The image and characterization of Larisa Ogudalova in the play Ostrovsky's dowry work. The dowry characteristic of the image of Ogudalova Larisa Dmitrievna The character of Larisa Ogudalova in the play the dowry
Composition
Ostrovsky wrote the drama "Dowry" in 1879, that is, in the last, third period of his work. Prior to this, the playwright had already created the plays "Thunderstorm" and "Hot Heart". These three dramatic creations of Ostrovsky are united by a single theme. Katerina in The Thunderstorm, Parasha in The Hot Heart, Larisa in The Dowry - they all belong to the same type of women, women with a rebellious soul. But, despite the fact that all girls experience because of love, each of them has their own drama in life.
"Dowry" differs from the other two works in that in it the main character is faced with the cruel world of bourgeois relations, and is not opposed to the "dark kingdom", as in "Thunderstorm". The main theme of the play is the drama of the human person in an inhuman society. And this dramatic personality in the work is Larisa Ogudalova.
Larisa Dmitrievna is a well-mannered and kind girl. Hence her good attitude towards people, her respect for her mother. We feel sorry for the main character when we see her mother. She seeks profit in everything, wants to find the daughter of a rich groom. To do this, the mother teaches Larisa the tricks that she must apply in life. The older Ogudalova is more down to earth and practical than the younger one. This misunderstanding between mother and daughter, the striking difference in their characters is striking. Of course, this only makes it harder for Larisa. Not only did she already once become disillusioned with love, she was abandoned, but now she must be humiliated by the search for rich suitors. Thus, Larisa's life in her home is not painted in bright colors, she is overshadowed by misunderstanding and constant humiliation. The girl's mother says: “We are poor people, we have to humiliate ourselves all our lives. So it’s better to humiliate yourself from a young age, so that later you can live like a human.”
The most important drama of Larisa is her spiritual, heartfelt experiences. The girl already knew disappointment in love and betrayal, when Sergei Sergeevich Paratov went to her for two months, “recaptured all the suitors,” and then disappeared to no one knows where.
Larisa has no choice but to marry petty Karandyshev, a profitable groom who will save her from humiliation. The future husband, according to the girl, is not at all like Paratov, whom she truly loves and cannot forget. Larisa sees all the insignificance of Karandyshev, she is even ashamed of his "arrogance", because he is nothing to everyone around him. From all the troubles and shame, the girl seeks salvation in the village, in nature. She constantly tells her mother that she wants to escape to the village, where she can finally rest her soul. Larisa finds temporary solace in singing, when sounds take her away from problems. Gypsy song and Russian romance, poems by Lermontov and Baratynsky sound in her musical and sensitive soul. The inner world of Larisa is rich, in contrast to the knurovyh and vozhevatovyh. The poetic nature of the girl flies over the world on the wings of music. No wonder her name in Greek means "seagull" ...
When Paratov returns, Larisa thinks that he is a stranger to that world of cold and prudent businessmen. Having idealized the image of her lover, the girl considers him a “master”, she is ready to follow him even to the ends of the world. With all her heart and soul, she rushes into the pool of love, gives herself to Paratov, not suspecting that he is unworthy of her. His spiritual world is much more primitive, prudent and proud than the soul of Larisa. In order to have fun the rest of the “idle days”, Sergei Sergeevich calls the girl to the Volga. Larisa, seeing his determination, believed in love, believed him and went to meet imaginary happiness. However, Knurov and Vozhevatov know Paratov better. They guessed that “it’s not without deceit that he again beckoned her with words,” they knew that Sergei Sergeevich would never exchange a dowry for a millionaire.
The scene of Paratov's conversation with Larisa after a trip along the Volga is full of drama. The girl was expecting a marriage proposal, otherwise what were these beautiful words, the time spent with her for? But Paratov not only did not justify her hopes, but also severely insulted Larisa, saying that he was already engaged. Isn't this drama? What could be worse? To trust a person, to give a part of your soul, and in return to receive a stupid game, empty words, and, in the end, a cruel betrayal. Larisa turned out to be a toy, entertainment for Paratov. What can a girl expect from life? Even marriage to Karandyshev now cannot save her. Although Karandyshev still saves her: by shooting, he performs a “good deed”. Before her death, Larisa sees the collapse of her illusions, reality opens up to her: "They are right, I am a thing, not a person." Dying, she thanks Karandyshev for giving her the opportunity to leave the world in which a high ideal is trampled and where she feels like a “thing”, an object of sale: “I was looking for love and did not find it. They looked at me and look at me as if they were fun.
