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A.N. Ostrovsky "Dowry": description, characters, analysis of the work. The history of the creation of the play Ostrovsky's dowry The main characters of the play the dowry

The play "Dowry" is rightfully considered one of the most outstanding creations of Alexander Nikolayevich Ostrovsky, but at the same time it remained unrecognized by the author's contemporaries. Literary critics attribute "Dowry" to an innovative work that was ahead of its time, the viewer, due to his lifestyle, was not yet ready for such a plot.

Work on the work began in 1874, just at that time the author held the position of an honorary justice of the peace, many cases fell into his consideration, which, according to historians, served as inspiration for creating this particular story. Ostrovsky very scrupulously approached the creation of a new, jubilee - fortieth of his creations.

The work lasted four long years, during this period the author managed to publish four works in parallel. In November 1878 the play was finished and already on November 10 the first premiere took place on the stage of the Maly Theater in Moscow.

But the author's expectations were not justified. Supporters and connoisseurs of Ostrovsky's talent had already died by that time, and critics, the audience, and the actors themselves could not appreciate the new work. "Dowryless" held on to the capital's scenes with all her might for several years, and then came a long break that lasted fifteen years.

By the time they decided to stage the play again on the capital's theater stages, Alexander Nikolayevich Ostrovsky was no longer alive. The great Russian actress Vera Fedorovna Komissarzhevskaya breathed new life into the forgotten "Dowry" and was able to reveal the true image of Larisa.

"Dowry" is not forgotten to this day. Throughout the history of the play, many attempts have been made not only to stage productions, but also to screen. Eldar Ryazanov's film "Cruel Romance" is considered to be the most successful film adaptation, which to this day excites the hearts of viewers and true fans of the invaluable talent of Alexander Nikolayevich Ostrovsky.

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Plays "Dowry" summary will be useful to those readers who want to superficially familiarize themselves with the work. In this article, you can find the main retelling of events in all four acts. The material will help to make a general impression of the work of the author Nikolai Ostrovsky and understand the main idea.

The beginning of the story

The summary of "Dowry" begins with the fact that a Volga town called Bryakhimov is shown. On the higher bank there is a coffee shop, where Gavrilo and his servant are trying to prepare an establishment. Two merchants named Moky Knurov and Vasily Vozhevatov walk in this area every day and love to stop by for a glass of champagne. They call it their special tea, and Gavrilo has to pour it from a special dish. So they hide their habit from people. Soon they come and start discussing all the news. Vasily announces the purchase of the ship "Lastochka" from Sergei Paratov. The next topic was the marriage of the third daughter of the widow Harita Ogudalova named Larisa. Merchants believe that she will suffer the same bad fate.

Sisters misfortune

The brief summary of “Dowry” in the first act continues with the fact that the daughters of the widow Kharita Ogudalova are haunted by unhappiness in marriage. The eldest girl married a Caucasian prince - a very jealous man. For this reason, he stabbed her to death before they reached their future place of residence. The middle sister was carried away by a foreigner, under the guise of which a cheater was hiding. Only Larisa Dmitrievna remained in the family, but young men do not want to take her because of the lack of a dowry. The heroine sings beautifully, plays the guitar and this attracts attention. The widow Harita is beautiful herself and wants to arrange her personal life anew. Only here, first of all, you need to arrange for your daughter, and the option with Sergei Paratov failed. A wealthy shipowner managed to make Larisa fall in love with him, but it did not come to the wedding. He said that he did not see any benefit for himself in such a marriage. The girl suffered because of unrequited love, although later there were other applicants. The mother had her say, and the daughter married the first one who called. Julius Karandyshev turned out to be such a man.

Conversation in a coffee shop

The brief summary of "Dowry" at the end of the first act returns the reader to the coffee house, where the Ogudalovs and Yuly Karandyshev come. The poor official invites all those present to his place for dinner in honor of his future wife. The merchants decided not to agree, but Harita's mother explained that it was only in honor of Larisa's birthday. A conversation between the newlyweds begins, in which Julius reproaches the girl for her way of life. The reason was the familiar treatment of the merchant Vasily Vozhevatov. At this moment, cannons sound on the pier, and Larisa recalls the shipowner Paratov, who is customarily greeted with such a signal. She realizes that she loves him even now. It turns out that the shots sounded in honor of this rich man. Later, Sergei enters a coffee shop and introduces everyone to his new friend Arkady Schastlivtsev. He picked him up on a deserted island, where the captain of the ship landed the guy because of drunkenness. Paratov also notifies everyone that he is marrying a rich girl, and gold mines go to him as a dowry. For this reason, he sold his best ship, the Lastochka, and other ships.

The start of the celebration

In the summary of Ostrovsky's "Dowry" in the second act, events begin on the day Larisa is born. Vozhevatov gives an expensive brooch, and his mother immediately sells it for seven hundred rubles. Knurov starts a conversation with Kharita that the wedding of the youngest daughter is wrong. She should not marry a poor official, because her appearance and talents should be valued much higher. The merchant claims that Larisa will run away anyway, and Harita will need a powerful friend to improve the situation. As such, Knurov offers himself. Because of his interest, the married hero offers to pay for all the necessary items for the wedding. Soon Larisa herself appears with a guitar, sings romances and shares her dreams of life in the countryside with her mother. Ogudalov's widow immediately calms down her daughter by the fact that Zabolotye is far from the best place and she may not like it there. Larisa calls her comrade Ilya from the window, who tunes the guitar at the request of the heroine. He reports that an important man has come to them.

Birthday

In the summary of the “Dowry”, the story continues at Larisa's birthday party by actions. Her fiancé appears, and she asks him to leave as soon as possible for the village. He refuses to hold a wedding in his homeland. He will not allow rumors to spread that Yuli Karandyshev is not a couple for her. This dinner is the first step towards the wedding, and at it he announces a toast to Larisa. At the same time, the man mentions that the girl was extremely responsive to his person, unlike other people. Soon Paratov himself appears, who promised to call on Harita Ogudalova. He calls her "aunty", talks about a successful engagement and reproaches Larisa for forgetting about him so quickly. The former shipowner, in a conversation with the main character, finds out that she still has feelings for him. After that, the man deliberately quarrels with Karandyshev and promises to punish the poor official for his insolence. Other guests arrive, and Yuli, under pressure, invites Paratov. The master agrees, but only because of the opportunity to take revenge on Larisa's fiancé.

Groom's lunch

The summary in the play "Dowry" in the third act begins with an insult to the guests. At dinner, cheap wine was supplied in expensive bottles, cigarettes with inferior grades of tobacco, and a minimum of food. High-ranking merchants also did not like the fact that Karandyshev had already managed to get drunk. Paratov is comforted by such a circumstance of affairs, and therefore says that he sent his friend Arkady to Larisa's fiancé. That is why he is in this condition. After that, all the guests and the gypsies decide that they should go for a walk along the Volga. Vozhevatov became generous and promised to pay the rowers. He also lied to Arkady about the future Paris on the trip and the need to rest before the difficult journey. All the people who arrived for dinner, including Paratov, agree that you need to take Larisa with you for complete fun. It remains only to persuade the girl and finally get Karandyshev drunk. This idea was successfully implemented.

