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Works. The moral feat of a person in the story "The Fate of a Man" by M. Sholokhov

A special work that raised the problem of personality psychology during the war to a new height is the famous story by M. A. Sholokhov “The Fate of a Man”. The reader is presented not just the life story of a soldier, but the fate of a man who embodied the typical features of the national Russian character. A modest worker, the father of the family lived and was happy in his own way. And suddenly the war ... Sokolov went to the front to defend his homeland. Like thousands of others, Andrei faced the inevitable and inevitable horrors of war. She tore him away from his home, from his family, from work. And the whole life of A. Sokolov turned over as it were: the monster of military atrocities betrothed to him, life suddenly for no reason began to beat and whip him with all its might. Why is this man so punished?

Sokolov's suffering is not an episode connected with the private fate of a person. The horrors of World War I were imposed on the Russian man, and at the cost of enormous sacrifices and personal losses, tragic upheavals and hardships, he defended his homeland. This is the meaning of the story "The fate of man."

The feat of a man appeared in Sholokhov's story mainly not on the battlefield and not on the labor front, but in the conditions of fascist captivity, behind the barbed wire of a concentration camp. In the spiritual single combat with fascism, the character of Andrei Sokolov, his courage, is revealed.

Far from his homeland, Andrei Sokolov survived all the hardships of the war, the inhuman abuse of fascist captivity. And more than once death looked into his eyes, but each time he found titanic courage in himself and remained a man to the end.

Sholokhov sees the manifestation of a heroic person in nature not only in a collision with the enemy. No less serious test for the hero are his loss, the terrible grief of a soldier deprived of loved ones and shelter, his loneliness. After all, Andrei Sokolov emerged victorious from the war, returned peace to the world, and in the war he lost everything that he had in life “for himself”: family, love, happiness. Ruthless and heartless fate did not leave the soldier even a haven on earth. In the place where his house, built by him, stood, there was a dark crater from a German air bomb.

History cannot present Andrei Sokolov with an account. He fulfilled all human obligations to her. But here she is in front of him for his personal life - in debt, and Sokolov is aware of this. He says to his casual interlocutor: “Sometimes you don’t sleep at night, you look into the darkness with empty eyes and think: “Why did you, life, cripple me like that?” There is no answer for me either in the dark or in the clear sun ... No, and I can’t wait!”

Andrey Sokolov, after all that he had gone through, it would seem, could call life a plague. But he does not grumble at the world, does not withdraw into his grief, but goes to the people. Left alone in this world, this man gave all the warmth that remained in his heart to the orphan Vanyusha, replacing his father. He adopted an orphan soul and that is why he began to gradually return to life. With all the logic of his story, M. A. Sholokhov proved that his hero is in no way broken by his difficult life, he believes in himself. I believe that the meaning of the title of the work is that a person, despite all the hardships and hardships, nevertheless managed to find the strength in himself to continue to live on and enjoy his life!

Andrei Sokolov is organically inherent in the "golden rule" of morality: do not hurt another. He is kind and trusting to people, truly loves his home, wife and children, he is caring, helpful with his comrades, attentive to a person in trouble. He is fair and under no circumstances loses high human dignity, conscience and honor. His moral ties with people are so strong that even the hardest vicissitudes of the war could not cut them off.

And the writer draws attention to one more interesting feature. His hero, first of all, thinks about his own duties to relatives and comrades, homeland, people, humanity. That is why Sokolov's fate is a human fate, a people's fate.

Text based on the story of M.A. Sholokhov "The Fate of Man"

The feat of Andrei Sokolov lies in his resilience, fidelity to duty, in his humanity and compassion for those who are near, who need his help. These noble feelings are not killed in him either by the war, or by the grief of losing loved ones, or by the difficult years of captivity.

To take on the upbringing of an orphan boy, while realizing what a burden of responsibility for his fate falls on the shoulders - not every person will decide on this, and even after the trials they have endured. It would seem that a person, exhausted both spiritually and physically, must lose strength, break down or isolate himself from life with a veil of indifference.

Sokolov is not like that.

With the advent of Vanyusha, a new stage opens in his life. And the hero of the story will pass the rest of his life path in the highest degree with dignity.