The drama of the main character lies in the fact that her spiritual world cannot exist in a society of money and primitiveness, in which the interests of men and women are limited to a six-figure dowry. The material here displaces kindness, sincerity and even love. Love is always in second or even third place after money and position in society. Larisa could not adapt, could not fall in love with Karandyshev's rubles and endure disappointment in the ideal image of Paratov she had created. It seems absurd: good does not triumph over evil, love does not take precedence over dowry, as is usually the case on the pages of most books. Ostrovsky, writing "Dowry", made the reader or viewer think, realize the problem of the correlation of feelings and calculation. If all of us choose the latter, then love will disappear from the world. Is this material well-being worth it? I think not.
Although the play "Dowry" was created more than one hundred and twenty years ago, it is still interesting to read or watch on stage. And in our time, you can meet prudent paratovs and mundane karandyshevs. I think that Ostrovsky can be thanked for the fact that after repeated productions of the play “The Dowry”, there are fewer and fewer such people, and more and more women with the soul of Larisa Ogudalova, and natures like her find their happiness in this world.
Other writings on this work
What is the reason for the drama of the heroine of A. N. Ostrovsky’s play “The Dowry”? What is the reason for the drama of the heroine of Ostrovsky's play "Dowry" What is the drama of Larisa Ogudalova What is the tragedy of Larisa Ogudalova? (Based on the play by A.N. Ostrovsky "Dowry") The storm that broke out in two dramas by A. N. Ostrovsky - "Dowry" and "Thunderstorm" Drama "Dowry" The drama of the "hot heart" in the play by A.N. Ostrovsky "Dowry" Female images in the plays by A. N. Ostrovsky \"Thunderstorm\" and \"Dowry\" Why I don’t like A. N. Ostrovsky’s play “The Dowry” Acquaintance of Paratov and Karandyshev Acquaintance of Paratov and Karandyshev (analysis of a scene from the 2nd act of the play by A. N. Ostrovsky "The Dowry"). What illusions do the heroes of A. N. Ostrovsky’s play “The Dowry” lose? Karandyshev and Paratov: their attitude towards Larisa Ogudalova (based on the play by A. N. Ostrovsky "The Dowry") Love or inability to survive in the world of the "golden calf"? (Based on the play by A. I. Ostrovsky "The Dowry") Mother and daughter in the drama of A. N. Ostrovsky Motives, ideological content and detailed analysis of "Cruel Romance" A new generation of merchants in Ostrovsky's drama "Dowry" Moral problems of the plays by A. N. Ostrovsky on the example of "Dowry" The image of the city in the works of A.N. Ostrovsky "Thunderstorm" and "Dowry" Images of the cruel world in the dramaturgy of A. N. Ostrovsky (on the example of the play "Dowry") Images of merchants in the plays by A. N. Ostrovsky "Thunderstorm" and "Dowry" Features of the conflict in the drama of A. N. Ostrovsky "Dowry" Paratov and Karandyshev (based on the play by A.N. Ostrovsky "Dowry" Why did Larisa thank Karandyshev for the shot? (based on the play by A. N. Ostrovsky "Dowry") Psychologism of the drama by A. N. Ostrovsky "Dowry" The development of disputes for love between Paratov and Karandyshev Knurov’s conversation with Vozhevatov (analysis of the 2nd phenomenon of the first act of the play by A. N. Ostrovsky “The Dowry”) Larisa's conversation with Karandyshev (analysis of the 4th phenomenon of the first act of the play by A. N. Ostrovsky "The Dowry"). Comparison of the works of A. N. Ostrovsky "Dowry" and "Thunderstorm" The fate of the dowry The theme of the "little man" in the drama of A.N. Ostrovsky "Dowry" The theme of lost illusions in the drama of A. N. Ostrovsky "Dowry" The theme of lost illusions in the play by A.N. Ostrovsky "Dowry" The tragedy of Larisa is unhappy love or the inability to survive in the world of the "golden calf" (A. N. Ostrovsky's play "The Dowry") The tragic fate of Larisa