Continuation of the story

In the brief summary of Ostrovsky's "Dowry", the story continues by actions from lunch at Karandyshev's house. Harita Ogudalova starts a quarrel with him because of his condition. The poor official retorts this by saying that in his house it can be anything. After that, the widow comes to Paratov so that he does not continue to mock Larisa's future fiance. Sergei agrees to drink with him for the sake of reconciliation, but only cognac. Karandyshev finally gets drunk, and the former shipowner goes to Larisa Dmitrievna. He asks to sing something, but the girl is too dejected by the behavior of Julius. The groom intervenes in a state of intoxication with a ban on singing for the future wife. This offends Larisa, who immediately begins to perform a romance. Gypsy Ilya happily picks up the song and completes the performance with a second voice. When the heroine finishes singing, all the guests praise her talent. After that, they leave, and Larisa remains alone with Sergei Paratov.

Conversation of people in love

If you start reading the summary of Ostrovsky's "Dowry", then in the third act you can find out about Sergei Paratov's confession to Larisa. He says that the girl's singing made him regret about refusing to marry. The barin mentioned that he barely managed to restrain himself from leaving his arranged marriage and returning to this beauty. The man calls the heroine with other guests for a walk along the Volga. Larisa could not make up her mind for a long time, and then she remembered Karandyshev's vengeful toast. She was able to cast aside doubts and agree. The guests return, and Paratov says a toast to the groom Julius, who is so lucky with his bride. All the guests seize the moment when the groom went for a bottle of wine and run away through the back gate. Larisa told mother Harita that she should either rejoice or look for a girl after that day in the Volga. Karandyshev returns and understands the act of the guests. The man is not going to forgive this huge insult, and therefore he takes a gun and leaves the house.

Beginning of the fourth act

In the summary of the "Dowry" by chapters, Yuli Karandyshev, in the last act, goes to a coffee shop. Assistant Ivan sees him with a gun. Meanwhile, the future groom asks Paratov's friend Arkady about where the guests have disappeared. He is offended because of the behavior of Vozhevatov and talks about their walk along the Volga. The gypsies soon return to the coffee shop, and with them the merchants Vozhevatov and Knurov. On the way, rich men say that Larisa Dmitrievna again believed the cunning Paratov. This gentleman would never exchange his rich bride for her. They talk about the abandoned Julia and about who will take the girl to support the two of them. The merchants want to go with a beautiful lady to an exhibition in Paris.

The end of the work

The summary of Ostrovsky's play "The Dowry" at the end of the work will tell about the situation between Larisa and Paratov. Sergei tells her to go home, and she demands an answer about who she is to him. The master stuns the heroine by the fact that he is already engaged to another girl. He blames everything on the momentary passion that made him distracted. Larisa drives him away, and she herself wants to commit suicide, although she cannot decide. Knurov appears and invites her to become a kept woman with this married merchant. He played "toss" with Vozhevatov on it and won. Karandyshev returns and begs Larisa to return to him, because he will be able to forgive everything. The girl replies that she already feels like a simple thing. She calls Knurov, but Julius shoots her. The main character perceives death as salvation. The gypsies begin to sing different melodies, Larisa tells the people who came running that she shot herself on her own.

"Dowryless" act 1 - summary

In a coffee shop in one of the Volga cities, local wealthy businessmen are talking - the elderly Knurov and the young Vozhevatov. They discuss high-profile news: the well-known young beauty Larisa Ogudalova is getting married to an insignificant and poor official Karandyshev.

Dowry. Film-performance based on the play of the same name by A.N. Ostrovsky (1974)

Larisa is a noblewoman, but without funds, dowry. Her mother, Harita Ignatievna, trying to find the daughter of a rich groom, arranged evening parties at her home, inviting wealthy people to them. But none of them ever wooed Larisa. The whole city remembers the story of her last year's passion for the handsome and daring shipowner Sergei Paratov. He frequented the Ogudalovs' house, beat off other suitors from there, but finally left without making an offer. Passionately in love, Larisa rushed after him, but her mother turned her out of the way.

Vozhevatov tells Knurov: today Paratov must come back to the city to sell one of his ships.

Larisa enters the coffee shop with her mother and Karandyshev. After Larisa agrees to marry him, Karandyshev turns up his nose, but this only causes ridicule and mockery among the townspeople. Now, in the coffee shop, Karandyshev begins to find fault with Larisa with jealous pettiness. He reminds her of the story of Paratov. Larisa in her hearts tells the groom that he cannot stand any comparison with the brave and proud Paratov.

The Ogudalovs and Karandyshev leave. Paratov appears in the coffee shop, having just arrived on his own steamer. The news of Larisa's marriage at first makes him excited and thoughtful. But he quickly pulls himself together and tells Knurov and Vozhevatov that he himself decided to marry - a rich girl. Gold mines are given as a dowry for her, and his own financial condition is greatly upset.

"Dowryless" act 2 - summary

Karandyshev is going after the wedding to go to a remote district, where it is easier to make a bureaucratic career. Larisa is not even afraid of a dull life in the wilderness among the forests. She wants to quickly leave the city, which is associated with heavy memories for her.

But Paratov suddenly drives up to the house where she lives with her mother on trotters after a year's absence. In a private conversation with Larisa, Paratov unfairly reproaches her for "forgetting him too quickly" and arrogantly mocks Karandyshev in Larisa's eyes. Larisa in response admits that she still loves Paratov ..

Enter Karandyshev. Paratov talks down to him, even yelling at him. Karandyshev is clearly cowardly, endures insults and, at the insistence of Larisa and her mother, invites Paratov to his place for today's pre-wedding dinner.

Paratov decides to make fun of Karandyshev there with the help of a greasy, eternally drunk joker - the actor Robinson. Paratov, Knurov and Vozhevatov are going that same evening, after dinner, to go for a walk across the Volga and hire a boat and a gypsy choir for this.

"Dowry" act 3 - summary

Inviting the city's rich to dinner, Karandyshev treats them with shameful poverty. His stingy aunt bought the cheapest products for the festive table. The guests mockingly discuss this in their circle. Robinson, trained by Paratov, at dinner tries to get Karandyshev to drink more.

After dinner, the guests ask Larisa to perform a romance. She sadly takes the guitar and, looking at Paratov, sings: “Do not tempt me unnecessarily by returning your tenderness.” Paratov listens in great agitation.

The conversation between Paratov and Larisa in private. “Why did I run from you! he exclaims. Why did you lose such a treasure! With your singing, you awakened noble feelings that have not yet completely died out in my soul. Paratov invites Larisa to go with him on a walk across the Volga: "Now or never."

Larissa hesitates. Openly leaving on the eve of the wedding from the groom with other men is not an easy step. But Paratov begs with such passion that she decides to put her fate on the line. Larisa hopes that Paratov will propose to her at the picnic. “Either you rejoice, mom, or look for me in the Volga!” she says to her excited mother.

Rich guests leave without even warning the drunken Karandyshev. Upon learning of this, he almost cries from resentment. "I will take revenge!" shouts Karandyshev, grabs a pistol hanging on the wall and runs out.