Although "The Fate of a Man" is a work in the genre of a small form, it presents a picture of an epic scope. The fate of the protagonist reflects the labor biography of the country in peacetime and the tragedy of the entire people in the war years, his unbroken spirit and steadfastness. The image of one person symbolizes the portrait of a whole generation.

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  • Andrey Sokolov's feat
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  1. New!

    Twelve years after the Great Patriotic War in 1957 M.A. Sholokhov writes the story "The Fate of a Man", the main character of which is a simple Russian man - Andrei Sokolov. The personality of Andrei Sokolov M. Sholokhov reveals using ...

    2. The enemies burned down his native hut, Ruined his entire family. Where is the soldier to go now, Whom to bear his sadness? M. V. Isakovsky “The Fate of a Man” is a story about how a person defeated his fate, and a child became a symbol of this victory. At the front and in German...

    Criticism has already written about the peculiar circular composition of the story. The meeting of the narrator with Andrei Sokolov and his adopted son Vanyusha at the crossing over the spring flooded river at the beginning and farewell at the end with the boy and a stranger, but now become...

    The name of M. A. Sholokhov is known to all mankind. In the early spring of 1946, that is, in the first post-war spring, M.A. Sholokhov accidentally met an unknown person on the road and heard his story-confession. For ten years the writer hatched the idea of ​​a work, ...

    Russian writers have always paid great attention to the problem of a person's moral choice. In extreme situations, a person shows his true qualities, makes a certain choice. This confirms the right to be called a Man. Main character...

  2. New!

    The Second World War is the greatest tragic lesson for both man and mankind. More than fifty million victims, a myriad of destroyed villages and cities, the tragedy of Hiroshima and Nagasaki, which shook the world, made a person take a closer look at ...

Koroleva Natalya Valerievna, teacher of Russian language and literature

Literature lesson Grade 9

Topic: Andrey Sokolov's feat in M. Sholokhov's story "The Fate of a Man" SLIDE 1

Target: to show the heroism of a simple Russian man who survived all the hardships of the war, but managed to keep the warmth of his soul.

Tasks:

Tutorials:

    improve the skills of analyzing a literary work;

    contribute to the enrichment of students' vocabulary through lexical work with unfamiliar words;

    improve the skills of working with the Reference and Legal System "Consultant Plus: High School".

Developing:

    develop tolerance;

    help children to discover the contradiction between legislation and real life;

    improve the ability of expressive reading, coherent utterance;

    to develop the ability of comparative analysis of documents and works of art;

    to form the skill of working with various sources of information in order to search and select the necessary material;

    develop independent thinking.

Educational:

    show children the value of human life;

    to cultivate in the process of learning such moral qualities as honesty, kindness, justice, a sense of duty, mercy, loyalty to one’s word;

    instill a love for literature and the history of their homeland;

    cultivate respect for the opinions of others.

Methodical methods: analytical work with text, methods of comparison, independent work.

Forms of organization of educational activities: group and frontal work.

Equipment: computer, multimedia projector, presentation, legal reference system "Consultant Plus: High School", handouts, workbooks, textbook: Literature. Grade 9 Textbook-reader for educational institutions. Compiled by V.Ya.Korovina, I.S.Zbarsky, V.I.Korovin. - M.: Education, 2010.

During the classes

    Teacher's word.


One of the outstanding works of Sholokhov is the story “The Fate of a Man”, published in 1957. It was written relatively quickly, but this was preceded by a significant creative story: between a chance meeting with a person who became the prototype of Andrei Sokolov, and the creation of the story, about 10 years passed. . The author shows the tragedy of our people during the war years, talks about the disasters and suffering that befell the Russian people.

    Watching an Episode SLIDE 2

Teacher's word:


Guys, pay attention, the story is called "The Fate of a Man", and not "The Fate of Andrei Sokolov." What do you think was Sholokhov's goal?

Pay attention to the features of the composition. It is a story within a story with two narrators. What do you think is the purpose of Sholokhov choosing such a structure of the work?

Does Andrey Sokolov's story about his life look like a confession?

    Lexical work.