in the "dark kingdom" (based on the play by A. N. Ostrovsky "Dowry") Characteristics of the image of Larisa based on Ostrovsky's play "Dowry" The tragedy of Larisa Ogudalova (based on Ostrovsky's play "The Dowry") The tragedy of Larisa in the play "Dowry" The theme of the "little man" in A.N. Ostrovsky's drama "Dowry" Characteristics of the merchant Paratov (based on the play by Ostrovsky "The Dowry") Composition based on the play by Ostrovsky "Dowry" 2 Paratov and Larisa in the drama "Dowry" Composition based on the play by Ostrovsky "Dowry" 3 The image of Yuli Kapitonych Karandyshev in Ostrovsky's play "Dowry" The image of the "cruel world" in the dramaturgy of A.N. Ostrovsky The tragic fate of Larisa in the play "Dowry" Larisa's mother, Harita Ignatievna in the play "Dowry" Paratov and Karandyshev Characters in Ostrovsky's drama "Dowry" Composition by A. N. Ostrovsky The Dowry The system of images in the play "Dowry" Larisa: “I was looking for love and did not find it” The image of the "cruel world" in the dramaturgy of A.N. Ostrovsky. (According to the play "Thunderstorm" or "Dowry".) The main conflict of the play by A. Ostrovsky "Dowry" Person or thing Larisa in Ostrovsky's play "Dowry" Larisa Dmitrievna and Harita Ignatievna Ogudalov The fate of Larisa in the context of the acquaintance of Paratov and Karandyshev My favorite character is Larisa Ogudalova What is stronger the power of money or the power of feelings the power of genuine talent (my reasoning about reading Ostrovsky's play "Dowry") Victims of the "dark kingdom" in the play "Thunderstorm" Artistic originality of the drama by A. N. Ostrovsky "Thunderstorm" and "Dowry" The system of images in Ostrovsky's drama "Dowry" Composition based on the play by Ostrovsky "Dowry" 4Ogudalova Larisa Dmitrievna - the main character of the play, a dowry. The remark is described succinctly: “dressed richly, but modestly”, we learn more about her appearance from the reaction of others. Adjacent to the role of the poor bride, which is the subject of rivalry between several contenders for her feeling or hand. As always, such a heroine is given a rather imaginary choice, she chooses only in her heart, while she is actually deprived of the right to commit an act.
L. loves Paratov as a person who embodies and is able to give her a different life. She was “poisoned” by Paratov, with him once and for all the idea of a completely different, poetic and light world entered her mind, which certainly exists, but is inaccessible to her, although she is intended, according to everyone around her, just for him. For L. this is a fantasy world, much more poetic than it really is, the traces of this world in her own life are her favorite poems, romances, dreams, which make his image attractive.
Marrying Karandyshev, she feels humiliated, unfairly sentenced to the life that a petty official can give her. Moreover, she cannot forgive his personal humiliation, his failures in trying to catch up with Paratov, for her the difference between them becomes more and more obvious: “Who are you equal to! Is such blindness possible! She not only does not want to conform to his painfully ambitious whims like a pretentious dinner, but in private she constantly inspires him that she does not love him, that he is infinitely lower than Paratov, whom she will follow at his first call: “Of course, if Sergey Sergeyevich appeared and was free, so one glance of him is enough ... "
In her soul there is a struggle between the desire to come to terms with the inevitable fate of the wife of a poor official and longing for a bright and beautiful life. The feeling of humiliation by their lot and the craving for a different life prompt L. to try to decide her own fate. It seems that the path to this romantic world lies through the same romantic, reckless and spectacular act. But this act is reckless, leads to death, because it is committed in pursuit of a ghost that personifies Paratov, for that world that exists only in poetry and romances.