"Dowryless" act 4 - summary

In the evening, the festivities return from across the Volga. Knurov and Vozhevatov enter a coffee house on the shore. Neither one nor the other believes that Paratov will marry Larisa, and now she may have to break up with the offended Karandyshev. Knurov and Vozhevatov themselves are not indifferent to Larisa. Knurov, in order to avoid rivalry, suggests throwing a coin: whoever gets lucky will “take care” of Larisa in the future, and let the other renounce claims to her. Throw - and happiness falls to Knurov.

Larisa and Paratov are walking in the distance. “You still haven’t said whether I’m your wife now or not?” she asks passionately. Paratov at first evades answering, and then says that he uttered his passionate words to Larisa before the picnic in a fleeting passion. Paratov now invites her to return to Karandyshev. “I can only hang myself or drown myself!” Larisa gasps. Paratov says that he is already engaged, shows the ring. Larisa sinks into a chair in shock.

Old Knurov comes up and offers Larisa all her fortune if she agrees to become his mistress. He cannot marry because he already has a wife. Larisa shakes her head in tears. Knurov leaves. Larisa runs up to the steep Volga cliff, but at the sight of the height she recoils in horror. "I can't kill myself! If someone else had killed me!"

Karandyshev runs up to the coffee shop where she is sitting. He attacks Larisa with reproaches and tells what he learned from Robinson: Knurov and Vozhevatov played her with a coin. Larisa is stunned: “So I’m just thing for men!"

Karandyshev calls her shameless, but promises to forgive if she returns to him. “Go away! - Larisa chases him. “I’m too expensive for you!” “So don’t get to anyone!” - shouts Karandyshev, takes out a pistol and shoots at her.

Larisa grabs her chest: “Ah! What a blessing you have done for me!" “No one is to blame,” she convinces Paratov, Knurov and Vozhevatov, who ran out of the coffee house. - It's me. Live, live everyone! You need to live, but I need to ... die ... I don’t take offense at anyone ... you are all good people ... I love you all ... I love you all.

Larisa dies to the sound of a gypsy song in the distance.

See details in a separate article

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dowry summary, dowry read
drama

Alexander Nikolaevich Ostrovsky

Original language: Date of writing: Date of first publication: Text of the work in Wikisource

"Dowry"- a play by Alexander Nikolayevich Ostrovsky. Work on it continued for four years - from 1874 to 1878. The premiere performances of The Dowry took place in the autumn of 1878 and provoked protests from the audience and theater critics. Success came to the work after the death of the author.

  • 1 History of creation
  • 2 Characters
  • 3 Plot
    • 3.1 Act one
    • 3.2 Act two
    • 3.3 Act three
    • 3.4 Action four
  • 4 Stage fate. Reviews
  • 5 Artistic features
    • 5.1 Main characters
    • 5.2 Image of the city
    • 5.3 Names and surnames of characters
  • 6 Screen adaptations
  • 7 Notes
  • 8 Literature

History of creation

In the 1870s, Alexander Ostrovsky served as an honorary magistrate in the Kineshma district. Participation in the processes and familiarity with the criminal chronicle gave him the opportunity to find new topics for his works. Researchers suggest that the plot of The Dowry was suggested to the playwright by life itself: one of the high-profile cases that stirred up the entire county was the murder of his young wife by a local resident Ivan Konovalov.

Starting a new work in November 1874, the playwright made a note: "Opus 40". Work, contrary to expectations, went slowly; In parallel with The Dowry, Ostrovsky wrote and published several more works. Finally, in the fall of 1878, the play was completed. those days the playwright told one of the familiar actors:

I have already read my play in Moscow five times, among the listeners there were people who were hostile to me, and everyone unanimously recognized The Dowry as the best of all my works.

Further events also testified that the new play was doomed to success: it easily passed the censorship, the Otechestvennye Zapiski magazine began to prepare the work for publication, the troupes of the Maly and then the Alexandrinsky Theater began rehearsals. However, the premiere performances in Moscow and St. Petersburg ended in failure; reviews from critics abounded with scathing assessments. Only ten years after the death of the author, in the second half of the 1890s, the recognition of the audience came to the "Dowry"; it was associated primarily with the name of the actress Vera Komissarzhevskaya.

Characters

In the guise of Kineshma, the features of the city of Bryakhimov are guessed
  • Harita Ignatievna Ogudalova is a middle-aged widow, mother of Larisa Dmitrievna.
  • Larisa Dmitrievna Ogudalova is a young girl surrounded by admirers, but without a dowry.
  • Moky Parmenych Knurov is a big businessman, an elderly man with a huge fortune.
  • Vasily Danilych Vozhevatov - a young man who has known Larisa since childhood; one of the representatives of a wealthy trading company.
  • Julius Kapitonych Karandyshev is a poor official.
  • Sergey Sergeevich Paratov - a brilliant gentleman, from the shipowners, over 30 years old.
  • Robinson - provincial actor Arkady Schastlivtsev.
  • Gavrilo is a club barman and owner of a coffee house on the boulevard.
  • Ivan is a servant in a coffee shop.
  • Ilya is a musician of the gypsy choir.
  • Efrosinya Potapovna - Karandyshev's aunt.

Plot

Act one

The action takes place on the site in front of a coffee shop located on the banks of the Volga. Local merchants Knurov and Vozhevatov are talking here. During the conversation, it turns out that the shipowner Paratov is returning to the city. A year ago, Sergei Sergeevich hastily left Bryakhimov; the departure was so swift that the master did not have time to say goodbye to Larisa Dmitrievna Ogudalova. She, being a “sensitive” girl, even rushed to catch up with her beloved; it was returned from the second station.

According to Vozhevatov, who has known Larisa since childhood, her main problem is the lack of a dowry. Harita Ignatieva, the girl's mother, in an effort to find a suitable groom for her daughter, keeps the house open. However, after Paratov's departure, there were unenviable applicants for the role of Larisa's husband: an old man with gout, an eternally drunk manager of some prince, and a fraudulent cashier who was arrested right in the Ogudalovs' house. After the scandal, Larisa Dmitrievna announced to her mother that she would marry the first person she met. It turned out to be a poor official Karandyshev. Listening to the story of a colleague, Knurov notices that this woman was created for luxury; she, like an expensive diamond, needs an “expensive setting”.

Soon, the mother and daughter of the Ogudalovs appear on the site, accompanied by Karandyshev. The fiance of Larisa Dmitrievna invites visitors to the coffee shop to his dinner party. Harita Ignatievna, seeing Knurov's contemptuous bewilderment, explains that "it's the same as we have dinner for Larisa." After the departure of the merchants, Julius Kapitonovich arranges a scene of jealousy for the bride; to his question, why is Paratov still good, the girl replies that she sees in Sergey Sergeevich the ideal of a man.