Confession - 1. For Christians: confession of their sins before a priest who forgives sins on behalf of the church and God, church repentance. 2.Peren. A frank confession of something, a story about one's innermost thoughts, views (book).

(Explanatory dictionary of the Russian language S.I. Ozhegov, N.Yu. Shvedova, - M., 2007)

    The main milestones in the fate of Andrei Sokolov (through a brief retelling of the text) SLIDE 3
    Teacher's word:
    Let's remember what we learn about the life of the main character from his story and fill in the following table.

Filling in the table.

An example of filling a table.

Job

Family

House

Happiness

    Feat

    Captivity

    First escape

    Second escape

    Return to the front

    Loss of family

    Uryupinsk

    Meeting with Vanya

    Adoption

3. Questions session.

    What detail does Andrey's interlocutor pay attention to? SLIDE 4 (watching the episode)

    What do Andrey Sokolov's eyes say?

    Lexical work SLIDE 5

How can you name the actions of the hero that you remembered from the plot?

feat - heroic, selfless act.

(Explanatory dictionary of the Russian language S.I. Ozhegov, N.Yu. Shvedova, M., 2007, 944 pages)

    Work with text. Reading and watching the episode (first escape). SLIDE 6

    Questions session.

    How and why is Andrei Sokolov punished?

    What human rights were violated by the Nazis?

    Teacher's word:

After the Second World War, the governments of the countries of the world, horrified by the brutality of the Nazis, adopted the Universal Declaration of Human Rights on December 10, 1948. those states that have signed the Declaration must take into account the articles of the Declaration in their legislative acts.

Let's remember which Russian legislative act reflects human rights? (in which basic law of the state).

Constitution of the Russian Federation

CHAPTER 2. RIGHTS AND FREEDOMS OF HUMAN AND CITIZEN

Article 20

1. Everyone has the right to life.

2. Until its abolition, the death penalty may be established by federal law as an exceptional measure of punishment for especially grave crimes against life, provided that the accused has the right to have his case heard by a jury.

Article 21

1. The dignity of the individual is protected by the state. Nothing can be grounds for belittling him.

2. No one shall be subjected to torture, violence, other cruel or degrading treatment or punishment. No one can be subjected to medical, scientific or other experiments without voluntary consent.

Article 22

1. Everyone has the right to liberty and security of person.

2. Arrest, detention and detention are allowed only by a court decision. Pending a court decision, a person may not be detained for more than 48 hours.

Article 26

1. Everyone has the right to determine and indicate their nationality. No one can be forced to determine and indicate their nationality.

2. Everyone has the right to use their native language, to freely choose the language of communication, upbringing, education and creativity.

    Group work with the Reference legal system "Consultant Plus: Secondary School" "Constitution of the Russian Federation"
    Teacher's word:
    So, we have concluded that the Germans violated human rights. Let's turn to the Constitution of the Russian Federation and determine which rights have been violated.

    The right to live(article 20)

    Right to liberty and security of person(article 22)

    Labor is free(article 37)

    Everyone has the right to health care and medical care(article 41)

    The Russian Federation recognizes and guarantees the rights and freedoms of man and citizen in accordance with the generally recognized principles and norms of international law(article 17)

    Teacher's word:

Andrei Sokolov is severely punished for escaping. But that didn't stop him! And he makes a second escape. SLIDE 7Watching an episode.

SLIDE 8 table

Clear, convincing in its simplicity and harsh truth, the work of M. Sholokhov still makes the reader resent and shudder, passionately love and hate sharply.

Before us is an unforgettable image of an ordinary Soviet soldier - Andrei Sokolov. A man who endured everything, overcame everything ... Sholokhov's art of portrait modeling is great: it is fresh, compressed to the limit and expressive. From two or three phrases dropped by the author as if in passing, we learn that Sokolov is "tall, round-shouldered", that his hand is "big, callous", and he speaks in a "muffled bass". And only after the narrator uttered the first phrase of his story: “Well, I had to take a sip of goryushka up to the nostrils and higher there, brother,” his portrait immediately appears before us, painted with one or two unforgettable features.

Just as briefly and to the point of physical tangibility, the portrait of the second character in the story, the commandant of the camp, Müller, is vividly molded.