Just like Karandyshev, she makes a choice in favor of illusion, not reality. For Ostrovsky, this attempt at once, in one reckless act, to receive love and happiness looks like a refusal, an escape from one's own fate. The trip to the men's picnic, which she feels as an act of her own choice, opens L.'s eyes to her true position - a prize that men dispute with each other: “They are right, I am a thing, not a person. I am now convinced that I have tested myself ... I am a thing! Dying, she thanks her murderer, Karandyshev, for giving her the opportunity to leave the world in which a high ideal is trampled on and where she feels like a thing, an object of sale: “I was looking for love and did not find it. They looked at me and look at me as if they were fun. No one ever tried to look into my soul, I did not see sympathy from anyone, I did not hear a warm, heartfelt word. But it's so cold to live. It's not my fault, I was looking for love and didn't find it. She is not in the world ... there is nothing to look for.
In her speech and behavior, the style of a cruel romance is used, which at the same time has a peculiar poetry and borders on vulgarity, falsehood, “beauty”: quotes from M. Yu. Lermontov and E. A. Baratynsky are combined with statements like “Sergei Sergeyich ... this is an ideal men", "You are my master". This reflects the property of the very ideal that attracts L., it is poetic in its own way and at the same time internally empty, false. In her gestures and remarks, a touch of melodrama is combined with genuine penetration and depth of the experienced feeling: “For unfortunate people there is a lot of space in God's world: here is a garden, here is the Volga.” This combination makes the role of L. extremely advantageous; she attracted such actresses as M. N. Ermolova and V. F. Komissarzhevskaya.
Oct 30 2010
The main character of A. N. Ostrovsky's play "" is Dmitrievna, the daughter of Kharita Ignatievna Ogudalova. Her mother has a "small fortune", there is nothing to give a dowry from, since she lives openly, accepts everyone, "loves to live happily herself." Harita Ignatievna is very dexterous: “her house is always full of singles”, her daughter is pretty, beautiful and knows how to play various instruments, you can get pleasure from them. But you have to pay for all this: "... whoever likes his daughter, fork out anyway." By all means, this lively woman is looking for a groom for her daughter.
But Larisa is a lyrical, talented and sensitive nature, so she cannot live the life that her mother created in the house. She has to smile, be nice, keep up conversations with the men who visit them and pay money for it. Maybe she doesn’t like them at all or is simply disgusting, she must endure all this, because she needs to do what her mother tells. Larisa subtly feels and experiences what is happening around her. Such a girl feels lonely and uncomfortable in the world around her, which is full of penny passions, selfishness, where everyone tries to show themselves by any means.
She does not need any of this, she is completely alone, alone with her thoughts and dreams. At the same time, they talk about her, admire her, decide her future for her, but Larisa herself seems to remain on the sidelines, the opinions and feelings of this girl are of no interest to anyone.
She understands, in the end, what kind of Paratov, but he was her ideal among men. Because of passionate love, she does not see anything around her, she goes for a walk along the Volga with him, she hopes that he will make her his wife, she believes him. Larisa will be bitterly disappointed, as Paratov spends his last free days there, because he himself marries another woman who is richer than her.
The main comes to the decision to commit suicide, but something does not let her in, keeps her. “It is a pitiful weakness to live, at least somehow, but to live ... when you can’t live and don’t need to. How pathetic, unhappy I am,” she says, standing by the bars.
When an insight comes to her about what the people around her are, what she means to them, Larisa recognizes the veracity of Karandyshev's words: “They do not look at you as a woman, as a person, a person has his own destiny; they look at you like a thing."
Upon learning that Knurov and Vozhevatov are playing her toss, Larisa begins to feel like a “thing”, her soul is seized by apathy, she becomes indifferent to herself and others. The main character says: “I was looking for love and did not find it. They looked at me and look at me as if they were fun. No one has ever tried to look into my soul, I have not seen sympathy from anyone, I have not heard a warm, heartfelt word. But it's so cold to live. It’s not my fault, I was looking for love and didn’t find it ... it doesn’t exist in the world ... there’s nothing to look for. I did not find love, so I will look for gold. With these words, she goes to Knurov for maintenance, because. every thing must have an owner. But Karandyshev's shot prevents her from doing this and at the same time takes her life. Larisa is grateful to him: "... death will not allow her to sink further and die morally." She dies with the words: “Let them have fun, whoever has fun ... I don’t want to disturb anyone! Live, live everyone! You need to live, and I need to ... die. I don’t complain about anyone, I don’t take offense at anyone ... you are all good people ... I love you all ... I love you all.