When a cannon shot is heard on the shore, announcing the arrival of the master, Karandyshev takes Larisa out of the coffee shop. However, the establishment is not empty for long: in a few minutes, the owner Gavrilo meets all the same merchants and Sergei Sergeevich, who arrived in Bryakhimov together with the actor Arkady Schastlivtsev, nicknamed Robinson. The name of the book hero, as Paratov explains, the actor received due to the fact that he was found on a deserted island. The conversation of old acquaintances is built around the sale of the steamer "Swallow" by Paratov - from now on, Vozhevatov will become its owner. In addition, Sergei Sergeevich reports that he is going to marry the daughter of an important gentleman, and takes gold mines as a dowry. The news of the upcoming marriage of Larisa Ogudalova makes him think. Paratov admits that he feels a little guilty towards the girl, but now "old scores are over."

Action two

The events unfolding in the second act take place in the Ogudalovs' house. While Larisa is changing clothes, Knurov appears in the room. Harita Ignatievna greets the merchant like a dear guest. Moky Parmyonych makes it clear that Karandyshev is not the best match for such a brilliant young lady as Larisa Dmitrievna; in her situation, the patronage of a rich and influential person is much more useful. Along the way, Knurov recalls that the bride's wedding attire should be exquisite, and therefore the entire wardrobe should be ordered at the most expensive store; he bears all expenses.

After the merchant leaves, Larisa informs her mother that she intends to leave immediately after the wedding with her husband for Zabolotye, a distant county where Julius Kapitonych will run for justice of the peace. However, Karandyshev, appearing in the room, does not share the wishes of the bride: he is annoyed by Larisa's haste. in the heat of the moment, the groom delivers a long speech about how all Briakhimov has gone mad; cabbies, sex workers in taverns, gypsies - everyone rejoices at the arrival of the master, who, having squandered in revelry, is forced to sell "the last steamer".

Next comes Paratov's turn to pay a visit to the Ogudalovs. First, Sergei Sergeevich communicates sincerely with Harita Ignatievna. Later, left alone with Larisa, he wonders how long a woman is able to live apart from her loved one. The girl is tormented by this conversation; when asked if she loves Paratov, as before, Larisa answers yes.

Paratov's acquaintance with Karandyshev begins with a conflict: saying the saying that "one loves watermelon, and the other loves pork cartilage," Sergei Sergeevich explains that he learned Russian from barge haulers. These words arouse the indignation of Julius Kapitonovich, who believes that barge haulers are rude, ignorant people. The flaring quarrel is stopped by Harita Ignatievna: she orders to bring champagne. Peace has been restored, but later, in a conversation with merchants, Paratov admits that he will find an opportunity to “make fun” of the groom.

Act Three

In the house of Karandyshev - a dinner party. Yulia Kapitonovich's aunt, Efrosinya Potapovna, complains to the servant Ivan that this event takes too much effort, and the costs are too high. It's good that we managed to save on wine: the seller sold the batch at six hryvnias per bottle, re-gluing the labels.

Larisa, seeing that the guests did not touch the offered dishes and drinks, is ashamed of the groom. The situation is aggravated by the fact that Robinson, who is instructed to drink the owner to complete insensibility, suffers loudly due to the fact that instead of the declared Burgundy he has to use some kind of "kinder-balm".

Paratov, demonstrating affection for Karandyshev, agrees to have a drink with an opponent for brotherhood. When Sergei Sergeevich asks Larisa to sing, Julius Kapitonovich tries to protest. answer Larisa takes the guitar and performs the romance "Do not tempt me without need." Her singing makes a strong impression on those present. Paratov confesses to the girl that he is tormented by the fact that he has lost such a treasure. Immediately he invites the young lady to go beyond the Volga. While Karandyshev proclaims a toast in honor of his bride and looks for new wine, Larisa says goodbye to her mother.

Returning with champagne, Julius Kapitonovich finds that the house is empty. The desperate monologue of the deceived groom is dedicated to the drama of a funny man who, when angry, is capable of revenge. Grabbing a gun from the table, Karandyshev rushes in search of the bride and her friends.

act four

Alexander Lensky - the first performer of the role of Paratov on the Moscow stage

Returning from a night walk along the Volga, Knurov and Vozhevatov discuss the fate of Larisa. Both understand that Paratov will not exchange a rich bride for a dowry. To remove the question of possible rivalry, Vozhevatov proposes to decide everything with the help of lots. A thrown coin indicates that Knurov will take Larisa to an exhibition in Paris.

Meanwhile, Larisa, rising from the pier uphill, is having a difficult conversation with Paratov. She is interested in one thing: is she now a wife to Sergei Sergeyevich or not? The news that the beloved is engaged becomes a shock for the girl.

She is sitting at a table near the coffee shop when Knurov appears. He invites Larisa Dmitrievna to the French capital, guaranteeing, in case of consent, the highest content and the fulfillment of any whims. Next comes Karandyshev. He tries to open the bride's eyes to her friends, explaining that they see in her only a thing. The found word seems to Larisa successful. Having informed her ex-fiance that he is too small and insignificant for her, the young lady passionately declares that, having not found love, she will look for gold.

Karandyshev, listening to Larisa, takes out a pistol. The shot is accompanied by the words: “So don’t get it to anyone!”. To Paratov and the merchants who ran out of the coffee shop, Larisa informs in a fading voice that she does not complain about anything and is not offended by anyone.

stage destiny. Reviews

The premiere at the Maly Theater, where the role of Larisa Ogudalova was played by Glikeria Fedotova, and Paratov was Alexander Lensky, took place on November 10, 1878. The excitement around the new play was unprecedented; in the hall, as reviewers later reported, "the whole of Moscow gathered, loving the Russian stage," including the writer Fyodor Dostoevsky. Expectations, however, did not come true: according to the observer of the newspaper Russkiye Vedomosti, "the playwright tired the entire audience, even the most naive spectators." It was the most deafening failure in Ostrovsky's creative biography.

The first production on the stage of the Alexandrinsky Theater, where Maria Savina played the main role, caused fewer derogatory responses. So, the St. Petersburg newspaper Novoe Vremya admitted that the performance based on The Dowry made a “strong impression” on the audience. However, there was no need to talk about success: a critic of the same publication, a certain K., complained that Ostrovsky spent a lot of effort on creating a little interesting story about a “stupid seduced girl”:

Those who waited for a new word, new types from a venerable playwright are cruelly mistaken; instead of them, we got updated old motives, got a lot of dialogue instead of action. Vera Komissarzhevskaya as Larisa Ogudalova

Critics did not spare the actors who participated in the "Dowry". The capital's newspaper "Birzhevye Vedomosti" (1878, No. 325) noted that Glikeria Fedotova "did not understand the role at all and played badly." The journalist and writer Pyotr Boborykin, who published a note in Russkiye Vedomosti (1879, March 23), remembered only “drawing and falsity from the first step to the last word” in the work of the actress. Actor Lensky, according to Boborykin, when creating the image, made too much emphasis on white gloves, which his hero Paratov put on "unnecessarily every minute." Mikhail Sadovsky, who played the role of Karandyshev on the Moscow stage, presented, in the words of a Novoye Vremya observer, "a poorly conceived type of official-groom."