And the image of the cordial, intelligent wife of Andrei Sokolov, the orphan Irinka, who grew up in an orphanage. With her devotion, holy sacrificial love, she resembles the beautiful images of Nekrasov Russian women. And again, he is molded so plastically visibly, and not only outwardly, but also in the most complex spiritual movements. The author achieves special strength in the scene of farewell at the station in the first days of the war.

The volume of the story is striking: the whole life of the family, and the war, and captivity. Even more amazing is the disclosure of the image of Andrei Sokolov. On a small "platform" of the story, a person is shown in joy, and in trouble, and in hatred, and in love, and in peaceful labor, and in war. Behind this image is a multi-million, great, kind, patient people-workers. And how this peaceful people is transformed in the years of military disasters!

Russian soldier! What historian, artist has fully depicted, glorified his valor?! This is a sublime and complex image. Much is fused, intertwined in him such that made him "not only invincible, but also a great martyr, almost a saint - features that consisted of an ingenuous, naive faith, a clear, good-natured cheerful outlook on life, cold and businesslike courage, humility in the face of death, pity for the vanquished, endless patience and amazing physical and moral endurance” (A. Kuprin).

Typical features for a Russian soldier are embodied in the image of Andrei Sokolov. Superimaginable endurance, steadfastness, high moral qualities in the most difficult moments of the war, captivity, post-war life of this man cause a feeling of admiration. “... And I began to gather my courage to look into the hole of the pistol fearlessly, as befits a soldier, so that the enemies would not see at my last minute that it’s still difficult for me to part with my life ...” - says Sokolov. The noble pride of a soldier who does not want to show the enemy the fear of death because shame is worse than death.

Even in cruel enemies, in whom fascism has burned out everything human, the dignity and self-control of the Russian soldier inspires respect. “That's what, Sokolov, you are a real Russian soldier. You are a brave soldier. I am also a soldier and respect worthy opponents. I won't shoot you. In addition, today our valiant troops reached the Volga and completely captured Stalingrad, ”says Muller.

The ability to bring the breadth of the display of life to an epic sound is characteristic only of great talent. Carefully reading the construction of the story, one cannot help but notice the tale technique that the author resorts to, showing the single combat of the Lagerführer and “Russ Ivan”: as in epics and ancient tales that have come down to us from the depths of the people, M. Sholokhov uses the technique of triple amplification. The soldier drank the first glass, preparing for death, and did not have a bite. He drank the second glass and again refused the snack. And only after the third glass of schnapps drunk “stretched out” did he “bite off a small piece of bread, put the rest on the table.”

This is a traditional-fantastic increase in the drama of the action in time. It is used by the writer quite naturally, and this technique of storytellers harmoniously merges with his contemporary story. The work of M. Sholokhov is national in language. The writer reveals the typical image of the Russian soldier Andrei Sokolov in the structure of thought and speech, saturated with well-aimed, original words and folk sayings.

But not only in the noted external signs, such as the technique of triple amplification and the saturation of the language with vivid expressions and proverbs, but, as Belinsky said, in the very "fold of the Russian mind, in the Russian way of looking at things" the writer's nationality is manifested. A sensitive artist, M. Sholokhov, with all his life, with all his thoughts, was connected with the life of his people, with their thoughts and hopes. His creativity was nourished by the life-giving springs of folk wisdom, its great truth and beauty. This determined the fidelity of every detail, every intonation of his work. The main advantage of the story, probably, is that it is built on the correct disclosure of the deepest movements of the human soul.

It would seem that the strength of Andrei Sokolov, mercilessly beaten by life, is about to run out. But no! In his soul lies an inexhaustible source of love. And this love, this good beginning in a person guides all his actions.

Finishing the story, M. Sholokhov did not put a plot point. The writer leaves his heroes in a spring field: a former front-line soldier and a child adopted by him, bound by the great power of love, go the way, and have a great life ahead of them. And we believe that these people will not disappear, they will find their happiness...

No one is able to read without excitement the following monologue by Andrey Sokolov at the beginning of the story: “Sometimes you don’t sleep at night, you look into the darkness with empty eyes and think:“ Why did you, life, cripple me like that? Why did you distort it like that?" There is no answer for me either in the darkness or in the clear sun... No, and I won’t wait!”