A dowry from Ostrovsky's play, a girl who was brought up in a decent but impoverished noble family and has already reached the age when it is time to get married. She is surrounded by applicants for the role of a life partner, but in view of poverty, she actually does not have the right to choose. Larisa is oppressed by her position “who will take it”, she feels like a “thing” without the right to vote, which can be bought, sold, exchanged or disputed.
There is no specifics in the play about the appearance of the heroine, it is only said that she is richly and modestly dressed, but based on the fact that she is surrounded by fans, we can conclude that she attracts male gazes. Larisa herself still retains in her heart love for the former admirer Paratov, who disappeared from her life a year ago. Her mother chose as her life companion a petty official and an unsympathetic man Karandyshev, life with whom for Larisa is like a life sentence. In addition to hostility, the groom in the girl does not cause any feelings. She endlessly reproaches him and compares him with Paratov, with whom she associates the possibility of a happy life.
Here Larisa is deceived, the world to which she aspires is only her fiction, an impossible dream. But in the girl’s soul there is a struggle between the desire to escape to dreams and the need to get them out of her head in order to live a decent life near her unloved spouse. In pursuit of happiness, Larisa agrees to a night walk in the company of Paratov, who has reappeared in her life. As a result, the betrothed to another admirer can offer nothing to the poor girl. Realizing the gravity of her situation, Larisa refuses Karandyshev and receives a bullet in the chest. Death becomes the only way to save the heroine from an objectionable reality.
Quotes by Larisa
I finally decided to marry Karandyshev, almost the first person I met. I thought family responsibilities would fill my life and reconcile me to it.
But what made me?.. If it’s impossible to live at home, if during a terrible, mortal anguish they force you to be kind, smile, they impose suitors who you can’t look at without disgust, if there are scandals in the house, if you have to run away from home and even from the city?
You see, I am standing at a crossroads: support me, I need encouragement, sympathy; treat me gently, with affection! Seize these minutes and don't miss them!
Talk to me more carefully. Don't you see that my position is very serious? Every word that I myself say and that I hear, I feel. I became very sensitive and impressionable."
How can I respect a man who indifferently endures ridicule and all kinds of insults! This business is over: it does not exist for me.
If to be a thing, then one consolation is to be expensive, very expensive. Serve me the last service: go send Knurov to me.
Ostrovsky wrote works about women who have a difficult life. And this play is one of them. Here the author shows unhappy love, and what it can lead to.
The main character finds herself in a life that shows all the cruelty of society. The author wants to show that people forget that they are them. And Larisa is an example of such a life. They don't even think about the feelings of others. I think only about profit and entertainment. The main character has pleasant qualities, but soon they will hurt her. She is a kind girl and has a good upbringing. It is shown when Larisa treats everyone well enough, and with respect. I think her mother treats her unfairly. The main goal of a mother in life is to get what she wants at the expense of her lies. Also, when she was looking for her daughter's fiance, she had the task of finding a rich man. She did not think at all about Larisa's happiness. Considering that if there is money, she will live well. Mother and daughter are quite different, and it is immediately noticeable. The main character was disappointed in love, and a little time passed. But she is already told to look for a groom, because time is running out and it doesn’t matter if she loves him.
Larisa is in great pain, and no one understands her. In her house, there is only misunderstanding. The main character, as if she was left alone in this world. I think that her last straw was when Paratov arrived. It was cruel enough when he courted for two whole months and then just left.
What remains for the main character is to marry Karandyshev. She was quite unhappy with him, and her meaning of life in general was gone. Her fiance is the type of people who have arrogance, but no one in this life. Others laugh at him, but he does not see this, and thinks that he is becoming one of them. Larisa's last salvation is the village. She wants to go there, to feel peace. There is also the singing of birds, which greatly calms the girl and gives her new strength.
The main character thinks that Paratov is not a bad person. And yes, it is perfect for her. But as it would not hurt to admit, but he is the same cruel as their entire society. She is even ready to return to him, and go anywhere with him. Paratov is not worthy of the main character, although she does not even understand this. Inspired by her love, she forgets about everything. And again, she trusts him, which leads to the initial mistake.