In September 1896, the Alexandrinsky Theater undertook to revive the play, which had long been removed from the repertoire. The role of Larisa Ogudalova, played by Vera Komissarzhevskaya, initially caused the familiar irritation of reviewers: they wrote that the actress "played unevenly, in the last act she hit melodrama." However, the audience understood and accepted the new stage version of "Dowry", in which the heroine was not between her boyfriends, but above them; the play gradually began to return to the theaters of the country.

Productions

  • 1932 - Drama Theater "Comedy" (former Korsh Theatre). Fast. Vasily Sakhnovsky and Elizaveta Telesheva. Larisa - Vera Popova, Karandyshev - Anatoly Ktorov, Paratov - Nikolai Sosnin, Ogudalova - Nadezhda Borskaya, Knurov - Semyon Mezhinsky, Vozhevatov - Mikhail Bolduman, Robinson - Boris Petker, Evfrosinya Potapovna - Maria Blumenthal-Tamarina.
  • 1935 - Bolshoi Drama Theatre. Fast. Sergei Morshchikhin, art. Alexander Samokhvalov, comp. Michael Chulaki.
  • 1936 - Yaroslavl theater. Fast. Arkady Nadezhdov, art. Nikolai Medovshchikov. Larisa - Chudinova.
  • 1937 - People's Theater (Sofia). Fast. Nikolai Massalitinov, art. Milenkov and Georgiev. Larisa - Petrana Gerganova, Karandyshev - Konstantin Kisimov, Paratov - Vladimir Trandafilov.
  • 1939 - Theater. M. Azizbekova (Baku). Fast. Sharifova, art. Efimenko. Larisa - Kadri, Paratov - Afganly, Knurov - Aliyev.
  • 1940 - Theater of the Revolution. Fast. Yuri Zavadsky, art. Vladimir Dmitriev. Larisa - Maria Babanova, Karandyshev - Sergey Martinson, Paratov - Mikhail Astangov, Knurov - Osip Abdulov, Ogudalova - Anna Bogdanova.
  • 1944 - Saratov Drama Theater. Karl Marx. Fast. Andrey Efremov, art. Konstantin Kisimov; Larisa - Valentina Soboleva, Karandyshev - Ivan Slonov, Paratov - Muratov, Knurov - Karganov, Robinson - Petrov.
  • 1944 - Theater. K. A. Marjanishvili (Tbilisi). Fast. Tabliashvili, art. Sumbatashvili. Larisa - Veriko Andzhaparidze, Karandyshev - Georgy Gotsireli, Paratov - Kabakhidze, Ogudalova - Cecilia Takaishvili, Knurov - Shalva Gambashidze.
  • 1944 - Theater. Khamza (Tashkent). Larisa - Ishanturaeva, Paratov - A. Khodzhaev.
  • 1946 - Theater. G. Sundukyan (Yerevan). Fast. Gurgen Janibekyan, art. Lokshin, Larisa - Rozanna Vartanyan, Paratov - David Malyan, Ogudalova - Olga Gulazyan, Robinson - Avet Avetisyan.
  • 1948 - Maly Theatre. Fast. Konstantin Zubov, dir. Lev Prozorovsky and Boris Nikolsky, art. Vladimir Kozlinsky, music. design by S. M. Boguchevsky. Larisa - Constance Roek, Karandyshev - Alexander Afanasiev, Paratov - Boris Telegin, Ogudalova - Sofia Fadeeva, Knurov - Vladimir Vladislavsky, Robinson - Nikolai Svetlovidov, Evfrosinya Potapovna - Varvara Ryzhova.
  • 1948 - Bolshoi Drama Theatre. Fast. Ilya Shlepyanov, art. Vladimir Dmitriev. Larisa - Nina Olkhina, Karandyshev - Vitaly Politseymako, Paratov - Bruno Freindlich, Vozhevatov - Pavel Pankov, Ogudalova - Anna Nikritina, Knurov - Alexander Larikov, Robinson - Vasily Sofronov. Guitar part - Sergey Sorokin.
  • 1948 - Latvian Drama Theater (Riga). Fast. Faith Balun. Larisa - Velta Line, Knurov - Alfred Amtmanis-Brieditis.
  • 1948 - Theater. A. Lakhuti (Stalinabad).
  • 1950 - Lithuanian Drama Theater (Vilnius).
  • 1951 - Kyrgyz Drama Theater (Frunze). Larisa - Kydykeeva, Karandyshev - Sargaldaev, Knurov - Ryskulov.
  • 1952 - Bolshoi Drama Theatre. Resumption of the production by Ilya Shlepyanov. The revival is directed by Isai Zonne. Restoration artist Illarion Belitsky.
  • 1953 - Bashkir Drama Theater (Ufa). Dir. Brill, thin. Kalimullin. Larisa - Bikbulatova.
  • 1953 - Theater. K. S. Stanislavsky. Dir. Mikhail Yanshin, art. Boris Volkov. Larisa - Lilia Gritsenko, Karandyshev - Sergey Markushev, Paratov - Boris Belousov, Robinson - Boris Lifanov.
  • 1953 - Theater "Povshekhny" (Warsaw).
  • 1954 - People's Theater (Plovdiv).
  • 1973 - Odessa Drama Theatre. Fast. Matthew Osherovsky. Larisa - Svetlana Pelikhovskaya.
  • 1983 - Tatar State Academic Theater named after G. Kamal (Kazan). Dir. Marcel Salimzhanov, art. Rashit Gazeev, music. Fuat Abubakirov. Larisa - Alsu Gainullina, Ogudalova - Halima Iskanderova, Karandyshev - Rinat Tazetdinov, Paratov - Nail Dunaev, Knurov - Shaukat Biktemirov, Vozhevatov - Ildus Akhmetzyanov, Robinson - Ravil Sharafeev.
  • 1997(?) - Voronezh Drama Theatre. Fast. Anatoly Ivanov, art. Larisa and Mikhail Kurchenko.
  • 2002 - Baltic House. Staged by Anatoly Praudin, artist Alexander Mokhov.
  • 2008 - Workshop of P. Fomenko. Staged by Pyotr Fomenko, artist Vladimir Maksimov.
  • 2012 - Theater on Vasilyevsky (St. Petersburg). Staging by Denis Khusniyarov, artist Nikolai Slobodyanik, choreography by Yegor Druzhinin.
  • 2012 - Maly Theater
  • 2014 - Moscow Academic Theatre. V. Mayakovsky. Staged by Lev Ehrenburg, production designer Valery Polunovsky.

Artistic features

Literary critic Boris Kostelyanets, studying the history of "Dowry", came to the conclusion that the negative reaction of Ostrovsky's contemporaries was associated both with the "innovative nature of the play itself" and with those difficult relationships that developed between the playwright and the audience. Literary critic Alexander Skabichevsky wrote in the mid-1870s that Ostrovsky is one of the authors whose works the theater community has always studied with particular scrupulousness. "Dowry" became for Ostrovsky a "play-search"; she "as if anticipated the poetics of Chekhov's drama." The same accusations about the lack of dynamics would later be heard from critics by the author of The Seagull and Leo Tolstoy, who brought the play The Living Corpse to the public.

