February Blue". Frosty sunny morning. The sky, birches, snow still breathe cold freshness.
Huge azure sky. Around white-white. Shadows from birches fall on the snow. This makes it look blue.
In the foreground is a tall, slightly curved birch. She spread her branches wide like arms, a dancer in her dance.
In the middle ground there are many birches. It seems that they lead a round dance at the edge of the forest.
A birch grove is visible in the distance. Like spectators admiring the dance, she stands at a distance and surrounds the edge of the forest. The picture is made in transparent azure-blue tones. Only in such colors can you convey the frosty breath of winter.
I like this picture because the artist depicted it very accurately and beautifully. It evokes a joyful and festive mood. As if you are there, by the birches and breathe in this frosty air.
Repin's student, an outstanding artist and tireless cultural figure Igor Emmanuilovich Grabar created many masterpieces of painting during his long career. The main genres in which the artist worked are portrait and landscape. Almost all landscapes painted by Grabar sing of the beauty of the Russian region. One of his most famous works is the painting "February Blue", painted in 1904.
Author biography
Before studying at the Imperial Academy of Arts, I. E. Grabar successfully received a legal and philological education at the University of St. Petersburg. In 1894, Grabar began to study painting at a higher school at the Academy of Arts, where I. E. Repin himself was his direct mentor. Grabar continued to study painting until 1901. He spent several years abroad, in Munich and Paris.
During his long 90 years of life, Igor Emmanuilovich Grabar influenced the development of Russian painting and culture, not only creating many, but also being an active figure in various art associations, as well as the creator of restoration workshops, trustee and director of the Tretyakov Gallery.
famous works
The most widely known works of the artist are exhibited in the Tretyakov Gallery, among them the painting "February Blue", as well as the canvases "March Snow", "Untidy Table" and "Chrysanthemums". All of the above works were written in the 1900s. - the period recognized as the most inspirational and productive in the artistic career of I. E. Grabar.
Many of the artist's early works are characterized by the realism inherent in the Academic School, but during his studies and later career, Grabar chose the most suitable artistic method for himself - divisionism. All the works of the artist were written in this style.
Divisionism in painting
Divisionism is an offshoot of the painting method called "pointillism", which is based on the manner of writing or drawing with dots. Points can be isolated from each other and non-isolated.
Divisionism became a distinct style thanks to a complex, almost mathematical approach to image creation. A special characteristic of the style is the almost 100% rejection of divisionism. Divisionism is based on the division of a complex color or shade into a series of “pure colors” and applying them to the canvas with strokes of the correct form (not necessarily dots). The strokes are applied with the exact expectation that as a result the viewer will see exactly the shade that was originally divided into the spectrum of its constituent colors.
The history of the creation of "February Blue"
Igor Emmanuilovich Grabar is one of those artists who are not afraid to go off the beaten path and strive to paint the familiar with new colors.
Even during his studies, Grabar showed interest in especially those that reveal to the viewer the simple charm of the Russian winter. Snow allows you to maximize the visual advantage of the divisionist technique.
Painting (Grabar) "February Blue" was inspired by the moment. Walking around the winter suburbs, Grabar looked at a beautiful, tall birch, with incredibly slender, almost symmetrical branches. The author raised his head and saw above him a cascade of colors and shades - the magic of nature, created by birch branches, sky blue and many incredible, some kind of not winter shades. This spectacle impressed the artist so much that his most famous painting was painted under the influence of a moment.
Painting "February Blue": description and analysis
Both the author of the picture himself and many critics see something fantastic, fabulous in a simple, unpretentious image. The birch, like a magical bird, spread its rich wings across the expanse of blue sky. Bright blotches of green, brown and create a feeling of approaching spring - it is not here yet, but as if it is about to come out from around the corner.
Why the painting is called "February Blue", and not otherwise, is explained by the technique of execution. In divisionism, artists try not to mix colors, and the necessary shades are created in the process of strategically calculated combination of strokes made with “pure” colors. In the "February Blue" sky blue, against which iridescent birch trees shine, is the same blue.
A distinctive feature of the artist I. E. Grabar was the ability to turn ordinary landscapes, things and images familiar to Russian people into magical paintings and fabulous canvases filled with color, air and deep quivering love for their native land. The painting (Grabar) "February Blue" is a vivid confirmation of this.
The first composition for the painting by I.E. Grabar "February Blue" - 4th grade.
February days are famous for severe snowstorms and strong winds. But there are also wonderful sunny days. One of these days the artist Grabar captured in his painting "February Blue".
In the foreground is a slightly curved birch. It is covered with a thin layer of frost. Frost shimmers from the bright sun. It seems that pearl beads hang on the widely spread branches of the birch. A little behind there are many thin young birch trees, as if leading a round dance around the old birch. They are wearing the same luxurious clothes. All birch trees stand on a snow-white, sparkling from the sun, bedspread, slightly dropping bluish shadows on it. The old foliage on the tops of the birches seems to be fiery gold. The birch grove is shrouded in the warmth of sunlight, the approach of spring is felt.
From above, over a birch grove, a cloudless azure-blue sky stretched out. Closer to the horizon, it brightens.
On the horizon you can see a solid wall of dark forest. There, in the thicket of the forest, is still the realm of winter.
The picture is wonderful, made in bright colors, evokes joyful feelings. It is filled with the freshness of a sunny frosty day and the quick awakening of nature.
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The second composition for the painting by I.E. Grabar "February Blue" - 5th grade.
Azure- azure, azure, pale blue.
Pearl- mother-of-pearl.
Coral- bright red.
sapphire- blue-green.
Lilac- gentle, light purple.
Plan.
1. Introduction.
2. The main part.
A. sky
b. Sun
V. snow
g. shadows
birch: trunk, branches
e. other birches
and. horizon
3. Conclusion. Impression.
The painting by I.E. Grabar “February Blue” depicts a frosty February morning. Everything around is filled with blue light. Sparkling snow shimmers under the sun. The birch trees are pierced by sunlight. This is a holiday of the azure sky and pearl birches, a holiday of nature itself.
A cloudless blue-azure sky, brightens towards the horizon and becomes sapphire. Despite the fact that it is still winter, the sun is already warming well. But there is a lot of snow. In the sun, pure snow casts a white-blue color. From the birch trees fall blue with a purple tint. In the foreground is a tall birch. The trunk is not straight, but as if curved in a magical dance. It's dark underneath. The higher the trunk, the whiter it is. The branches are snow-white, covered with hoarfrost, which shines in the sun. At the very top of the birch, last year's foliage has been preserved. Covered with hoarfrost, in the sun it burns with a coral color. The artist looks at the birch from the bottom up, so its top and side branches are not fully depicted. Behind the old birch stands many young birches. They kind of dance around her. The pearl branches of the birches intertwined and a fancy lace turned out against the background of the azure sky. A narrow strip of forest darkens in the distance. If not for her, heaven and earth merged into one inseparable space.