Mot compared the rapper Face to the Comedy Club band USB. Comedy Club no time for jokes: how the scriptwriters switched to competitors Comedy club issue with face online full

The artist gave an interview on the eve of a big solo concert. Mot talked to reporters about his work, the rap industry in general, and also talked about what he thinks about his colleagues.

Matvey Melnikov, better known by his stage name Mot, is preparing for a big solo concert. On the eve of a significant day for the musician, he gave a long interview about creativity and life.

According to the artist, many modern rap artists work in the new school genre. There is almost nothing left of the past aggressive recitative in it, but, nevertheless, their videos are in rotation on television, songs can be heard on the radio, and they also easily win awards of various awards in the nomination "Best hip-hop project". An exception to the rule, Matvey can only name the rapper Face, whom he treats with suspicion and does not understand his work.

Face is one of the brightest representatives of the new school.
Photo: Social networks

“I perceive his work, and I think that he himself, too, is shocking. Something from the field of the USB group from the Comedy Club, - the artist emphasizes. - That's through such a prism I consider his work. Or rather, his loud hits, did not dig deep. But he presents his work under some delicious interesting sauce, there is a phenomenon, this cannot be denied. I'm not close. It seems that he himself is still playing around, and then he can develop into something more interesting from a semantic point of view. Then he will be presented in the nominations.

The interviewers also did not miss the opportunity to talk with the performer about Russian rap. Mot did not hesitate to answer questions about what is happening in hip-hop culture now. In his opinion, this genre is now undergoing some metamorphoses in Russia.

“If you open the iTunes hip-hop top, then the first four places are occupied by dance tracks in which there is nothing left of hip-hop. I don't consider myself a hip-hop artist: I release hip-hop, dance, and pop-lyrical tracks," Mot explains.

As for the upcoming concert, for which Mot makes big bets, he admits that not all the places have been sold yet, although there is very little time left before the event, but he is sure that the soldout will still take place.

“Last year we took Crocus and sold out a month before the concert,” says Matvey in an interview with The Flow. - Seven thousand tickets. We thought to take two in a row this year, but realized it too late. There were no free two good days in a row. I had to get out, we found this Arena. As for me - cold and unfamiliar so far, but there was no choice. I had such an experiment first, and in April with Yegor Creed.

Instruction

To write jokes, you need to have not only a sense of humor, but also some experience so as not to write "button accordions". You can write in different ways. For example, a team chooses several authors who will write jokes, but others will perform. This method has its pluses and minuses. The plus is the division of labor, that is, while the authors write jokes, the rest are free. However, there is also a downside. The author puts a special meaning into his joke, which only he can truly convey. But when participating in KVN, it is necessary to understand that a lot depends on the intonation with which the joke will be uttered.

It is strongly recommended that before the speech, and better immediately after writing the joke, check it on using the Internet, in order to protect yourself from embarrassment at the speech. Usually, before the performance itself, general runs are held, at which experienced representatives of the KVN movement are present, who can point out button accordions or uninteresting jokes. However, just before the performance, check your jokes by entering part of their text into a search engine. This will be additional insurance.

There are many different methods for writing jokes. It is worth noting that in no case should you try to use other jokes to write a new one. It will be plagiarism, even hidden. It is also highly recommended not to listen to the jokes of other teams before writing, because then you simply won’t notice how you use someone else’s trick or joke in your work.

One of the most common joke writing techniques is brainstorming. It is carried out by the whole team. Everyone sits at a table with pens and sheets of paper. For five to ten minutes, everyone writes what they think is funny or unusual. After the specified time, the sheets are passed around. The next person reads what a friend wrote and completes the joke, that is, either writes it in his own words or adds the missing text. So you can pass the leaves around in a circle as many times as you like. However, you must not overdo it, otherwise the jokes will be too loaded with information.

The most common question when writing jokes is what to write about? Yes, anything, anything that comes to your mind. At the same time, you need to try to make the meaning of the joke understandable to as many people as possible. Also, do not come up with specific jokes or jokes with a hidden meaning. You can go for a little trick. Teams usually know roughly what kind of audience they will be performing in front of. Therefore, you can write jokes, starting from this. Brainstorming can be modified. For example, assign a topic on which jokes will be written. Or ask everyone to write some abstracts or funny situations, which they then put together and discuss with the whole team.