Millions of Sokolov's peers, who did not return from the battlefields, who died of wounds and premature illnesses already in peacetime, after the Victory, will never wait for a painful answer to this question.

Only very recently have we begun to talk openly about the huge, often completely unnecessary victims of the Second World War; that it might not exist at all, if Stalin's policy towards Germany had been more far-sighted; about our completely immoral attitude towards our compatriots who were in German captivity ... But after all, the fate of a person can no longer be reversed, not altered!

And at first, Sokolov's life developed like that of many of his peers. “During the civil war he was in the Red Army ... In the hungry twenty-second, he went to the Kuban, to kill the fists, and therefore survived.” Fate generously rewarded Sokolov for his ordeals, giving him such a wife as his Irinka: “Affectionate, quiet, does not know where to seat you, fights to prepare sweet kvass for you even with a small income.” Maybe Irinka was like that because she was brought up in an orphanage and all the unspent affection fell on her husband and children?

But a person often does not appreciate what he has. Underestimated, it seems to me, his wife before leaving for the front. “Other women are talking to their husbands, talking to their sons, but mine clung to me like a leaf to a branch, and only trembles all over ... She says, and sobs behind every word:“ My dear ... Andryusha ... we won’t see you again ... we are with you ... more ... in this ... world ... "Andrey Sokolov appreciated those farewell words much later, after the news of the death of his wife along with her daughters:" Until my death, until my last hour, I’ll die, and I won’t forgive myself for pushing her away then! .. "

The rest of his actions during the war and after the Victory were worthy, masculine. Real men, according to Sokolov, are at the front. He “could not stand such slobbering people, who every day, to the point and not to the point, wrote to wives and sweethearts, smeared snot on paper. It's hard, they say, it's hard for him, and look, they'll kill him. And here he is, a bitch in his pants, complaining, looking for sympathy, salivating, but he doesn’t want to understand that these unfortunate women and kids were no sweeter than ours in the rear.

It was not sweet at the front for Sokolov himself. Provo-shaft it is less than a year old. After two minor wounds - a severe shell shock and captivity, which was considered a disgrace in the official Soviet propaganda of that time. However, Sholokhov successfully circumvents the pitfalls of this problem: he simply does not touch it, which is not surprising if you remember the time when the story was written - 1956. But on the other hand, Sholokhov measured out Sokolov in full for trials behind enemy lines. The first test is the murder of the traitor Kryzhnev. Not every one of us decides to help a completely unfamiliar person. And Sokolov helped. Maybe he did this because shortly before that, a completely unfamiliar military officer helped Sokolov? He fixed his dislocated arm. There is the humanism and nobility of one and the meanness and cowardice of the other.

Sokolov himself cannot be denied courage. The second test is an attempt to escape. Andrei took advantage of the oversight of the guards, fled, went for forty kilometers, but he was caught, the dogs were let loose ... He survived, did not bend, did not keep silent, "criticized" the regime in the concentration camp, although he knew that for this - certain death. Sholokhov masterfully describes the scene of confrontation between the Russian soldier Sokolov and the commandant of the concentration camp Müller. And it is decided in favor of the Russian soldier. Even a great connoisseur of the Russian soul, who spoke Russian no worse than us, Muller was forced to admit: “Here you are, Sokolov, you are a real Russian soldier. You are a brave soldier. I am also a soldier and respect worthy opponents. I shoot you I won't."

Sokolov repaid Muller and all enemies for the gift of life in full, having carried out a successful escape from captivity and grabbing an invaluable language - his major builder. It seemed that fate should have mercy on Sokolov, but no ... Frost passes through the skin when you learn about two more blows that befell the hero: the death of his wife and daughters under the bombing in June 1942 and his son on Victory Day.

What kind of soul Sokolov had to be, so as not to break after all the tragedies, and even adopt Vanyushka! “Two orphaned people, two grains of sand, thrown into foreign lands by a military hurricane of unprecedented strength ... Is something waiting for them ahead?” - asks Sholokhov at the end of the story.

Over 60. I so want Ivan's generation to endure all the hardships of the present time. Such is the fate of the Russian people!