Presentation "everyday genre in the visual arts". Household painting Household genre in Russia

"State and family budget" - Solving public debt problems: Family budget. Attraction of additional sources Issuance (issue) of unsecured money Borrowing money from the population, banks, business organizations within the country, as well as from foreign states and financial organizations (funds) ... Household:

"Family Values" - M.Yu. Lermontov "Song about Tsar Ivan Vasilyevich ...". A family thought ... Block "Family values", 6th grade. You cannot defend. Block "Family values", grade 9. A. Platonov "Return". A.S. Pushkin "The Captain's Daughter". The story of N.V. Gogol "Taras Bulba". Block "Family values", Grade 7. Test ... by love A.S. Pushkin "Eugene Onegin".

"Family holidays" - What is a holiday? Family. Holidays make family life bright! Draw cards, prepare gifts. What is a ritual? What reminders of memorable dates in your life do you have? What requirements should a holiday gift meet? In what modern ritual has the oldest tradition of offering gifts to deities been preserved?

"Family Traditions" - Look into the family album. Who can I be proud of in my family? The nightingale and the cuckoo - the symbols of the girl's towel - spoke of the birth of a new family and the continuation of the family lineage. Family traditions. Parents about children. Free time in the family. From grandma's chest. Towels are kept in the house as holy family heirlooms.

"Family Kindergarten" - The following specialists work with the children of the family kindergarten: Offered a flexible daily routine, optimal for such a group of different ages. Support for large families. Social teacher; Educational psychologist; Senior nurse; Musical director; Physical education teacher. The functions of family kindergartens are:

"Family Code" - Family and law. Correct version of the text. temperament types. Time to love, then create a family to have children. Items for personal use. A family based on marriage is a small group. For good reason, at the age of sixteen. Rights and obligations for mutual maintenance, family expenses, raising children.

This collection was created for everyone who helps children absorb the beauty of fine art from an early age. It is not easy to find outstanding canvases that can be shown to kids. Often such works contain content that we consider unacceptable for children.

We saved your time and made a selection of 11 paintings in the everyday genre. They can and should be considered with children. This is how we instill a love for art and creativity, develop an artistic taste.

Domestic genre (in painting) - a genre of fine art that involves drawing scenes from people's daily lives, such as work and rest, holidays and significant events. As a separate genre appeared in the XVI century.

It is noteworthy that in Russian painting the everyday genre was formed in the second half of the 19th century. Then the St. Petersburg Academy of Arts officially recognized everyday painting, and the French word “genre” (genre) was adopted for its designation. Artists who created canvases for everyday subjects began to be called genre painters.

In ancient times in Rus', images with the events of everyday life were called "everyday letters".

11 Paintings in the Household Genre for Children

1. “Ball at the Moulin de la Galette”, Pierre-Auguste Renoir, 1876, Musée d'Orsay, Paris.

2. “Memories of a garden in Etten”, Vincent van Gogh, 1888

3. “Lute player”, Michelangelo Merisi da Caravaggio, 1595, Hermitage, St. Petersburg

4. “In the harvest. Summer”, 1820s, A. G. Venetsianov

5. “Haymaking”, A. A. Plastov, 1945, Tretyakov Gallery

6. “The capture of the snow town”, V. I. Surikov, 1891

7. “Young painter”, I. I. Firsov, 1760s.

8. Swing, Pierre-Auguste Renoir, 1876

9. “Hunters at rest”, V. G. Perov, 1871, oil on canvas. 119 × 183 cm, Tretyakov Gallery, Moscow

10. “Breakfast of an aristocrat”, P. A. Fedotov, 1849, State Tretyakov Gallery, Moscow

11. “Morning”, Tatyana Nilovna Yablonskaya, 1954

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A presentation on the topic "Everyday genre in painting" (Grade 5) can be downloaded absolutely free of charge on our website. Subject of the project: MHK. Colorful slides and illustrations will help you keep your classmates or audience interested. To view the content, use the player, or if you want to download the report, click on the appropriate text under the player. The presentation contains 15 slide(s).