Main characters

Larisa, which is included in the gallery of notable female images of literature of the second half of the 19th century, strives for independent actions; she feels like a person capable of making decisions. However, the impulses of the young heroine collide with the cynical morality of society, which perceives her as an expensive, exquisite thing.

The girl is surrounded by four admirers, each of whom is trying to get her attention. At the same time, according to researcher Vladimir Lakshin, it is by no means love that drives Larisa's boyfriends. So, Vozhevatov is not greatly distressed when the lot in the form of a thrown coin points to Knurov. He, in turn, is ready to wait until Paratov comes into play in order to “take revenge and take the broken heroine to Paris” later. Karandyshev also perceives Larisa as a thing; however, unlike rivals, he does not want to see his beloved as someone else's thing. The simplest explanation of all the troubles of the heroine, associated with the lack of a dowry, is broken by the theme of loneliness, which young Ogudalova carries within herself; her inner orphanhood is so great that the girl looks "incompatible with the world."

Critics perceived Larisa as a kind of "continuation" of Katerina from Ostrovsky's play "Thunderstorm" (they are united by ardor and recklessness of feelings, which led to a tragic ending); at the same time, features of other heroines of Russian literature were found in her - we are talking about some Turgenev girls, as well as Nastasya Filippovna from The Idiot and Anna Karenina from the novel of the same name:

The heroines of Dostoevsky, Tolstoy and Ostrovsky are brought together by their unexpected, illogical, reckless actions, dictated by emotions: love, hatred, contempt, remorse. Mikhail Sadovsky - the first performer of the role of Karandyshev in Moscow

Karandyshev, like Larisa, is poor. Against the background of the "masters of life" - Knurov, Vozhevatov and Paratov - he looks like a "little man" who can be humiliated and insulted with impunity. At the same time, unlike the heroine, Julius Kapitonovich is not a victim, but part of a cruel world. Wanting to connect his life with Larisa, he hopes to pay off former offenders, to demonstrate to them his moral superiority. Even before the wedding, he tries to dictate to the bride how to behave in society; her reciprocal protest is incomprehensible to Karandyshev, he cannot delve into the reasons for their disagreement, because he is "too busy with himself."

Drawing a parallel between Karandyshev and the "humiliated" heroes of Dostoevsky, the researchers emphasize that Yuli Kapitonovich is infinitely far from Makar Devushkin from the novel "Poor People" and Marmeladov from the novel "Crime and Punishment". His "literary brothers" are the hero of the story "Notes from the Underground" and Golyadkin from "The Double".

Karandyshev's shot is a complex action in its motives and in its results. One can see here just a criminal act of the owner and egoist, obsessed with one thought: not for me, but for no one. But you can see in the shot and the answer to Larisa's secret thoughts - in a difficult way they penetrate the mind of Karandyshev, the only one of the four men who did not want to transfer her into anyone's hands.

The image of the city

Maria Savina - the first performer of the role of Larisa on the St. Petersburg stage

If the fate of Larisa largely repeats the story of Katerina, transferred from the middle of the 19th century to the 1870s, then Bryakhimov is the development of the image of the city of Kalinov from the same Thunderstorm. Over the two decades separating one play by Ostrovsky from another, the main types of townspeople have changed: if previously the tyrant-tyrant merchant Dikoy dominated in the outback, now he has been replaced by the “dealer of a new formation” dressed in a European costume, Knurov. The Kabanikha, who poisons all life around her, also became a character of the outgoing era - she gave way to Harita Ignatievna Ogudalova, who “trades her daughters”. Passing before the realities of life, the nephew of Wild Boris, according to the trends of the times, turned into a brilliant gentleman Paratov.

At the same time, the pace of urban life has not changed. Life in Bryakhimov is subject to the usual rituals - every day there is mass, vespers and long tea parties near samovars. Then, according to the barman Gavrila, the city covers the feeling of "first melancholy", which is removed by long walks - so, Knurov "every morning the boulevard measures back and forth, just as promised."

All the heroes of the play are connected by a "common interest": they are unbearable in this city. Even Knurov's silence is evidence of the "conflict situation" in which he entered with the hated Briakhimov. And Vozhevatov? He is also in "conflict with Brakhimov's boredom." Larisa is oppressed not only by the situation in her house, but "the whole atmosphere of Bryakhimov."

Names and surnames of characters

Boris Kostelyanets is convinced that Ostrovsky put a special meaning into the names and surnames of his heroes. So, Knurov, according to the author's remarks, is "a man with a huge fortune." The character's surname enhances the feeling of power coming from the "big deal": "knur" (according to Dahl) is a boar, a boar. Paratov, whom the playwright characterizes as a “brilliant gentleman”, also did not accidentally find his surname on the pages of the play: “paraty” was called a particularly swift, unstoppable breed of dog.

Harita Ignatievna, who knows how, if necessary, to deceive and seduce, bears the surname “Ogudalova”, which is based on the verb “gut”, meaning “to braid”, “to fool”.

Screen adaptations

  • The first film adaptation of "Dowry" took place in 1912 - the film was directed by Kai Ganzen, the role of Larisa Ogudalova was played by Vera Pashennaya. Among the most famous film versions of the work is the film by Yakov Protazanov, which was released in 1936.
Larisa in the film is not endowed with the features of a tragic doom.<…>In accordance with Ostrovsky's plan, Larisa is presented by the director of the film as cheerful, up to the last minute reaching for life with all the forces of her sensitive nature. In order to show this particular Larisa, the authors of the film reveal her life long, a whole year before the events with which the play begins and which last only twenty-four hours.
  • The film adaptation of Eldar Ryazanov's "Cruel Romance", carried out in 1984, caused conflicting reviews from critics. In an effort to protect the director, Nina Alisova, who played the role of Larisa in the Protazanov film, recalled from the pages of Literaturnaya Gazeta that "Ostrovsky's plays are limitless, and every artist has the right to stage it in his own way."

Notes

  1. 1 2 Alexander Ostrovsky. Plays. - M.: Olma-Press Education, 2003. - S. 30-31. - 830 p. - ISBN 5-94849-338-5.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 Kostelyanets, 2007
  3. 1 2 3 4 Eldar Ryazanov. Unreported results. - M.: Vagrius, 2002. - S. 447.
  4. 1 2 Dramaturgy, 2000, p. 215
  5. // Russian Vedomosti. - 1878. - No. 12 November.
  6. 1 2 Eldar Ryazanov. Unreported results. - M.: Vagrius, 2002. - S. 446.
  7. 1 2 3 Vladimir Lakshin. theatrical echo. - M.: Time, 2013. - 512 p. - ISBN 978-5-9691-0871-4.
  8. Lotman L. M. Ostrovsky and. - M.: Nauka, 1991. - T. 7. - S. 71.
  9. Dramaturgy, 2000, p. 228
  10. 1 2 Dramaturgy, 2000, p. 229
  11. Derzhavin K. N. Ostrovsky. - M., L.: Publishing house of the Academy of Sciences of the USSR, 1956. - T. 8. - S. 469.
  12. Isakova I. N. Proper names in A. N. Ostrovsky's plays "Thunderstorm" and "Dowry". Linguistic and cultural thesaurus "Humanitarian Russia". Retrieved April 30, 2015.
  13. Dowry. Encyclopedia of national cinema. Retrieved April 30, 2015.
  14. Eldar Ryazanov. Unreported results. - M.: Vagrius, 2002. - S. 451.