Television holdings continue to poach personnel from each other. In September, the scriptwriters of the Comedy Club owned by Gazprom-Media went to work at STS Media. Earlier, the stars of TNT Sergey Svetlakov and Alexander Nezlobin became the faces of STS

A group of authors of the Comedy Club program, aired on TNT (part of Gazprom-Media), in the new television season will create humorous content for the CTC Media holding, which manages CTC, Domashniy, Che, CTC Love and CTC Kids. This was reported to RBC by a source in the media market and confirmed by the general producer of the STS TV channel Anton Fedotov.

The team led by Radion Bigulaev started work on September 19, Fedotov said. Bigulaev is one of the authors of the Comedy Club, Garik Martirosyan, artistic director and "resident" of the Comedy Club, told in an interview with journalist Yuri Dud. Before joining Comedy in 2013, Bigulaev was the artistic director of the Vladikavkaz Pyramid KVN team. “The group of authors, despite the rumors that are crawling around the country, are not billions, but several people. They can be counted on the fingers, ”Martirosyan said then.

The group of authors headed by Bigulaev includes, in particular, screenwriters Timur Aristanbaev, Sergey Kashnikov, Dmitry Dobrolyubov, Artem Kirsanov, Alexei Leonov and Alexander Ivanchenko. In this composition, they have collaborated with the Comedy Club for the past three years, mainly writing jokes for residents, Radion Bigulaev clarified RBC.

Bigulaev's group of authors left the project, the press service of the Comedy Club reported. According to her, this writing team had the same responsibilities as everyone else: generating ideas for numbers, writing scripts, participating in brainstorming sessions, and working "in conjunction with a creative producer and artists." More than 250 authors are working on Comedy Club Production projects, the Comedy Club representative clarifies, emphasizing that creative producer Alexei Lyaporov plays the main role in the creative process.

Bigulaev's team will mainly work on projects for the STS TV channel, the first of which will be the restart of the comedy show Thank God You Came!, Fedotov said.

This show aired on STS in 2006-2010. His return to the air was announced in July. According to STS Media, popular comedians Sergey Svetlakov and Alexander Nezlobin will be involved in the restart. Previously, they collaborated with the TNT channel, but since July in STS Media.

Gazprom-Media starts

In October last year, the largest Russian television holdings agreed not to poach each other's staff, as well as shows and series, Vedomosti wrote, citing its own sources. The reason for the discussion was the launch of a new federal channel "Gazprom-Media" "Super". It was attended by the general producers of the Yellow, Black & White studio Eduard Iloyan, Vitaly Shlyappo, Alexey Trotsyuk and Denis Zhalinsky. Prior to this, the studio was the main producer of content for the STS TV channel: the series "Kitchen", "Hotel Eleon", the show "Six Frames", etc.

At the end of last year, the founders of YBW went to work at Gazprom-Media. It was assumed that the basis of the new channel would be the Yellow, Black & White library, but CTC Media managed to retain the rights to the series aired on its channels.

The main asset of television production is “people, a team of like-minded people, their brains,” Eduard Iloyan, one of the founders of the Yellow, Black & White studio, told RBC. Yuri Sapronov, general director of World Russian Studios, agrees with him. He explains that screenwriters are an important part of the creative team, and each writer or screenwriting group, as a rule, has its own genre specialization: someone writes comedy, someone writes drama, someone writes action. The transition of scenario teams working in the comedy genre from project to project indicates a shortage of such specialists in the market, Sapronov stated.

Authors for television are as important as fields for Rosneft, producer Igor Mishin told RBC. However, film and television productions, according to Mishin, have some differences: in the first case, the author can really be an independent creative unit, in the second, he is part of a creative team. The transition of such a creative group of authors to STS Media is a strong acquisition for the channel, Mishin believes. But in order for the project to really shoot, creative producers are also needed, who are superior in status and competence to screenwriters, Mishin concluded.

Your share up to 100%.

Since the launch of the Comedy Club, TNT has largely ensured the success of TNT. For example, last year in the target audience of TNT - viewers aged 14-44 - the average share of all Comedy Club releases, taking into account repetitions and non-standard projects (The best of, Jurmala music, etc.), was, according to Mediascope, 11.6 %. In other words, the program was watched by 11.6% of all Russians of the specified age who had their TV turned on at that moment. In January-August this year, this figure was 10.4%. For the entire TNT channel, the average daily share of the target audience was 10.6% last year, in January-August this year - 9.9%, respectively.

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