Presentation slides

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household genre

Completed by: Afanasiev Victor

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Household genre in Russia.

In the seventies of the 19th century, a new, independent of the Academy of Arts, creative association arose - the Association of Traveling Art Exhibitions. The organization of the Wanderers very soon turned into the largest center of the artistic life of Russia, into the stronghold of the new realistic trend in painting, and the Imperial Academy of Arts, although it remained the official governing body in the field of art, was increasingly losing its authority and this role of the main center.

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In their work, the Wanderers, based on a realistic method, deeply and comprehensively reflected the contemporary life of the working people of Russia. The everyday genre was the leading one in their work. An important place was also occupied by the art of portraiture, remarkable for the content of its socio-psychological characteristics. Many works of the Wanderers are devoted to Russian history, in which their attention was especially attracted by the dramatic popular movements. These works were marked by the depth of historical knowledge of the past. In landscape works, the Wanderers turned to simple, ordinary motifs of their native nature, creating paintings imbued with a patriotic feeling and great social content. A significant number of works of the Wanderers reproduced images of folk art and literature. Truthfully depicting events and scenes from life, in their works they passed judgment on the surrounding reality, denounced the cruel oppression of the people. At the same time, the Wanderers showed the people's heroic struggle for social and national liberation, wisdom, beauty, the strength of a working man, the diversity and poetic charm of their native nature.

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With their work, the Wanderers actively participated in the broad general democratic movement of the era, in the struggle of progressive social forces against autocracy and the remnants of serfdom in tsarist Russia. That is why the Wanderers were supported by the advanced part of society. During the 70-80s of the 19th century, the work of the Wanderers deepened and improved. Their organization grew stronger, gained more and more authority and popularity among the general public.

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From the very beginning of his independent creative activity, Perov took the path of social satire, which was widely developed in his art. Perov enters painting as a genre painter. He used in his early works the achievements of his predecessor, the founder of critical realism in painting - P. A. Fedotov, whose works for the first time explain the social meaning of the phenomena depicted, Fedotov was Perov's predecessor in his views on the tasks of art. Perov posed in his work a new, most urgent problem of his time, connected with the situation of the peasants. Neither Fedotov nor another predecessor of Perov, Venetsianov, touched upon this problem.

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Perov has been interested in historical topics for a long time. It is known that even at the School of Painting and Sculpture, he made sketches for "Stepan Razin". Now, many years later, approaching the creation of a historical picture as a mature master, Perov set a very difficult task - to write a triptych in which he intended to unfold the history of the Pugachev uprising. In the first picture of the triptych, he wanted to reveal the causes of the uprising, in the second - to depict the uprising itself, and in the third - to convey the massacre of the landowners. But out of the whole triptych, he managed to paint only the third picture - “Pugachev's Court”.

Historical themes in Perov's paintings.

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The large multi-figure painting "Nikita Pustosvyat" (1881) testifies to the artist's enormous work in the field of historical painting. But, taking up the plot from the schismatic movement at the turn of the 17th-18th centuries, which united various opposition groups, Perov also could not give a satisfactory solution to the task he had set, although, perhaps, he came a little closer to the realization of his plan. And yet, despite the failures, Perov was the only one of the whole galaxy of contemporary painters who correctly understood the problem of historical painting. He sought to show the people as the driving force of history. Perov did not succeed, but he outlined ways to solve this problem - and this is his great merit.

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The significance of Perov in the history of Russian painting is enormous. He was one of the first among artists to speak out against the blatant lack of rights and oppression in which the Russian peasantry found itself in post-reform Russia. Revealing the ulcers of the social system of tsarist Russia, Perov mercilessly stigmatized everything that oppressed the people and humiliated their human dignity. Having enriched almost all genres of painting, he outlined the paths for their further development. With his deep ideological determination, Perov is an example of patriotic service to his homeland, his people. His art excites the modern Soviet audience with its depth of thought and high skill.