Literature

  • Kostelyanets B.O. Drama and Action: Lectures on Theory. - M.: Coincidence, 2007. - 502 p. - (Theatrum Mundi). - ISBN 978-5-903060-15-3.
  • Ostrovsky A. N. Dramaturgy. - M.: Astrel, 2000. - ISBN 5-271-00300-6.
Plays by Alexander Ostrovsky

Family picture Our people - let's count Morning of a young man Unexpected case Poor bride Do not sit in your sleigh Poverty is not a vice Do not live as you want someone else's feast hangover Profitable place Festive sleep before dinner Did not agree on characters! Pupil Thunderstorm An old friend is better than two new ones Their dogs squabble, don’t pester someone else’s Marriage Balzaminova Kozma Zakharyich Minin-Sukhoruk Hard days Sin and trouble who does not live Voyevoda Jokers In a crowded place Abyss Dmitry Pretender and Vasily Shuisky Tushino Vasilisa Melentyeva Every wise man is quite simple Hot heart Mad money Forest Not everything is carnival for the cat There was not a penny, but suddenly Altyn Comedian of the 17th century Snegurochka Late love Labor bread Wolves and sheep Rich brides Truth is good, but happiness is better Marriage of Belugin The last victim Good master The heart is not a stone Slaves Shines, but does not warm Guilty without guilt Talents and admirers Handsome man Out of this world

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Dowry Information About

Ostrovsky's play "Dowry" was written in 1874 - 1878. The play premiered in the fall of 1878. The play is a prime example of psychological realism in Russian literature. In The Dowry, Ostrovsky brought to the fore the conflict between the material world, the world of money (represented by Paratov, Vozhevatov, Knurov, Ogudalova) and the spiritual world of love (depicted in the image of Larisa Dmitrievna). The leading theme of the play is the theme of "little people".

Main characters

Larisa Dmitrievna - homeless woman, daughter of Ogudalova, a very beautiful young girl who sings beautifully and knows how to play several instruments.

Sergey Sergeevich Paratov -“A brilliant gentleman from the shipowners, over 30 years old”, a prudent man whom Larisa unrequitedly loved.

Julius Kapitonych Karandyshev -"a young man, a poor official", a man with a painful self-esteem, Larisa's fiancé, who at the end of the work shot the girl.

Other characters

Vasily Danilych Vozhevatov - " a very young man, one of the representatives of a rich trading company, for whom money is the most important thing in life, he has known Larisa from an early age.

Moky Parmevych Knurov- “one of the big businessmen of recent times, an elderly man with a huge fortune”, a married man who wants to become a “friend”-patron of Larisa.

Harita Ignatievna Ogudalova- “A middle-aged widow”, Larisa’s mother, loves to “live happily”, begs her daughter’s suitors for the necessary funds.

Robinson- an actor who came with Paratov.

Gavrilo- "the owner of the coffee shop on the boulevard."

Ivan- "servant in the coffee shop."

Act one

Phenomenon 1

The events of the play take place in the big city of Bryakhimov on the Volga. The action begins on City Boulevard near a coffee shop.

Phenomenon 2

Vozhevatov tells Knurov that he was going to buy the Lastochka steamer from Paratov, but everything cannot wait for Sergei Sergeevich. Gavrilo assures Vasily Danilych that Paratov will definitely come, since the best quadruple in the city has already been prepared for him.

Vozhevatov orders them to serve champagne in tea sets and “for tea” tells Knurov that the city’s famous beauty-dowry Larisa Dmitrievna is marrying Karandyshev. Knurov is surprised, because Karandyshev is not a couple for a girl. Vozhevatov explained that Larisa Dmitrievna agreed to a modest marriage after she survived last year's passion for Paratov, who, having beaten off all her suitors, disappeared to no one knows where. After him, the “old man with gout” wooed, the always drunk manager of some prince and the cashier, who made a loud scandal at their house. Unable to stand it, Larisa Dmitrievna said that she would marry the first one who would marry. Here is Karandyshev, who has been in their house for a long time, “and right there” with a proposal, and now “he’s glad, he’s shining like an orange.” Knurov takes pity on Larisa Dmitrievna, saying that she was "created for luxury" - "an expensive diamond requires an expensive setting."

Phenomenon 3

Karandyshev and Larisa with their mother join the men. Over tea, Karandyshev, putting on airs, turns to Knurov and Vozhevatov on an equal footing, inviting them to dinner today. Harita Ignatievna explains that this dinner is arranged for Larisa.

Phenomenon 4

Left alone with Larisa Dmitrievna, Karandyshev accuses the girl of excessive liberties while communicating with Vozhevatov. The man calls the Ogudalovs' house "Gypsy camp", which brings the girl to tears.

Larisa says that there were also noble people in their "camp" - such as Sergey Sergeevich Paratov. Karandyshev, who dislikes Paratov, asks why he is worse than Sergei Sergeevich. Larisa Dmitrievna replies that Paratov is the “ideal of a man”. Suddenly, a cannon shot is heard (a salute with which Paratov was greeted when he arrived). Larisa Dmitrievna gets frightened and asks to be taken away.

Phenomena 5 - 6

Paratov was absent from the city for a whole year. Sergei Sergeevich arrived accompanied by Robinson, a provincial actor Arkady Schastlivtsev. Paratov somehow picked him up from an uninhabited island, on which Arkady and a friend were landed after they made a brawl on the ship. Knurov wonders if Sergei Sergeevich is sorry for "Swallows". Paratov replied: “what is“ sorry ”, I don’t know this”, “I’ll find a profit, so I’ll sell everything, anything”, and immediately said that he would soon marry a very rich girl who was given gold mines as a dowry. And so before the wedding he wants to have fun.

Phenomenon 7

Vozhevatov arranges with Gavrila to give them a walk along the Volga and a picnic in the evening, but at the last moment he remembers that Karandyshev invited them to his place in the evening.

Action two

Phenomenon 1

Ogudalova's house, the main sign of the interior is a piano with a guitar on it.

Phenomenon 2

Knurov comes to Ogudalova. Moky Parmevych, having learned that Karandyshev is poor, expresses his indignation at the upcoming marriage. According to Knurov, there is no “earthly”, “worldly” in Larisa, she was created “to shine”. Knurov believes that the girl will quickly leave her husband, and then she will need a solid rich "friend", and he will not regret anything for the girl. Leaving, Knurov orders that Ogudalova order a good wedding “wardrobe” for her daughter, and send the bills to him.

Phenomenon 3

Larisa tells her mother that she wants to leave for the village as soon as possible, “even if it’s wild and deaf and cold; for me, after the life that I experienced here, every quiet corner will seem like paradise. The girl picks up the guitar, singing "Do not tempt me unnecessarily", but the instrument is out of tune. Seeing the gypsy Ilya from the window, the girl covenanted him into the house.

Phenomenon 4

Ilya reports that the gentleman has arrived, who has been waiting for a whole year.