Composition about Larisa
In a world where they do not love and everyone is selfish, the sympathetic and sensitive Larisa initially feels uncomfortable. It is clearly seen how at the very beginning, sitting on the shore, she admires the Volga, deeply lost in her thoughts. Cheap passions rage around her, the struggle of ambitions, petty desires. The heroine is all alone with her thoughts and dreams. With great reluctance, as if coming to her senses, she returns to the world where people surround her. Larisa, by nature, is a romantic girl with a subtle psychological instinct and painful sensitivity. All these features make her empathize with the wild life in her father's house. When Paratov left, and she disgraced herself at one of the evenings because of a swindler who offered her a hand and heart in front of all the guests, then she simply, in a fit of despair, decided to get engaged to Karandyshev. She thinks to die, but something unknown does not let her into the afterlife, keeps her alive.
In Larisa, there is no integrity and courageous character of Katerina from "Thunderstorm", Parasha's determination. She presents herself as a thing. And as soon as she realizes this, the unpleasant word is pronounced aloud by her. Larisa begins to treat herself apathetically, she is indifferent to people. With a shameless challenge, with an expression of despair and a devastated soul, she declares that she will be kept by Knurov, because any object must have its owner.
With special grace, she accepts her death, concluded in the shot of Karandyshev. The girl considers this a boon. She accepts death with gratitude and dies to the noisy gypsy singing, sending her farewell kiss. In all her actions - and in death next to the fun of the gypsies, and in the words where the speech is filled with forgiveness and feelings - there is a certain blasphemy. This dramatic scene gives off complete indifference, where Larisa is completely disappointed in life. It is hard to condemn the heroine for her soul, in which sheer disappointment languished, and for the open, shameless speech for such a girl, delivered before her death. It is sad to realize that such a sweet girl could not find her love and died, never having experienced female happiness.
Option 3
In the work of A.N. Ostrovsky's heroine was faced with the prudence and material needs of the world, which supplanted true love. Here the drama of the human person in a prudent society is openly expressed. Larisa Dmitrievna became a victim of this world.
She is a sweet girl who treats her mother and the people around her well. Her mother is a practical person, looking for a rich and profitable groom for her daughter. But Larisa Dmitrievna is deeply worried, because true love and devotion to her beloved lives in her heart. She has already become disillusioned with him when he suddenly disappears after meeting her. The girl has a sensitive and vulnerable nature, it is impossible to forget her lover. The mother forces the girl to marry Karandyshev, believing that he is a profitable groom for her daughter. But Larisa is disgusted, the essence of the groom is arrogance and insignificance. From her experiences, the girl seeks salvation in the village. She consoles herself with songs, various music sounds in her soul: from gypsy songs to Russian romances.
When her beloved appears, Larisa is ready to forgive him a lot. But until the end, she does not know her lover, not realizing that his essence differs from hers: primitiveness, prudence and pride.
Paratov wants to have fun the rest of his "idle days", for this he invites Larisa Dmitrievna to ride along the Volga River with him, where he later admits that he is not ready to marry her. The scene of a conversation between two people after a trip is full of drama and disappointment. The girl is horrified to learn that her lover is already engaged and has been used as an entertainment item. How to live on? Larissa doesn't know. To give all of yourself, soul and body, without receiving anything in return, is sad. The girl's heart is broken. She does not want to marry another person, and this way out will not save her either. Her only option is to die. Karandyshev saves her by shooting his failed bride. The dying girl thanks him for helping to leave this insignificant world, in which her love and illusions have disappeared. Larisa feels like a corrupt thing, where prudence prevails.
In conclusion of the essay, I would like to note that the dramatic episode lies in the fact that the inner content of Larisa is cleaner than that of other people. Material need has replaced literally everything in the world: love, kindness, sincerity. Larisa realized that love comes after money and position in society and could not live in it. In a dramatic play, Ostrovsky sharpened this problem, made sure that the reader understood the relationship between feelings and calculations. If many choose money and settlement, then devotion and the main feeling - love will disappear forever!
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