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The painter always combined creative work with active social activities. It was he who initiated the creation of a new type of organization of artists - the Association of Traveling Art Exhibitions. The idea of ​​such an organization originated with Myasoedov as early as 1867, when he was abroad and had the opportunity to observe the activities of European artists in organizing traveling exhibitions, held mainly for commercial purposes.

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On November 29, 1871, the first traveling art exhibition was opened in St. Petersburg, which was then shown in Moscow, Kyiv and Kharkov. Myasoedov presented for this exhibition the painting "Grandfather of the Russian Fleet. (Botik of Peter I)" (1871), in which the solution of the historical theme is given in everyday terms.

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Creativity Myasoedova.

The study of the life of the Russian peasantry leads Myasoedov to plots that tell about ancient beliefs and customs, their role in the life of the people. So, in the painting "Plowing" (1876) an old ritual action is shown: peasants plow the village from evil spirits, harnessing naked girls to the plow.

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1878-80 Myasoedov is working on two versions of Drought, which features a prayer service in a field. At the same time, searches are underway in the field of historical themes: the artist paints the painting "Self-Incinerators" (1882-84), the plot of which is very closely related to previous genre paintings.

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By the beginning of the 1880s. in the work of Myasoedov a new stage is outlined. In the landscape "Road in the Rye" (1881), the simplicity and expressiveness of the motif is striking: the figure of a lone wanderer receding towards the horizon in the midst of an endless rye field. The artist, as it were, opens up the possibility of a more generalized, monumental solution to a genre picture, which was fully manifested in Mowers (1887). The author sings here the joyful side of life, conveys the beauty of peasant labor, its measured, harmonious, almost musical rhythm. The very dimensions of the canvas (159x275 cm) testify to the importance of the theme of the painting for the artist. However, its solution is not devoid of certain contradictions. Having completely abandoned the critical principle, the artist thereby abandoned the basic principle of the artistic system of the 1870s.

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Having not mastered a new figurative language and not being prepared to perceive the artistic ideas of a new generation of painters, Myasoedov was among those representatives of the Association of Traveling Art Exhibitions, who at the turn of the 1880s and 1890s. did not want to admit young artists into their ranks. The last years of the artist's life did not contribute anything significant to his work.

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  • Broaden your horizons, teach you to see beauty in ordinary people and everyday events.