Phenomenon 5

Ogudalova worries about whether they “missed” the groom, hurrying up with the wedding. Larisa replies that she has had enough humiliation.

Phenomenon 6

Karandyshev comes to the women. Larisa asks when they will leave for the village, but Julius Kapitonych does not want to rush, because he wants, as Ogudalova said, "to magnify".

Karandyshev condemns the mores of society, indignant that in the city there are only rumors that the master, Sergei Sergeyevich Paratov, has arrived. Frightened, Larisa asks to leave immediately for the village. At this time, Paratov himself drives up to the Ogudalovs.

Phenomenon 7

Paratova receives Ogudalov, he behaves playfully and seriously with her. The man says that he had to leave a year ago to settle things with property, and now he is going to marry a bride with a dowry of half a million. At the request of Paratov, Ogudalova calls Larisa.

Phenomenon 8

Paratov, reproaching Larisa for not expecting him, reduces this to female frivolity: “women” - “your name is worthless”. Offended, the girl admits that she still loves Sergei Sergeyevich, and she has to marry out of hopelessness. Having satisfied his pride, Paratov says that now “I will keep the most pleasant memory of you all my life, and we will part like best friends.”

Phenomenon 9

They are joined by Ogudalova and Karandyshev. Paratov is trying in every possible way to offend Larisa's fiancé, and they quarrel. Ogudalova apologizes and forces her son-in-law to invite Sergei Sergeevich to dinner.

Event 10

Vozhevatov and Robinson come to Ogudalova. Vozhevatov passes Robinson off as an Englishman.

Event 11

Paratov, who did not like Karandyshev very much, is going to "make fun" of the man during dinner.

Act Three

Phenomenon 1

Karandyshev's office, furnished "with pretensions, but without taste". On one of the walls "a carpet is nailed, on which weapons are hung."

Phenomenon 2

Ogudalova and Larisa are discussing Karandyshev's evening. Women did not know where to go from shame. Karandyshev thinks that he surprised everyone with luxury, but the guests deliberately - for fun, they solder him.

Phenomenon 3

Aunt Karandysheva complains to the women about the losses from dinner, and then calls them to her. Paratov, Knurov and Vozhevatov enter the office.

Phenomena 4 - 5

Knurov complains about terrible dishes and wines (“a potion that he calls wine”). Men laugh at the stupidity of the owner, who was the first to drink himself. It was possible to get him drunk thanks to the help of Robinson, who was illegible in drinking.

Phenomenon 6

Karandyshev enters the office with cigars. He does not notice that men are making fun of him.

Events 7–8

Ogudalova, who entered, tries to reprimand Karandyshev, but he replies that today he is happy and triumphant. Paratov offers a drink to brotherhood and Julius Kapitonych leaves for cognac.

Apparitions 9 - 10

Paratov, Knurov and Vozhevatov are going for a boat trip.

Event 11

Paratov asks Larisa to sing something. Karandyshev tries to forbid her, this angers the girl. Larisa with the gypsy Ilya, who accompanies her, sing "Do not tempt". Everyone is delighted with the singing of the girl. Karandyshev leaves for champagne - to drink to Larisa's health.

Event 12

In private, Paratov tells Larisa that she is a treasure and that he is to blame for her for exchanging her for another. Sergei Sergeevich persuades the girl to go with the company to ride along the Volga. Larisa agrees, calling Paratov her "master".

Phenomenon 13

Everyone drinks champagne for Larisa Dmitrievna. Karandyshev makes a toast, calling the most important virtue of a girl - the ability to "appreciate and choose people", because she chose him among all the fans. Karandyshev is sent for wine. At this time, the men gather and, taking Larisa with them, leave.

Event 14

Upon returning, Karandyshev is surprised where Larisa has gone. Ivan informs him that the girl has gone with the gentlemen across the Volga for a picnic. Karandyshev in despair: “I'm ridiculous - well, laugh at me, laugh in my eyes! Come and dine with me, drink my wine and swear, laugh at me - I'm worth it. But break the chest of a funny man, tear out his heart, throw it under his feet and trample him! Threatening revenge, the man grabs a gun from the table and runs away.

act four

Phenomenon 1 - 2

Karandyshev with a gun comes to the coffee shop where Robinson is at that time and tries to find out from the actor where his comrades have gone. However, Robinson pretends not to know them.

Phenomenon 3 - 5

Knurov and Vozhevatov, who returned from the picnic, sympathize with Larisa - the men understand that Sergei Sergeevich will not refuse a profitable marriage for the sake of the girl, and after what happened, Larisa is compromised.

Phenomenon 6

Knurov believes that in the current situation they are obliged to take part in her fate (the man wanted to take the girl with him to Paris, but now an opportunity has presented itself). To avoid rivalry, the men toss a coin, and Knurov gets to ride with Larisa Dmitrievna.

Phenomenon 7

Paratov thanks Larisa for going to the picnic with them. The girl asks her to answer: is she now his wife or not? Sergei Sergeevich replies that he is engaged and cannot break the bride. The man assures the girl that her fiancé will take her back anyway.

Phenomenon 8

Paratov instructs Robinson to take the girl home and leaves for the cafeteria. Larisa asks Vozhevatov for help, but he evades, leaving the girl with Knurov. Moky Parmevych offers Larisa to go with him to Paris and full provision for life. Larissa remained silent in response.

Phenomenon 9

Left alone, Larisa wants to throw herself into the sea, but does not dare to commit suicide.

Event 10 - 11

Robinson leads to Larisa Karandysheva. The man believes that he should be the protector of the girl. Larisa tells Karandyshev that his patronage for her is the most serious insult. The man reproaches her for being undemanding, saying that Knurov and Vozhevatov played “toss” on her and generally treat her like a thing. Larisa agreed that she was a thing, but “too expensive a thing” for Karandyshev - “if you are a thing, it’s one thing, a consolation is to be expensive, very expensive.”

Larisa asks to call Knurov to her. Karandyshev tries to persuade her to leave with him, but the girl explains that it is too late and she will never be him. With the words “So don’t get it for anyone,” Karandyshev shoots Larisa with a pistol. With words of gratitude, Larisa picks up the pistol that fell from Karandyshev's hands and puts it on the table and slowly sinks herself into a chair.

Event 12

Larisa explained to those who came running to the shot: “It’s me myself ... No one is to blame, no one ... It’s me myself.” Behind the scenes, the gypsies begin to sing, Paratov tells everyone to shut up, but Larisa, dying to the gypsy choir, asks: “Let them have fun, whoever has fun<…>you are all good people ... I love you all ... I love you all.

Conclusion

In The Dowry, Ostrovsky portrayed the tragic fate of a girl who knows how to sincerely love, but finds herself in a society where money is placed in many ways above true feelings. Neither her own mother, nor the future husband Karandyshev, nor Larisa Paratov's lover took her feelings seriously - each of them only wanted to take advantage of the girl. The death of the heroine at the end of the work brings moral purification, despite everything that happened, Larisa still loves everyone.

A brief retelling of the work "Dowry" does not fully convey the intense psychologism of the play by the great playwright, so we advise you to read the full version of the drama.

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