    • Broaden your horizons, teach you to see beauty in ordinary people and everyday events.
    • Define the concept of "domestic genre".
    • To acquaint with the works of Russian painters Fedotov P.A. and Perov V.G., Reshetnikova P. and Plastova A.
    • Conduct moral education through the perception of paintings of the everyday genre.
    • Activate thought processes and the ability to conduct a conversation.
    In the visual arts, on the basis of the subject of the image, they distinguish -
    • In the visual arts, on the basis of the subject of the image, they distinguish -
    • portrait, still life, landscape.
    HOUSEHOLD GENRE of fine art dedicated to everyday (usually modern) private and public life. The tasks of the everyday genre include not only a reliable depiction of the relationships and behavior of people seen in life, but also the disclosure of the inner meaning and social content of everyday everyday phenomena.
    • HOUSEHOLD GENRE of fine art dedicated to everyday (usually modern) private and public life. The tasks of the everyday genre include not only a reliable depiction of the relationships and behavior of people seen in life, but also the disclosure of the inner meaning and social content of everyday everyday phenomena.
    What artistic image did Perov want to convey in his paintings?
    • What artistic image did Perov want to convey in his paintings?
    • What is the main idea behind these 2 paintings?
    • It is through compositional tie the artist builds the right plot since the plot contains a compositional center (which directs the viewer's gaze to the main event, subsequently expressing the idea of ​​composition in it) and complementary parts that contribute to the definition of the compositional center.
    • The law of subordination of the secondary to the main requires the artist to arrange objects in the picture in such a way that one object draws attention to itself through others, so that all objects are turned to the main.
    Before us is a typical post-war apartment. This can happen both in Moscow and in Vladivostok. The situation is not rich, probably all family members are in front of us - the war left them without a father, the main breadwinner, and all the care for the maintenance of three children fell on the shoulders of the mother - a young woman, pretty exhausted by life.
    • Before us is a typical post-war apartment. This can happen both in Moscow and in Vladivostok. The situation is not rich, probably all family members are in front of us - the war left them without a father, the main breadwinner, and all the care for the maintenance of three children fell on the shoulders of the mother - a young woman, pretty exhausted by life.
    • The center of attention is the boy himself, and three “beams” are directed towards him, three different attitudes towards him. Of course, the biggest "aggressor", if I may say so, is an excellent student sister. She is a diligent student, she is a pioneer, she is very responsible for her studies and everything connected with it. We can see how neatly she is dressed, how neatly she puts her textbooks, everything is in its place. In her eyes clearly visible reproach, discontent. The sister treats the boy, rather, not as a brother, but as a student who does not fulfill his duties.
    Next to the mother, as if in contrast, the youngest son on a bicycle is depicted. Cheerful, full of strength, he looks at his brother with a grin, with malice. Dog. She ran to the boy and amiably jumped on him, she is glad to see him, she loves him, and she has no idea what he got there. You can still fix it, the main thing is that there is a desire. If we look at the boy's face, we will see that it expresses sadness, bitterness, shame, he stands with his shoulders down, and he is even ashamed to look into the eyes of his family.
    • Next to the mother, as if in contrast, the youngest son on a bicycle is depicted. Cheerful, full of strength, he looks at his brother with a grin, with malice. Dog. She ran to the boy and amiably jumped on him, she is glad to see him, she loves him, and she has no idea what he got there. You can still fix it, the main thing is that there is a desire. If we look at the boy's face, we will see that it expresses sadness, bitterness, shame, he stands with his shoulders down, and he is even ashamed to look into the eyes of his family.
    Plastov's canvases are full of life-affirming power. Through color and thanks to color, he fills his paintings with a lively, quivering feeling. The artist says: “I love this life. And when you see her year after year ... you think that you need to tell people about it ... Our life is full and rich, there are so many amazingly interesting things in it that even the ordinary everyday affairs of our people attract attention, shake the soul. You have to be able to see it, notice it."
    • Plastov's canvases are full of life-affirming power. Through color and thanks to color, he fills his paintings with a lively, quivering feeling. The artist says: “I love this life. And when you see her year after year ... you think that you need to tell people about it ... Our life is full and rich, there are so many amazingly interesting things in it that even the ordinary everyday affairs of our people attract attention, shake the soul. You have to be able to see it, notice it."
    What genre of fine art are we talking about?
    • What genre of fine art are we talking about?
    • Explain the concept of "domestic genre".
    • Name the artists who worked in this genre?
    • Name the painting that impressed you the most and explain why.

    household genre
    - genre of fine arts,
    dedicated to everyday private and
    public life

    Mostly domestic scenes are depicted on
    canvases of painters, but they can also be seen in
    graphics and sculpture.
    Household events captured by artists
    different eras, acquaint us with the life of people
    times long gone.

    Already in art
    ancient egypt
    meet household
    scenes in painting and
    in sculpture, and even
    fragments of ceramic
    vessels, surface
    which
    ancient Egyptian
    artists
    used for
    creating sketches.

    The heyday of the household genre has reached in the European
    art in the XVI-XVII centuries.
    Procuress, 1656

    Family concert, 1666

    "Old woman cooking scrambled eggs"

    "Country Dinner"

    gallant scene
    - a genre in the fine and decorative arts of the 18th century,
    specializing in stories from secular (in
    in particular - court) life.
    Variety of household genre.

    The gallant scene always portrays the laid-back
    communication between two or more persons (most often - on
    background of a fantastically beautiful landscape). It may
    be a conversation, a game, a walk, a dance.
    The heroes of the paintings, like nature, against which
    unhurried action unfolds, always beautiful and
    harmonious (from the point of view of customers "gallant
    scenes" - aristocrats).

    The basic principle of the masters of the gallant scene is
    image of ideally beautiful people in
    an atmosphere of serenity and absolute happiness.